{"title":"AJA","description":"\u003cp\u003eDiscover professional broadcast and production solutions from AJA at Videoguys, your trusted source for live production, streaming, and video workflow technology. AJA delivers industry-leading solutions for IP video, remote production, video conversion, recording, and signal transport, helping broadcasters, content creators, houses of worship, sports producers, and corporate teams build reliable and scalable workflows. From hybrid SDI\/IP integration to low-latency fiber and streaming connectivity, AJA products are designed to simplify complex productions while maintaining exceptional video quality and performance. When you buy AJA products from Videoguys, you get more than just hardware — you gain access to Videoguys’ legendary free tech support, workflow expertise, and personalized advice to help you choose the right solution for your production needs. Speak with a Videoguys tech expert today at 800-323-2325 and discover how AJA can elevate your live production and streaming workflows.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCheck out the \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"Read more about AJA on the Videoguys Blog\" href=\"https:\/\/videoguys.com\/blogs\/news-and-sales\/tagged\/AJA\" target=\"_blank\"\u003e#AJA\u003c\/a\u003e\u003ca href=\"https:\/\/videoguys.com\/blogs\/news-and-sales\/tagged\/Elgato\" title=\"Read more about Elgato on the Videoguys Blog\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cspan\u003e tag on our blog for great articles, videos, and reviews\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"aja-ha5-hdmi-2-0-to-12g-sdi-converter","title":"AJA HA5 HDMI 2.0 to 12G-SDI Converter","description":"\u003cp\u003eThe AJA Hi5 12G-SDI to HDMI 2.0 Converter converts 12G-SDI to HDMI 2.0, with pristine image fidelity and HFR support up to 60p for 4K\/UltraHD, with single cable simplicity. Hi5-12G provides an easy to deploy monitoring connection from professional 4K 12G-SDI devices to new displays with HDMI 2.0 inputs, for cost-effective monitoring in professional workflows. The Hi5-12G can also generate HDR metadata in accordance with HDMI v2.0 and CTA-861-G.\u003c\/p\u003e\r\n\u003cp\u003eIt features a 12G-SDI single link input with a reclocked SDI loop out for simpler SDI confidence monitoring or pass on for SDI pipelines.\u003c\/p\u003e\r\n\u003cp\u003eFiber SFP equipped Hi5-12G models are available including the Hi5-12G-R receiver, which can receive 4K signals over long distances from a Fiber connected source, and the Hi5-12G-TR transceiver, which delivers a 4K\/UltraHD SDI or Fiber source signal to an HDMI destination with pass on of the source through SDI or Fiber to a secondary destination. The Video Source Auto Switch Over feature (SDI and Optical Inputs) in Hi5-12G-R and Hi5-12G-TR provides automatic input changeover with configurable Switch Over Priority selection (Last Valid Input, Priority SDI, and Priority Optical).\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHDR\u003c\/strong\u003e\u003cbr\u003eHDR, or High Dynamic Range, provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. This gives your imagery a more ‘dynamic’ look and allows for natural true to life colors to be communicated to your audience.\u003c\/p\u003e\r\n\u003cp\u003eAJA Hi5 12G-SDI to HDMI 2.0 Converter provides this support for your 4K\/UltraHD\/HD HDR pipelines to HDMI compatible displays by generating HDR metadata in accordance with HDMI v2.0b\/CTA-861-G.  Hi5-12G also provides support for Hybrid Log Gamma (HLG) HDR displays over HDMI.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e4K and UltraHD\u003c\/strong\u003e\u003cbr\u003eTypical 4K signals use a resolution of 4096 x 2160 pixels while UltraHD signals measure 3840 x 2160. This difference can prevent some monitors from being used either in full 4K workflows or in UltraHD workflows. Hi5-12G can compensate for these resolution differences, allowing UltraHD monitors to be used in 4K productions and vice versa.\u003c\/p\u003e\r\n\u003cp\u003eHi5-12G also supports High Frame Rate (HFR) inputs. 4K\/UltraHD signals at 50 or 60 fps can be fed into Hi5-12G and output at up to 60p for viewing with appropriate HDMI 2.0 capable displays.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e12G-SDI Support\u003c\/strong\u003e\u003cbr\u003eThe 12G-SDI input on Hi5-12G allows extremely high quality signal representation through to the HDMI output for use with large raster and deep color workflows where image quality is critical.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAudio Integration\u003c\/strong\u003e\u003cbr\u003eUp to 16-channels of embedded SDI audio are supported on input and can be passed to 8-channel of embedded HDMI audio on the output with the ability to delay the audio from 0 to 7 frames for proper synchronization with the output video. Two channels of analog audio output allow direct external monitoring without the need to disembed the audio separately.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUSB and Mini-Config Support\u003c\/strong\u003e\u003cbr\u003eAJA’s free Mini-Config software can be used with any USB enabled AJA Mini-Converter and provides an easy to use graphical interface with detailed information about the current input and output formats. Control all the parameters of any supported AJA Mini-Converter as well as loading firmware updates from AJA that add new features and functionality. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUniversal Power Supply\u003c\/strong\u003e\u003cbr\u003eAll AJA Mini-Converters ship with a universal power supply that includes international plug connections for use around the world.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCompact and Portable\u003c\/strong\u003e\u003cbr\u003eAJA Mini-Converters are small enough to fit behind a monitor, in the back of a rack, or directly on a camera rig. A locking power connector can't accidentally pull loose and an optional P-TAP power cable allows for battery power in remote locations.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAJA Mini-Matrix\u003c\/strong\u003e\u003cbr\u003eInformation on the complete line of AJA Converters is available in Mini-Matrix. AJA products are extensive and this resource helps you find the right Converter for any situation, wherever you are. Individual products have links back to the main AJA website for more details.\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46119928004852,"sku":"HA512G","price":1118.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/HA512G_001.png?v=1736179946"},{"product_id":"aja-4-channel-2k-hd-sd-or-1-channel-4k-ultrahd-frame-sync-and-up-down-cross-converter","title":"AJA 4-Channel 2K\/HD\/SD or 1-Channel 4K\/UltraHD Frame Sync and Up, Down, Cross-Converter","description":"\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4 is a 4-channel 2K\/HD\/SD or 1-channel 4K\/UltraHD frame synchronizer and up, down, cross-converter, and so much more. This combination frame synchronizer and converter offers incredible versatility and connectivity in a sleek 1RU frame for all your 4K\/UltraHD and 2K\/HD\/SD conversion needs. FS4 offers a wide range of connectivity for both video and audio, including optional SFPs for single link 12G-SDI connectivity.  For HDR workflows, the FS4 supports automatic or configurable HDR metadata generation for the SDI output VPID and HDMI output HDR Infoframe. In Four Channel Mode, FS4 can do the work of four separate devices in 2K\/HD\/SD or combine all processors and channels for maximum flexibility for 4K\/UltraHD productivity in Single Channel Mode.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSupport for two Operational Modes:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSingle Channel Mode for 4K\/UltraHD or 2K\/HD frame sync and conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD\/2K\/HD\/SD video processing and up, down, cross-conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA full range of I\/O options for 4K\/UltraHD including Quad 1.5G; Dual 3G; and Quad 3G, 6G, and 12G over a range of Coax and optional Fiber choices\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEnhanced Single Channel Mode offers the ability to simultaneously output 4K\/UltraHD and a down-converted 2K\/HD\/SD via the SDI Monitor output.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFour Channel Mode for simultaneous independent 2K\/HD\/SD frame sync and conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e2K\/HD\/SD up, down, cross-conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSD\/SD aspect ratio conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHD\/HD cross-conversion (720p\/1080i)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eWidely interoperable with 4K\/UltraHD\/2K\/HD raster support, SQD and 2SI mapping conversion, P, PsF, and Interlaced video\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConfigurable HDR settings for SDI output VPID\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDMI HDR Infoframe generation to support HDR displays per HDMI v2.0b\/CTA-861-G for any 2K\/HD HDMI output format and 2K\/HD output down-scaled from 4K\/UltraHD\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eRegion of Interest scaling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMotion Adaptive Deinterlacer control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eChannel to Channel Sync control guarantees all channels in one or many frame synchronizers output video on the same field or frame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBuilt-in Test Pattern Generator including HDR Color Bar Test Patterns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAudio I\/O processing with a 272x208 matrix of audio possibilities; support for a flexible range of audio feeds from discrete AES to MADI and embedded SDI audio, with each audio input offering sample rate conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimple operation, a redesigned FS menu structure, and quick access to features via front panel buttons, as well as a web-based UI offering control over a LAN or across the web via a REST API\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA 1RU frame offering space, power, and cost efficiencies ideal for broadcast trucks, postproduction, or broadcast settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFive year warranty\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eConfigurable Frame Delay\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAs sports fans have come to expect a more dynamic, interactive experience, augmented reality (AR) is quickly becoming a common and valuable production asset, but one that requires additional video processing time. For seamless integration of AR into live productions, larger frame buffering capacities are required to delay other sources.  