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3/08/2010 2:49 PM
If Gebbs Wedding Films' Michael Gebben didn't have a strict personal policy against selling clients on technology, you can bet he'd be bragging about the two most significant additions to his arsenal he's made recently: Canon's 5D Mark II and EOS 7D DSLRs. For Gebben, a rising industry star whose demo was recently selected for use in the nationally syndicated TV show Wedlock or Deadlock, these so-called fusion cameras have made his already great-looking same day edits (SDEs)-his studio's special Read More
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3/03/2010 9:36 AM
If you are familiar with the more expensive Canon EOS 7D, you'll notice that quite a few of the features listed above were handed down from this camera. There is a lot of chatter online about the viability of the EOS 7D now that the Rebel T2i offers many of its features but with a price savings of $900 (based on street pricing). The thinking is that maybe they should get the Rebel T2i instead and put the extra $$$ toward better & faster lenses. Since this overview was written with the idea of he Read More
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3/01/2010 9:59 AM
RED’s Scarlet appears to be just around the corner and both Sony and Panasonic seem to be responding to the challenge of the upstart photo manufacturers. No matter what acronym you use – DSMC, HD-DSLR, HDSLR – these hybrid HD video / still photo cameras have grabbed everyone’s attention. 2010 may indeed be the year that hybrid digital SLR cameras hit their stride. Read More
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2/25/2010 10:39 AM
Part 1 of a live seminar recorded at BVE London, February 16, 2010. Topics covered: the ability to adapt and meet changing requirements; making the right investments; the importance of efficient workflows. Featuring Matt Davis, Producer and Director, MDMA; Christina Fox, Camera Operator, Trainer/Consultant, Urban Fox; David Fox, Journalist/Technology Writer; Larry Jordan - Producer, Director, Trainer. The panel is chaired by Rick Young of MacVideo.tv Read More
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2/22/2010 10:25 AM
No, this isn’t the 5D workflow article that you’ve been waiting for. That’s still coming in another couple of weeks. In the meantime, I’ve started on another Canon 5D commercial. This time I’m cutting the project in Avid Media Composer instead of Final Cut Pro. There are a number of reasons, including some recent stability issues I’ve had with FCP. In addition, the creative treatment calls for some nice speed ramp effects. Avid’s FluidMotion is simply a much better slomo technology than anything Read More
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