FS4 offers the largest configurable frame delay in its class of up to 20 frames per channel, ensuring all sources stay in time.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eDifferent Modes for Different Needs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4 offers various modes of operation for comprehensive conversion and signal processing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSingle Channel Mode provides a full suite of 4K\/UltraHD processing and up, down, cross-conversion to and from 2K, HD, or SD.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEnhanced Single Channel Mode provides simultaneous 4K\/UltraHD and 2K\/HD outputs where the 2K\/HD monitor output can have its own unique down-conversion applied.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFour Channel Mode offers 4x 2K\/HD\/SD channels of simultaneous conversion and processing, all within an elegant 1RU chassis for multi-channel high density delivery.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eSingle Channel Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD Conversion Power with simultaneous 2K\/HD outputs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4 is your real world answer for conversions to and from multiple resolutions, built to AJA’s high quality and reliability standards.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD delivery, processing, and synchronization is fast becoming the next standard, and FS4 gets you there with a wealth of digital video connectivity, including Quad 1.5G, Dual 3G, Quad 3G over 3G-SDI, and 12G\/6G over optional 12G-SDI BNC and 12G-SDI LC Fiber SFP modules.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eIn Single Channel Mode, FS4 will up-convert your HD or SD materials to 4K\/UltraHD or down-convert your 4K\/UltraHD to HD and supports a huge array of audio channels over\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEmbedded SDI, AES, and MADI for an incredible 272x208 matrix of audio processing capabilities.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEnhanced Single Channel Mode offers simultaneous 4K\/UltraHD and 2K\/HD outputs.  In this Mode, frame synchronization and processing can be performed on true 4K or UltraHD signals, and a configurable down-converter is available for HD or SD needs via the SDI monitor output.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFour Channel Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMulti Channel HD Processing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eIn Four Channel Mode, FS4 provides incredibly powerful multi-channel conversion with up to four channels of simultaneous processing for 2K\/HD and SD signals. Powerful conversion processing also allows Region of Interest (ROI) scaling, color correction, proc amp controls, motion adaptive deinterlacing, and much more.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eIn Four Channel Mode, you can also bring in a single HD source and process four separate outputs from it, each with its own conversion applied.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMulti-channel density in a 1RU chassis - space, energy, and power preserved.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eIncredible Digital Connectivity\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eVideo and Audio deserve the connectivity and bandwidth required to meet the demands of your projects.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4 utilizes standard BNC as well as optional SFP inputs and outputs to integrate easily into a variety of workflows and facilities with support for SDI workflows all the way up to 12G. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4 has Coax and Fiber* inputs and outputs to accept 4K\/UltraHD\/2K\/HD\/SD resolution signals in Single Channel Mode. In Four Channel Mode 2K\/HD\/SD inputs can be routed to multiple locations simultaneously without the need for any external signal distribution.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA looping Reference Input allows the FS4 to be locked to your house reference signal for rock solid stability.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDigital Audio can be disembedded and embedded between SDI, MADI, and AES for an incredible array of routing possibilities.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eUp, Down, Cross-Conversion\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMoving to 4K is never an instant change. Legacy signals and archival material need to be integrated into the 4K environment, while 4K\/UltraHD sources need to be down-converted for current 2K\/HD pipelines.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eUtilizing AJA's remarkable conversion algorithms, FS4 supports up, down, cross-conversion from 2K\/HD\/SD to 4K or UltraHD. Both Square Division (SQD) and Two Sample Interleave (2SI) pixel mapping formats are supported.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA's powerful hardware conversion technology ensures the highest image quality for your productions. Key conversion features include:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD\/2K\/HD\/SD up, down-conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSD\/SD aspect ratio conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHD\/HD cross-conversion (720p\/1080i)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAll done in beautiful 10-bit with dedicated hardware\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003e12G\/6G HD-BNC and Fiber SFP Options\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4's SFP options include both 12G\/6G-SDI HD-BNC and LC Fiber I\/O options, including single and dual channel Single Mode options and Multi-Mode options, allowing great SDI flexibility and fiber cable runs of up to 10 kilometers to be connected directly to the FS4 without the need for separate fiber to SDI conversion. Also available are 3G-SDI Fiber LC and SC SFP options.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eMassive Audio Flexibility\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe growth of 5.1 and 7.1 audio has increased the number of audio channels that must be managed in production. The MADI standard provides a convenient way to transport huge numbers of audio channels along a single cable, simplifying the cabling demands for broadcasters, mobile trucks, and production. FS4 supports both fiber and coax MADI input and output.  An internal 277 x 208 mono audio matrix allows you to route 1 to 1, or 1 to many, with full routing of MADI, mixdowns, and all audio coming from SDI, fiber, and AES sources for an incredible amount of audio processing capability in a single box. FS4 also offers high quality Sample Rate Conversion (SRC) on all audio inputs, which can be bypassed for non-PCM audio.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eClosed Captioning Conversion\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4 supports Closed Captioning and the conversion of Closed Captioning between 2K\/HD\/SD and 4K\/UltraHD formats - including full conversion of CEA-608 and CEA-708 standards. FS4 can preserve Closed Captioning even when converting between formats, removing the need to reinsert Closed Captioning after conversion.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eActive Format Description\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAutomatically sets Active Format Description information to match the converted signal. This means AFD information does not have to be inserted after conversion and provides accurate information for devices that understand AFD.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eRemote Configuration and Control\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS4 is network ready and supports SNMP monitoring and web-based remote control. Units can be connected to an Ethernet network via the built-in 10\/100\/1000MB Ethernet port, allowing control and configuration of multiple FS units from a web browser on a connected computer. Configurations can be saved and applied to multiple units, ensuring consistency and quick configuration in large installs. To integrate smoothly with the existing automation of a facility, FS4 can also receive external GPI commands to trigger a variety of functions.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eIndustry Leading Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your FS installation, configuration, operation or encounter any technical issue,  AJA Support will work with you to get up and running. FS products are covered by a generous five year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.\u003c\/span\u003e\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46119928037620,"sku":"FS4","price":7045.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/FS4_001.png?v=1736179939"},{"product_id":"aja-hi5-12g-sdi-to-hdmi-2-0-converter","title":"AJA Hi5 12G-SDI to HDMI 2.0 Converter","description":"\u003cp\u003e\u003cstrong\u003e3G-SDI to HDMI Mini-Converter\u003c\/strong\u003e\u003cbr\u003eHi5-Plus is AJA’s next generation SDI-to-HDMI Mini-Converter for integrating HDMI monitors into professional SDI workflows\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDeep Color HDMI\u003c\/strong\u003e\u003cbr\u003eWhen used with a compatible HDMI monitor, SDI-to-HDMI Mini-Converter outputs a 30-bit Deep Color RGB signal that allows for incredible color representation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e3G-SDI Support\u003c\/strong\u003e\u003cbr\u003eThe 3G-SDI input on Hi5-Plus allows extremely high-quality signal representation through to the HDMI output for use with RGB workflows where image quality is critical.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eAudio Integration\u003c\/strong\u003e\u003cbr\u003eUp to 16-channels of embedded SDI audio are supported on input and can be passed to 8-channel of embedded HDMI audio on the output with the ability to delay the audio from 0 to 7 frames for proper synchronization with the output video. Two channels of analog audio output allow direct external monitoring without the need to disembed the audio separately.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePsF to Progressive conversion\u003c\/strong\u003e\u003cbr\u003eHDMI monitors do not natively support PsF signals. However, many professional productions still work with PsF formats. Hi5-Plus converts incoming 1080PsF signals to 1080p. This progressive signal is compatible with HDMI monitors.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eUniversal Power Supply\u003c\/strong\u003e\u003cbr\u003eAll AJA Mini-Converters ship with a universal power supply that includes international plug connections for use around the world.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCompact and Portable\u003c\/strong\u003e\u003cbr\u003eAJA Mini-Converters are small enough to fit behind a monitor, in the back of a rack, or directly on a camera rig. A locking power connector can't accidentally pull loose and an optional P-TAP power cable allows for battery power in remote locations.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eAJA Mini-Matrix\u003c\/strong\u003e\u003cbr\u003eInformation on the complete line of AJA Converters is available in Mini-Matrix. AJA products are extensive and this resource helps you find the right Converter for any situation, wherever you are. Individual products have links back to the main AJA website for more details.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eIndustry Leading Support\u003c\/strong\u003e\u003cbr\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your Mini-Converter installation, configuration, operation or encounter any technical issue, AJA Support will work with you to get up and running.\u003c\/p\u003e\r\n\u003cp\u003eMini-Converter products are covered by a generous five year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46119928070388,"sku":"Hi512G","price":1118.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/HI512G_001.png?v=1736179965"},{"product_id":"aja-ki-pro-go2-multi-channel-recorder-player","title":"AJA Ki Pro GO2 Multi-Channel Recorder\/Player","description":"\u003cp data-placeholder=\"Type text and format it using the toolbar.\"\u003eOverview\u003cbr\u003eKi Pro GO2 is a portable multi-channel H.265 (HEVC)* and H.264 (AVC) recorder offering up to 4-channels of simultaneous HD or SD recording to qualified USB drives and\/or network storage with redundant recording capabilities.\u003c\/p\u003e\u003cp\u003e4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provide connections to a wide range of video sources, including any 3G-SDI signal from a router for example, professional and prosumer cameras and DSLRs. Incoming video sources do not have to be genlocked due to Ki Pro GO2's input frame synchronizers. Ki Pro GO2 also features AJA's high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI or SDI display, and Enhanced Super Out offers timecode, media status and audio meter overlays over the SDI and HDMI monitor outputs.\u003c\/p\u003e\u003cp\u003eDesigned to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO2 is well suited for use in any production environment be it a global concert tour or your local house of worship.\u003c\/p\u003e\u003cp\u003e*(High Efficiency Video Coding)\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMulti-channel H.265 (HEVC) and H.264 (AVC) recording\u003c\/li\u003e\n\u003cli\u003eEasy-to-use web UI, compatible with standard web browsers\u003c\/li\u003e\n\u003cli\u003eFront panel button controls with integrated HD resolution screen5x USB recording media ports, compatible with off-the-shelf USB 3.2\u003c\/li\u003e\n\u003cli\u003eGen 1 media\u003c\/li\u003e\n\u003cli\u003eOnboard exFAT drive formatting \u003c\/li\u003e\n\u003cli\u003eReal time recording to network (SMB) storage\u003c\/li\u003e\n\u003cli\u003eRedundant recording to user selectable destinations – USB or SMB\u003c\/li\u003e\n\u003cli\u003eBuilt-in Frame Syncs\u003c\/li\u003e\n\u003cli\u003e4x 3G-SDI inputs\u003c\/li\u003e\n\u003cli\u003e4x 3G-SDI outputs\u003c\/li\u003e\n\u003cli\u003e1x 3G-SDI monitoring output\u003c\/li\u003e\n\u003cli\u003e4x HDMI inputs\u003c\/li\u003e\n\u003cli\u003e1x HDMI monitoring output\u003c\/li\u003e\n\u003cli\u003eHDMI and SDI multi-channel matrix monitoring\u003c\/li\u003e\n\u003cli\u003eHDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levels\u003c\/li\u003e\n\u003cli\u003eSingle-channel H.265 or H.264 playback\u003c\/li\u003e\n\u003cli\u003eSelectable VBR recording settings with 5 options \u003c\/li\u003e\n\u003cli\u003eTimecode SDI RP-188 Input Support: Time of Day or Timecode Value\u003c\/li\u003e\n\u003cli\u003eLTC Support, available using 1-channel of Analog Audio In\u003c\/li\u003e\n\u003cli\u003eBalanced XLR analog audio inputs, mic\/line\/48v switchable\u003c\/li\u003e\n\u003cli\u003e2-channel embedded audio per video input\u003c\/li\u003e\n\u003cli\u003eNetwork web UI based file downloads \u003c\/li\u003e\n\u003cli\u003eStand-alone operation\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIndustry Standard Connectivity\u003c\/strong\u003e\u003cbr\u003eThe video and audio connections on the rear panel of the Ki Pro GO2 offer 4x 3G-SDI and 4x HDMI inputs with separate SDI and HDMI monitoring which includes Matrix Monitoring for multi-channel viewing on a single HD display. XLR Analog Audio In supports Mic and Line level signals with Phantom Power for audio recording from master sources, mixers and more. HDMI and SDI 2-channel embedded audio or the XLR analog inputs can be easily assigned to each recording channel. Alternatively, you can use the second Analog Audio input as an LTC input.\u003c\/p\u003e\u003cp\u003eFour USB ports on the front provide easy to access recording media using qualified USB drives, with a fifth USB port on the rear. Flexible destination mapping allows any USB port or network storage to be used as the primary record location and any USB port to be used as a backup location or pass-on of a second copy. This allows for backup or pass-on of a secondary copy of captured files to post-production, clients, or others on your team. You can also map a single source to multiple USBs for duplication.\u003c\/p\u003e\u003cp\u003eFour 3G-SDI outputs ensure that signal pass through is available for connectivity into a wide range of devices from routers, to switchers, additional Ki Pros and more.\u003c\/p\u003e\u003cp\u003eOptional redundant power supplies ensure that always up reliability is provided for your critical live event needs.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGenlock Free Recording\u003c\/strong\u003e\u003cbr\u003ewith Easy Input Mapping\u003cbr\u003eRecord 1, 2, 3 or 4-channels of HD or SD up to 1080p 50\/60 in H.265 or H.264 simultaneously with Ki Pro GO2. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO2 and assign any combination of four inputs at a time for four channels of H.265 or H.264 recording to any four of the 5 USB ports on the Ki Pro GO2.\u003c\/p\u003e\u003cp\u003eTime is always tight, especially for live events. Ki Pro GO2's Genlock free inputs make it easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO2's elegant and easy to use UI.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNetwork Recording\u003c\/strong\u003e\u003cbr\u003eExtend your recording capabilities through the use of external (NAS) storage. Simply connect your storage to the Ki Pro GO2 over a standard Gigabit Ethernet network and take advantage of all the features of networked storage. Use your NAS as your primary storage location or as secondary (backup) media – you can even record to NAS and local, USB-based storage simultaneously, giving you the perfect combination of shared storage and portability.\u003c\/p\u003e\u003cp\u003eKi Pro GO2’s elegant and intuitive UI makes NAS set up easy. Simply enter the IP address of the storage, any required user credentials, and the SMB dialect you wish to use, and you’re ready to record. Ki Pro GO2 simplifies setup even further by auto-detecting the SMB dialect of your NAS system and self-configuring to match. SMB credentials can also be stored in system presets and recalled at the push of a button for “on-the-fly” system reconfiguration.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-24\"\u003e\u003cstrong\u003eLocal and NAS Recording\u003c\/strong\u003e\u003cbr\u003eIn this diagram we can see the Ki Pro GO2 is receiving video from camera sources 1 through 4. The Ki Pro GO2 is recording locally to USB drives connected to the front USB3 inputs. The Ki Pro GO2 is also connected via Gigabit Ethernet to a Gigabit Ethernet switch and a NAS for simultaneous recording. Editorial, Graphics and Digital Asset Management (DAM) workstations are also connected to the same network as the Ki Pro GO2, with both having access to the NAS.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-25\"\u003e\u003cstrong\u003eMulti-Unit Recording With a Single NAS\u003c\/strong\u003e\u003cbr\u003eThis diagram shows two Ki Pro GO2 units, with the first receiving video from camera sources 1 through 4 and the second receiving video from camera sources 5 through 8. Each Ki Pro GO2 is recording locally to USB drives connected to the front USB ports. Both Ki Pro GO2s are connected via Gigabit Ethernet to a Gigabit Ethernet switch. A NAS connected to the same network is also the second recording destination for cameras 1 through 8.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-27\"\u003e\u003cstrong\u003eMultiple, Simultaneous Recording Destinations\u003c\/strong\u003e\u003cbr\u003eThis diagram illustrates the Ki Pro GO2 receiving video from camera sources 1 through 4. The Ki Pro GO2 is connected to multiple USB drives as well as a NAS via Gigabit Ethernet allowing immense flexibility.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-28\"\u003e\u003cstrong\u003eH.265 and H.264 Encoding\u003c\/strong\u003e\u003cbr\u003ePick your Quality. Deliver your Bit Rate.\u003c\/p\u003e\u003cp\u003eKi Pro GO2 allows independent quality settings per channel for recording, with five recording settings choices for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file's playback stream.\u003c\/p\u003e\u003cp\u003eChoose any one of five VBR Recording Settings allowing up to 15Mbps for H.265 and 25Mbps for H.264:\u003c\/p\u003e\u003cul\u003e\n\u003cli id=\"ext-element-32\"\u003eLow: Suitable for talking heads, conference backups, security recording and more.\u003c\/li\u003e\n\u003cli\u003eMed-Low\u003c\/li\u003e\n\u003cli\u003eMedium: Ideal for higher detail and more complex content.\u003c\/li\u003e\n\u003cli\u003eMed-High\u003c\/li\u003e\n\u003cli\u003eHigh: Serves well for fast moving, highly detailed content like sports or live event scenarios like concerts.\u003cbr\u003e\u003cbr\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eKi Pro GO2 records as a standard .MP4 file, providing convenience and compatibility with a huge range of software applications.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-35\"\u003e\u003cstrong\u003eRedundant Recording\u003c\/strong\u003e\u003cbr\u003eKi Pro GO2 offers a large matrix of possibilities for redundant recording needs.\u003c\/p\u003e\u003cp\u003eFour USB ports on the front and a fifth USB port on the rear provide easy to access recording media using qualified off the shelf USB drives. The Ki Pro GO2 offers the user flexibility in choosing any USB port for a channel’s primary and any USB port for a channel’s backup. The backup’s identical redundant recording allows for a true backup or pass on secondary copy of captured files to post-production, clients, or others on your team.\u003c\/p\u003e\u003cp\u003eIn the case of a single input source, you can assign a single input to four primary recording channels and four backup channels in flexible combinations across the 5 USB ports, enabling 8 captures of the source to a total of 5 physical devices for duplication needs.\u003c\/p\u003e\u003cp id=\"ext-element-36\"\u003eThe workflows below provide some examples of just some of the possibilities possible with Ki Pro GO2's focus on a key concept of ‘pass out’ or ‘pass around’ or ‘handout’ media. Hit stop on your recordings and the show is ready to give to your clients right there and then. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-37\"\u003e\u003cstrong\u003eFour Camera Feeds,\u003c\/strong\u003e\u003cbr\u003ePrimary and Backup Recording\u003cbr\u003eConnect four cameras directly to Ki Pro GO2 and capture the recording channels discretely to USB flash sticks in each of the four front of unit USB slots as well as a combination of all four recording channels to a single USB drive connected to the fifth USB port on the rear of the unit.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eThree Cameras, One PGM Primary and Backup Recording\u003c\/strong\u003e\u003cbr\u003eConnect three cameras directly to a vision mixer and then run the camera ISO feeds as well as the Line Cut\/Program Feed from the vision mixer to Ki Pro GO2. Capture all four of the recording channels directly to USB flash sticks in each of the four front of unit USB slots, as well as a combination of all four recording channels to a single USB drive connected to the fifth USB port on the rear of the unit.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePrimary and Backup H.265 or H.264 Recording for Ki Pro Ultra 12G\u003c\/strong\u003e\u003cbr\u003eFor the best of all worlds for multi-camera shoots, connect four cameras directly to Ki Pro Ultra 12G for high quality Apple ProRes capture to AJA Pak Media. Continue the path from the Ki Pro Ultra 12G’s four SDI outputs directly to a Ki Pro GO2 for H.265 or H.264 Primary and Backup recording. 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This feature is available via the web UI when AJA Ki Pro GO2, HELO Plus and Ki Pro Ultra 12G units have IP addresses configured under a common network and subnet mask and are connected via their LAN connections to an Ethernet switch or hub to a host computer.\u003c\/p\u003e\u003cp\u003eWhen used with a Ki Pro Ultra 12G, this provides you with an ideal workflow for Proxy workflows, the ability to walk away simultaneously from a recording session with ProRes or DNxHD files captured from Ki Pro Ultra 12G for a high resolution edit and H.265 or H.264 files from a Ki Pro GO2 for client handoff, streaming and more. Add a HELO Plus to the Group and enable real-time streaming from your system.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMulti-Channel Recording in\u003c\/strong\u003e\u003cbr\u003ePost-Production\u003cbr\u003eMulti-Channel recording with Ki Pro GO2 provides individual, discrete recordings for each input, ready to be imported directly into a multi-camera editing sequence.\u003c\/p\u003e\u003cp\u003eNo additional conversion or software is required, just drag and drop the files directly from the USB drive into your edit software of choice.\u003c\/p\u003e\u003cp\u003eClip names for Ki Pro GO2 are laid out in a logical manner for easy data management and tuned for multi-camera editing.\u003c\/p\u003e\u003cp\u003eKi Pro GO2 automatically appends channel and backup naming for easy data management:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePrimary recorded file number 144 from channel 1 would read: Clip_ch1_144.mp4\u003c\/li\u003e\n\u003cli\u003eBackup recorded file number 144 from channel 1 would read: Clip_ch1_144_bak.mp4\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHD Multi-Channel Matrix Monitoring, Enhanced Super Out\u003c\/strong\u003e\u003cbr\u003eHDMI and\/or SDI monitors can be fed from Ki Pro GO2's SDI and HDMI monitoring connections to display up to four channels of video in a matrix per display or alternatively, you can choose to send a full-screen single channel of your choice to either output, allowing both matrix viewing and close up detail inspection for a channel of your choice.\u003c\/p\u003e\u003cp\u003eThis flexibility ensures multi-camera shoots can be monitored on a single monitor when desired, with no matrix converter or independent monitors required for the utmost efficiency and convenience.\u003c\/p\u003e\u003cp\u003eEnhanced Super Out provides a timecode overlay, per channel audio VU meters and media remaining percentages over SDI and HDMI Monitor outputs, putting what you need to know, where you need to see it.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Resolution LCD with Onscreen Intuitive UI \u003c\/strong\u003e\u003cbr\u003eKi Pro GO2 features a beautiful high resolution large HD display with Video Monitor and Menu\/Status Overlays for precise monitoring of your material and serves as your interface to Ki Pro GO2's intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the HD LCD display.\u003c\/p\u003e\u003cp\u003eKi Pro GO2 features familiar dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time.\u003c\/p\u003e\u003cp\u003eThe current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOff the Shelf USB Media\u003c\/strong\u003e\u003cbr\u003eKi Pro GO2 provides convenient recording to cost effective, off the shelf USB media with FAT or exFAT file systems support for cross-platform use when transferring files to workstations, servers and more.\u003c\/p\u003e\u003cp\u003eKi Pro GO2 supports the formatting of media in standalone operation.\u003c\/p\u003e\u003cp\u003ePlease refer to the Ki Pro GO2: Approved Media List for the most current guide to AJA approved USB media for use with Ki Pro GO2.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4x USB 3.2 Gen 1 primary ports on the front of the unit\u003c\/li\u003e\n\u003cli\u003e1x USB 3.2 Gen 1 port on the back of the unit\u003c\/li\u003e\n\u003cli\u003eAll ports are also compatible with the following standards:\u003cbr\u003e-USB 2.0 (480 Mbps)\u003cbr\u003e-USB 3.0 (5 Gbps)*\u003cbr\u003e-USB 3.1 Gen 1 (5 Gbps)*\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e*Also referred to as SuperSpeed USB\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5V 1A max current per slot\u003c\/li\u003e\n\u003cli\u003eFAT file systems:\u003cbr\u003e-FAT16\u003cbr\u003e-FAT32\u003cbr\u003e-exFAT\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUse with Ki Pro Ultra 12G for Multi-Channel ProRes\u003c\/strong\u003e\u003cbr\u003eFor the ultimate in professional multi-channel recording, combine your new Ki Pro GO2 with Ki Pro Ultra 12G and capture multiple streams, up to four per device, of Apple ProRes or DNxHD and H.265 or H.264 in any combination that suits your needs, in only 2RU of rack space.\u003c\/p\u003e\u003cp\u003eKi Pro GO2 and Ki Pro Ultra 12G offer half rack width and 2RU height for convenient pairings in fly packs, equipment racks, OB trucks, and facility environments.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLTC Insert\u003c\/strong\u003e\u003cbr\u003eKi Pro GO2 provides support for a wide variety of input sources with up to eight inputs. This flexibility also means you may have sources that do not have timecode, and so the system enables you to utilize one of the analog audio inputs as a source for your own Longitudinal Time Code (LTC) insert.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFile Transfers\u003c\/strong\u003e\u003cbr\u003eIn an age of remote workflows, being able to transfer files is key. Ki Pro GO2 offers file transfers across the network through the web UI, accessible from any laptop or workstation on any OS, anywhere.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAudio Flexibility\u003c\/strong\u003e\u003cbr\u003eEach Ki Pro GO2 recording channel can capture 2-channels of embedded audio from 3G-SDI or HDMI inputs, or 2-channel Analog Audio from the XLR ports on the rear of the unit.\u003c\/p\u003e\u003cp\u003eEach XLR port provides a selection of Line, Mic, or +48V Phantom Power for level control and each recording channel offers the choice of Follow Video or Analog Audio.\u003c\/p\u003e\u003cp\u003eThis flexibility enables the capture of audio coming straight from the source input or the capture and insertion of audio from an audio mixer or microphone as desired.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRemote Configuration and Operation\u003c\/strong\u003e\u003cbr\u003eKi Pro GO2 is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any standard web browser on any OS, all Ki Pro GO2 parameter settings, clip selection, and transport controls can be controlled remotely over the network.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKPU Shelf\u003c\/strong\u003e\u003cbr\u003eTwo Ki Pro GO2s conveniently fit side by side for easy 2RU rack mounting for workflows that can take advantage of rack mounting, from facilities to flypacks. \u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46120060813556,"sku":"KIPROGO2","price":5330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/KIPROGO2_001.png?v=1736184300"},{"product_id":"aja-fs-hdr-real-time-hdr-wcg-conversion-with-the-colorfront-engine™-video-processing","title":"AJA FS-HDR Real Time HDR\/WCG Conversion with the Colorfront Engine™ Video Processing","description":"\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR is a powerful universal converter\/frame synchronizer designed specifically to meet the High Dynamic Range (HDR) and Wide Color Gamut (WCG) needs of broadcast, OTT, production, post, and live event AV environments, where real time, low latency processing and color fidelity is required for 4K\/UltraHD and 2K\/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR\/WCG functionality is powered by the Colorfront Engine™ proprietary video processing algorithms. In Single Channel Mode, FS-HDR also serves as a full, 1-channel up, down, and cross-converter for up to 4K\/UltraHD HDR\/WCG transformations. In Four Channel Mode, FS-HDR offers four independent channels of 2K\/HD HDR\/WCG transformations, with both modes providing up, down, and cross conversions, and high quality frame syncing, all in a slim, 1RU rackmount form factor.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eColorfront Engine™\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMaintaining Perceptual Integrity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR’s HDR\/WCG capabilities leverage video and color space processing algorithms within the Colorfront Engine, specially licensed by AJA from Colorfront and developed by Colorfront’s CTO Bill Feightner and\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eLead Engineer Tamas Perlaki.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePowered by the Colorfront Engine, FS-HDR’s extensive HDR and WCG processing support enables real time processing of a single channel of 4K\/UltraHD\/2K\/HD, including down-conversion to HD HDR or up to four channels of 2K\/HD simultaneously.  FS-HDR also enables the conversion of popular camera formats from multiple vendors into the HDR space, plus conversion to and from BT.2020\/BT.709 as needed, critical for the widespread acceptance of HDR alongside SDR in broadcast and OTT workflows. TV Mode and Live Mode are also offered in AJA’s ColorBox.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine TV Mode provides specific conversions and simplified controls for highlight and roll-off management in live television broadcast productions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine Live Mode provides conversions and controls that support live applications such as broadcast, OTT, A\/V, and venue.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine Film Mode provides conversions and controls, including ASC CDL, for applications such as on-set camera preview and look creation.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFS-HDR Colorfront Engine TV Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eTV Mode is an operational mode that provides a simple to use transform selection interface with minimal controls required for a live television production. It addresses color correction and camera correction while introducing new controls essential for HDR\/SDR transforms, including Sony S-Log3. These new controls for Brightness, Highlight, Super Highlight, and Colorfulness are designed to enable operators to produce high quality SDR and HDR video by processing within the guardrails of Colorfront’s perceptual processing algorithm, which will maintain perceived color, hue, and saturation without hard clipping artifacts and maintaining proper color relationships. These controls help manage highlights and roll-off in HDR to SDR conversions. They also improve the quality of the SDR output by using more of the information available in the HDR source.  Shouldn’t your SDR deliverable benefit from all the effort put into your HDR production?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe Colorfront Engine uses conversion algorithms based on the human visual system that provide better SDR to HDR color transformation, as well as improving the overall look of SDR sources used in your HDR production. To protect and maintain color fidelity of SDR brand colors used in graphics or in-camera, the combination of SDR to HLG and HLG to SDR transforms using the Colorfront Engine TV Mode provides the necessary “round-tripping” capabilities.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA perceptual transform integrates the various human perceptual phenomena into a model or perceptually linear transform space. Unique to the FS-HDR Colorfront Engine TV Mode, transforms are calculated in this perceptual space. Dynamic range, surround illumination, color volume, perceived saturation, and perceived hue are accounted for.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFS-HDR for Real Time HDR Workflows\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDeliver more immersive content to audiences with the power and flexibility of AJA FS-HDR. See how FS-HDR and the Colorfront Engine can simplify real time HDR\/WCG transformations and make it easy to maintain the look you’ve worked to achieve across SDR to HDR, HDR to HDR, and HDR to SDR for both 4K and HD needs.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eReal Time HDR Converter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe pursuit of High Dynamic Range (HDR) is the dream of getting closer to the Human Visual System (HVS) in all we experience as viewers. FS-HDR has been created to get us all there faster with a low profile, stand-alone device uniquely designed to bridge SDR to HDR, HDR to SDR, and HDR to HDR, all in real time.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDR Conversions:\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDR to HDR \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR to HDR \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDR to SDR\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eWCG Conversions:\u003c\/span\u003e\u003cul\u003e\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBT.709 and BT.2020 \u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eUp and Down Conversion examples:\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting HD SDR BT.709 sources to UltraHD HDR BT.2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting UltraHD HDR BT.2020 sources to HD SDR BT.709 or HD HDR BT.2020\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eConfigurable Frame Delay\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAs sports fans have come to expect a more dynamic, interactive experience, augmented reality (AR) is quickly becoming a common and valuable production asset, but one that requires additional video processing time. For seamless integration of AR into live productions, larger frame buffering capacities are required to delay other sources. FS-HDR offers the largest configurable frame delay in its class of up to 20 frames per channel, ensuring all sources stay in time.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFS-HDR Key Features\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDR to HDR, SDR to HDR and HDR to SDR conversions for Dynamic Range and Wide Color Gamut needs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSupport for two Operational Modes:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eSingle Channel Mode for 4K\/UltraHD or 2K\/HD frame sync and conversion including HDR conversions\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD\/2K\/HD\/SD video processing and up, down, cross-conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA full range of I\/O options for 4K\/UltraHD including Quad 1.5G; Dual 3G; and Quad 3G, 6G and 12G over a range of Coax and optional Fiber choices\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEnhanced Single Channel Mode offers the ability to simultaneously output 4K\/UltraHD and 2K\/HD with their own independent HDR transform settings for convenient Single Master HDR workflows.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eFour Channel Mode for simultaneous independent 2K\/HD\/SD frame sync and conversion including HDR conversions\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e2K\/HD\/SD up, down, cross-conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSD\/SD aspect ratio conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHD\/HD cross-conversion (720p\/1080i)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eEach processing channel can independently select from:\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine TV Mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine Live Mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine Film Mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBBC HLG LUT Mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eNBCU LUT Mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eUser LUT Mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDynamic LUT Mode\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003e33-point Tetrahedral 3D LUT Processor supporting:\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBuilt-in BBC HLG 3D LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBuilt-in NBCU 3D LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eUser 3D LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDynamic 3D LUTs through third party applications\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eWidely interoperable with 4K\/UltraHD\/2K\/HD raster support, SQD and 2SI mapping conversion, P, PsF and Interlace support\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConfigurable HDR settings for SDI output VPID\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDR Color Bar Test Patterns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDMI HDR Infoframe generation to support HDR displays per HDMI v2.0b\/CTA-861-G for any 2K\/HD HDMI output format and 2K\/HD output down-scaled from 4K\/UltraHD\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eRegion of Interest scaling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMotion Adaptive Deinterlacer control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eChannel to Channel HFR Sync guarantees all channels in one or many frame synchronizers output video on the same field or frame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAudio I\/O processing with a 277 x 208 matrix of audio possibilities; support for a flexible range of audio feeds from discrete AES to MADI and embedded SDI audio, with each audio input offering sample rate conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimple operation, a redesigned FS menu structure, and quick access to features via front panel buttons, as well as a web-based UI offering control over a LAN or across the web via a REST API\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA 1RU frame offering space, power, and cost efficiencies ideal for broadcast trucks, postproduction, or broadcast settings\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eParametric Controls for HDR Transforms and Color Correction\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR provides parametric controls for Colorfront Engine’s HDR transforms and color correction in Live, TV, and Film Modes. Each parametric control is accessible via FS-HDR’s front panel, the web GUI on any browser, or REST interface, and settings can be stored to a preset for recall later or copied to other FS-HDR units.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine parametric controls offer the following and much more:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eTV Mode:\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHighlight and roll-off management with Brightness, Highlight, and Super Highlight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfulness control for managing the Hunt Effect\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eRound trip setting for ensuring a technical match during a round trip process\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting RGB and Master color controls for:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eLift, Gamma, and Gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting for camera correction with Exposure, Color Temp, and Tint\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eLive Mode:\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHDR Log Look, SDR Softness, HDR Amount, Ambient Light Compensation, P3 Clamp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting RGB, and Master color controls for:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eLift, Gamma, and Gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting for camera correction with Exposure, Color Temp, and Tint\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eFilm Mode:\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eGrading Color Spaces and Looks, HDR Amount Ambient Light Compensation, P3 Clamp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting RGB, and Master color controls for:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSlope, Power, and Offset\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting for camera correction with Exposure, Color Temp, and Tint\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting Saturation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eGuiding the algorithm’s color volume expansion from SDR to HDR\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting for the Ambient Light in the mastering or viewing environment\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eManaging how SDR highlights and speculars are expanded into HDR\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eControlling the overall look of camera log inputs between cinematic and television\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAdjusting for camera correction with Exposure, Color Temp, and Tint\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ Output Nit Level adjustment from 48 to 4000 Nit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDCI P3 Color Space Clamp for PQ output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSupport for ITU BT.2408, Operational Practices in HDR Television Production\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eReal Time Camera Log Conversions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR can take incoming imagery from some of the most popular professional cameras in the world today and convert their Log output in real time to 4K\/UltraHD or 2K\/HD and output as either HDR or SDR. This greatly simplifies workflows in a mixed camera environment and provides for a unified input workflow to HDR or SDR capable switchers and more. Additionally, FS-HDR provides the ability to convert to Sony S-Log3\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eS-Gamut on output from any of these sources for workflows requiring this Log feed to compatible switchers and more.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony S-Log3 S-Gamut3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony S-Log3 S-Gamut3 Cine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony S-Log3 BT.2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eARRI Log C Wide Gamut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eARRI LogC4 Wide Gamut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePanasonic Vlog\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eRED Log3G10 Wide Gamut \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCanon Log2 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCanon Log3\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eACES Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe Academy Color Encoding System (ACES) is an industry standard for managing color throughout a motion picture or television production life cycle. From capture through editing, VFX, mastering, public presentation, archiving, and future remastering, ACES ensures a consistent color experience that preserves the creative vision. FS-HDR offers an ACES Grading Color Space with ACEScct Input and Output Dynamic Ranges for real time integration with ACES workflows.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eLOOKs\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eColorfront Engine in Film Mode offers built-in LOOK selection including film stock emulation and popular aesthetic looks, valuable tools for on-set and episodic production and you can even mix between any two for unique specific aesthetic needs:\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eLOOK\u003c\/span\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eLook A or B Select\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterLook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterBroadcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterLookBright\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterLookCool\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterLookLowCon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterLookSoftColor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterLookVivid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterLookWarm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterPastelD60\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMasterPastelD65\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAgfa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eARRI K1S1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBleach\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eClassicFilm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEktachrome\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFilmBlended\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFilmBlendedLoCon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFujiDI\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFujiXD\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eGenericFilm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eKodachrome\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eReversalClassic\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA\/B Mix\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eInputs: Dynamic Range\/Color Gamut \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR BT.709 100 Nits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Extended BT.709\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ BT.2020 1000 Nits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ P3D65 1000 Nits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHybrid Log Gamma BT.2100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG Extended BT.709\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG Extended BT.2100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony® S-Log3 S-Gamut3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony S-Log3 S-Gamut3 Cine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony S-Log3 BT.2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eARRI Log C Wide Gamut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eARRI LogC4 Wide Gamut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePanasonic® V-Log\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eRED Log3G10 Wide Gamut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCanon Log 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCanon Log 3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eACEScct\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e*Not all settings available in all modes\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eOutputs: Dynamic Range\/Color Gamut \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR BT.709 100 Nits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Extended BT.709\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ BT.2020 1000 Nits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ BT.2020 Constrained to P3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ P3D65 1000 Nits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHybrid Log Gamma BT.2100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG Extended BT.709\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG Extended BT.2100\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony S-Log3 S-Gamut3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSony S-Log3 BT.2020\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eARRI Log C Wide Gamut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eARRI LogC4 Wide Gamut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eACEScct\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e*Not all settings available in all modes\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eBBC HLG LUTs Mode\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBBC HLG LUTs Mode offers additional functionality that adds HDR conversion options, particularly for television broadcasters who are looking for specific conversion criteria.\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSupports mathematical HLG HDR dynamic range mapping per ITU BT.2408\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eScene-light and Display-light conversions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR, PQ, and S-Log3 to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG to SDR and PQ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eUtilizes 33-point Tetrahedral 3D LUT Interpolation\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eBBC HLG LUT Conversions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Scene Referred (SR) to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Scene Referred (SR) to HLG Strict\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Scene Referred (SR) UpMap to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Scene Referred (SR) UpMap to HLG Strict\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Display Referred (DR) to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Display Referred (DR) UpMap to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR BT.2020 Display Referred (DR) to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR BT.2020 Display Referred (SR) UpMap to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ 1000 Nits Display Referred (DR) to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePQ 4000 Nits Display Referred (DR) to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eS-Log3 100% Scene Referred (SR) to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eS-Log3 200% Scene Referred (SR Live) to HLG\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG to SDR Scene Referred (SR)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG to SDR Scene Referred (SR) Strict\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG to SDR Display Referred (DR) Color Apperance Model (CAM)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG to SDR Display Referred (DR) Super White\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG to PQ 1000 Nits Display Referred (DR)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHLG to SDR BT.2020 Display Referred (DR) Super White\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDR Scene Referred (SR) to HLG to SDR Display Referred (DR)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003e3D LUT Uploads and Dynamic LUT Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e3D LUTs place color and luma in a 3D space, a much more representative way of how color works in the real world and useful for capturing and relaying more complex color grades than 1D LUTs. FS-HDR supports uploads of user created 3D LUTs (33-point .cube format), with the ability to store and recall as needed through the FS-HDR's simple visual GUI. This is ideal for bringing a standard desired look to a production, applying a creative LUT previously designed for the sake of the project, or potentially loading a film emulation LUT for a particular look.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eSDR Preview Mode\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe Colorfront Engine SDR Preview Mode allows a user to quickly see what an HDR output will look like if it were converted to SDR by an FS-HDR.  This is extremely useful in functions like camera shading, where the operator is making adjustments to an HDR camera while viewing the image on an HDR display.  A key question is, \"What will this picture look like when down-converted to SDR?\" The FS-HDR's unique SDR Preview Mode provides a fast way to answer this question without requiring an HDR to SDR equipment chain or reconfiguring the existing HDR monitor. When SDR Preview is enabled, the Colorfront Engine maps the video into the currently selected HDR space (PQ or HLG), but with values that will exactly represent the SDR image.  This eliminates the time normally required to change the output format to SDR and the wait for the display to reconfigure.  By simply controlling the on\/off state of SDR Preview (from the front panel, Web GUI, or GPI), the operator can make quick, glitch free A\/B comparisons of the HDR and SDR images.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eHDR Workflows for UltraHD and HD with FS-HDR\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR opens a range of exciting possibilities for the integration of HDR within a range of workflows:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting from a house HDR standard to a delivery HDR standard.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting from a camera OETF to a house HDR standard.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting from HDR standard to SDR for delivery or monitoring.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting SDR camera output to a house HDR standard.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting SDR sources to HDR for integrating into an HDR program.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting HD SDR BT.709 sources to UltraHD HDR BT.2020.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting UltraHD HDR BT.2020 sources to HD SDR BT.709.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eConverting source inputs to Sony S-Log3 S-Gamut3.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eSingle Channel Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD Conversion Power with simultaneous 2K\/HD outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD delivery, processing, and synchronization is fast becoming the next standard, and FS-HDR gets you there with a wealth of digital video connectivity, including Quad 1.5G, Dual 3G, Quad 3G with built-in BNC connectors, and 12G\/6G over optional 12G-SDI HD-BNC and 12G-SDI LC Fiber SFP modules.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eIn Single Channel Mode, FS-HDR will up-convert your HD or SD materials to 4K\/UltraHD or down-convert your 4K\/UltraHD to HD  and supports a huge array of audio channels over Embedded SDI, AES, and MADI for an incredible 272x208 matrix of audio processing capabilities.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEnhanced Single Channel Mode offers simultaneous 4K\/UltraHD and 2K\/HD outputs for Single Master HDR workflows.  In this Mode, HDR processing can be performed on true 4K or UltraHD signals, and down-conversion with HDR processing is available for HD HDR or HD SDR needs via the SDI monitor output.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe channel’s color transform can be configured for Colorfront Engine TV Mode, Colorfront Engine Live Mode, Colorfront Engine Film Mode, BBC HLG 3D LUTs, NBCU 3D LUTs, User 3D LUTs, or Dynamic LUT Mode to accomplish the desired HDR transform.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFour Channel Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMulti-Channel HD HDR Processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eIn Four Channel Mode, FS-HDR provides incredibly powerful multi-channel conversion with up to four channels of simultaneous HDR processing for 2K\/HD and SD signals. Powerful conversion processing also allows Region of Interest (ROI) scaling, color correction, proc amp controls, motion adaptive deinterlacing, and much more.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEach channel can be independently configured for Colorfront Engine TV Mode, Colorfront Engine Live Mode, Colorfront Engine Film Mode, BBC HLG 3D LUTs, NBCU 3D LUTs, User 3D LUTs, or Dynamic LUT Mode to accomplish the desired HDR transform.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color:rgb(0,0,0);\"\u003eIn Four Channel Mode, you can also bring in a single HD source and process four separate outputs from it, each with its own HDR\/SDR transformations.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMulti-channel density in a 1RU chassis conserves space, power, and weight.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eIncredible Digital Connectivity \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eVideo and Audio deserve the connectivity and bandwidth required to meet the demands of your projects.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR utilizes standard BNC as well as optional SFP inputs and outputs to integrate easily into a variety of workflows and facilities with support for SDI workflows all the way up to 12G.  \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR has Coax and Fiber* inputs and outputs to accept 4K\/UltraHD\/2K\/HD\/SD resolution SDI signals in Single Channel Mode. In Four Channel Mode, 2K\/HD\/SD inputs can be routed to multiple locations simultaneously without the need for any external signal distribution.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA looping Reference Input allows the FS-HDR to be locked to your house reference signal for rock solid stability.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDigital Audio can be disembedded and embedded between SDI, MADI, and AES for an incredible array of routing possibilities.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e* SFP inputs and outputs are optional.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eUp, Down, Cross-Conversion\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMoving to 4K is never an instant change. Legacy signals and archival material need to be integrated into the 4K environment while 4K\/UltraHD sources need to be down-converted for current 2K\/HD pipelines.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eUtilizing AJA's remarkable conversion algorithms, FS-HDR supports up, down, cross-conversion from 2K\/HD\/SD to 4K or UltraHD video and back over 12G\/6G\/3G-SDI.  Both Square Division (SQD) and Two Sample\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eInterleave (2SI) pixel mapping formats are supported.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA's powerful hardware conversion technology ensures the highest image quality for your productions. Key conversion features include:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD\/2K\/HD\/SD up, down-conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSD\/SD aspect ratio conversion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHD\/HD cross-conversion (720p\/1080i)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAll done in beautiful 10-bit with dedicated hardware.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003e12G\/6G HD-BNC and Fiber SFP Options\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR's SFP options include both 12G\/6G-SDI HD-BNC and Fiber LC I\/O options including single or dual channel and Single Mode or Multi-Mode options, allowing great SDI flexibility and fiber cable runs of up to 10 kilometers to be connected directly to the FS-HDR without the need for separate fiber to SDI conversion. Also available are 3G-SDI Fiber LC and SC SFP options.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eRemote Configuration and Control\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eFS-HDR is network ready and supports SNMP monitoring and web-based remote control. Units can be connected to any Ethernet network via the built-in 10\/100\/1000Mb Ethernet port, allowing control and configuration of multiple FS units from any web browser on a connected computer. Configurations can be saved and applied to multiple units, ensuring consistency and quick configuration in large installs. FS-HDR features unique over the network control of HDR settings from within its elegant interface, available from any browser, anywhere.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eIndustry Leading Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your FS installation, configuration, operation or encounter any technical issue,  AJA Support will work with you to get up and running. FS products are covered by a generous five year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.\u003c\/span\u003e\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u0026gt;\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46120060846324,"sku":"FSHDR","price":10495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/FSHDR_001.png?v=1736183435"},{"product_id":"aja-ki-pro-ultra-12g-sdi-4k-uhd-hd-recorder-and-player","title":"AJA Ki Pro Ultra 12G-SDI 4K\/UHD\/HD Recorder and Player","description":"\u003cp data-placeholder=\"Type text and format it using the toolbar.\"\u003eAJA Ki Pro Ultra 12G is a multi-channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K\/UltraHD\/2K\/HD Apple ProRes or Avid DNxHR recorder and player. Avid DNxHD MXF is also supported up to HD formats in Single-Channel mode.\u003c\/p\u003e\u003cp\u003eAJA Ki Pro Ultra 12G offers 12G-SDI single cable simplicity for large rasters up to full 4K, (the 4x 3G-SDI inputs\/outputs can be used for Quad Link operations as required) and HDMI 2.0 digital video connectivity with HDR support for both recording and playback.  \u003c\/p\u003e\u003cp\u003eA wealth of analog and digital audio connectivity answers any project’s demand for efficient, powerful and flexible workflows. For distance and remote needs, 12G and 3G Fiber SFP+ options are available. Ki Pro Ultra 12G also offers the ability to record genlock free sources with frame sync support on inputs.\u003c\/p\u003e\u003cp id=\"ext-element-22\"\u003eDesigned to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro Ultra 12G is well suited for use in any environment.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4K\/UltraHD\/2K\/HD Recorder and Player\u003c\/li\u003e\n\u003cli\u003eSupports single-channel 4K\/UltraHD\/HD recording to ProRes or DNx files\u003c\/li\u003e\n\u003cli\u003eSupports multi-channel HD recording to ProRes\u003c\/li\u003e\n\u003cli\u003eRecords and plays back up to Apple ProRes 4444 XQ or Avid DNxHR HQX\u003c\/li\u003e\n\u003cli\u003eGenlock-free multi-channel HD recording up to 1080 60p\u003c\/li\u003e\n\u003cli\u003eSingle channel recording up to 4K 60p\u003c\/li\u003e\n\u003cli\u003eHDR recording and playback\u003c\/li\u003e\n\u003cli\u003e1x 12G-SDI I\/O \u003c\/li\u003e\n\u003cli\u003e3x 3G-SDI I\/O (4x when also using the 12G-SDI capable port)\u003c\/li\u003e\n\u003cli\u003eHDMI 2.0 I\/O\u003c\/li\u003e\n\u003cli\u003eSFP fiber cage I\/O (fiber modules not included)\u003c\/li\u003e\n\u003cli\u003e2x PAK media bays with Ki Protect \u003c\/li\u003e\n\u003cli\u003eAnalog audio I\/O (DB-25 loom connectivity)\u003c\/li\u003e\n\u003cli\u003eAES\/EBU digital audio I\/O (DB-25 loom connectivity)\u003c\/li\u003e\n\u003cli\u003eMulti-channel embedded SDI and HDMI audio\u003c\/li\u003e\n\u003cli\u003eREF, LTC, RP-188 and RS-422 support\u003c\/li\u003e\n\u003cli\u003eREST interface\u003c\/li\u003e\n\u003cli\u003eSupport for 8K VPID multi-unit playback\u003c\/li\u003e\n\u003cli\u003eFront panel button controls with integrated HD resolution screen\u003c\/li\u003e\n\u003cli\u003eEasy to use web UI, configure and control from standard web browsers\u003c\/li\u003e\n\u003cli\u003eCompact 2RU, half-rack width design\u003c\/li\u003e\n\u003cli\u003eThree year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProfessional Connectivity\u003c\/strong\u003e\u003cbr\u003eThe video and audio connections on the rear panel of the Ki Pro Ultra 12G offer next generation connectivity with single channel 12G-SDI I\/O over either BNC or optional FIber and three additional 3G-SDI ports for multi-channel HD or quad-link capture needs. HDMI 2.0 I\/O offers single cable simplicity all the way up to 4K. AES and analog XLR balanced audio, LTC, RS-422 and LAN round out the package.\u003c\/p\u003e\u003cp\u003eSFP+ cages offer the ability to install optional HD-BNC or Fiber SFPs for long cable run needs.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProRes 422 and 444 Recording\u003c\/strong\u003e\u003cbr\u003eAJA Ki Pro Ultra 12G records 4K\/UltraHD\/2K\/HD to six quality levels of Apple ProRes including Apple ProRes 4444 XQ. 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With full HDMI 2.0, you can monitor it all from 4:2:2 YCbCr to full 4:4:4 RGB in 12-bit.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEdit Ready, Synched Files for Edit\u003c\/strong\u003e\u003cbr\u003eMulti-Channel recording with Ki Pro Ultra 12G provides individual, discrete recordings for each input that are timecode accurate and ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the PAK Media into your edit. 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This gives your imagery a more ‘dynamic’ look and allows for natural true to life colors to be communicated to your audience.\u003c\/p\u003e\u003cp\u003eKi Pro Ultra 12G provides this support for your 4K\/UltraHD\/HD HDR pipelines to HDMI and SDI compatible displays by generating HDR metadata in accordance with HDMI v2.0a\/CTA-861.3 and SMPTE 352, which includes HDR 10 (PQ) and HLG for both input and output.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-23\"\u003e\u003cstrong\u003e8K Playback\u003c\/strong\u003e\u003cbr\u003eKi Pro Ultra 12G has been updated to offer a powerful 8K playback functionality. By utilizing 4x Ki Pro Ultra 12G units as well as RS-422 control to all four units, playback of 8K video is achieved as individual 4K quadrants. The correct 8K SDI VPID is implemented to ensure compatibility with downstream devices. For 4x HDMI playback is also an option for this workflow with the addition of a suitable HDMI 2.0 to HDMI 2.1 converter.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-24\"\u003e\u003cstrong\u003eFamiliar Controls\u003c\/strong\u003e\u003cbr\u003eAnyone familiar with the operation of a tape deck will feel immediately comfortable when working with Ki Pro Ultra 12G.\u003c\/p\u003e\u003cp\u003eJust like a traditional tape deck, Ki Pro Ultra 12G features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time.\u003c\/p\u003e\u003cp\u003eThe current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.\u003c\/p\u003e\u003cp\u003eThe Ki Pro Ultra 12G operating system offers users a logical menu structure that is easy to navigate with menu parameters presented in clear and understandable language.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-26\"\u003e\u003cstrong\u003eRemote Control, Configuration and File Transfers\u003c\/strong\u003e\u003cbr\u003eIn a truck or a machine room, Ki Pro Ultra 12G is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro Ultra 12G parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer.\u003c\/p\u003e\u003cp\u003eMultiple Ki Pro Ultra12G units can even be controlled from a single web interface making Ki Pro Ultra 12G an ideal solution for multi-camera and synched recordings.\u003c\/p\u003e\u003cp\u003eKi Pro Ultra 12G's web UI also provides a simple way to transfer media files across the network for remote sharing when in DATA-LAN mode.\u003c\/p\u003e\u003cp id=\"ext-element-27\"\u003eRS-422 control allows Ki Pro Ultra 12G to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro Ultra 12G. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-28\"\u003e\u003cstrong\u003eReliable Storage Media\u003c\/strong\u003e\u003cbr\u003eKi Pro Ultra 12G captures directly to rugged and reliable AJA PAK SSD media. PAK Media is available in a variety of capacities to best suit the demands of your production.\u003c\/p\u003e\u003cp\u003ePAK 2000 and PAK 1000 are the perfect companions for Ki Pro Ultra 12G offering 2TB or 1TB of fast SSD media for up to 4K recording at 60p in ProRes HQ. PAK 512 and PAK 256 models offer equal performance in smaller capacities when needed.\u003c\/p\u003e\u003cp\u003eThe twin media drive bays on the Ki Pro Ultra 12G allow extremely fast media changes and rollover recording even for multi-channel recording, which allows a recording to start on one media module and seamlessly continue onto the second module once the first has reached capacity.\u003c\/p\u003e\u003cp id=\"ext-element-29\"\u003ePAK Media may also be used with the optional PAK Dock Pro which features a USB 3.2 Gen 2 bus-powered connection for lightning fast data transfers from and to your desktop or laptop.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-30\"\u003e\u003cstrong\u003eexFAT and HFS+ Support\u003c\/strong\u003e\u003cbr\u003eKi Pro Ultra 12G allows you to use the file system that suits your needs. Full flexibility is provided to format your recording media as either exFAT or HFS+ within Ki Pro Ultra 12G itself or from your desktop computer, ensuring wide OS compatibility. PAK media can also be ordered in either format for fast implementation upon arrival.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp id=\"ext-element-31\"\u003e\u003cstrong\u003eInfinite Record and Rollover, Even in Multi-Channel Mode      \u003c\/strong\u003e\u003cbr\u003eLosing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. But Ki Pro Ultra 12G is designed so that as soon as a loss in signal is detected on any of the inputs, a color bars frame with the legend “Loss Of Signal” is recorded until the input is restored or the shoot ends. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. This function works with each input to Ki Pro Ultra 12G and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the time code of each file recorded being equal.\u003c\/p\u003e\u003cp\u003eForced Rollover support allows users to force a rollover recording to the second PAK port at any point, allowing quick extraction of the first PAK drive for fast transfer to editing environments, playout servers and more, while recording continues.\u003c\/p\u003e\u003cp\u003eContinuous recording is made possible with Ki Pro Ultra 12G's Infinite Record feature. This capability ensures uninterrupted recording, even when transitioning between different media.allows continuous recording and rollover from PAK Drive to PAK Drive for a variety of needs including multi-day sporting events, conferences, security needs and much more.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKi Protect\u003c\/strong\u003e\u003cbr\u003eKi Pro Ultra 12G includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.\u003c\/p\u003e\u003cp\u003eWhile recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace of mind on set and in the studio, essential for multi-channel recording.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Resolution LCD with Onscreen Intuitive UI \u003c\/strong\u003e\u003cbr\u003eKi Pro Ultra 12G features a beautiful high resolution HD display for pristine monitoring of your material and serves as your interface to Ki Pro's familiar and intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the 4.8” 720p LCD display.\u003c\/p\u003e\u003cp\u003eThe large LCD provides detailed playback and monitoring perfect for onset use, the OB truck, helicopter or studio and its transparent menu overlays can be set at just the level the user prefers. Ki Pro Ultra 12G offers control over brightness of the display for flexible control to suit your working environment.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4K and HD Monitoring\u003c\/strong\u003e\u003cbr\u003eKi Pro Ultra 12G provides full resolution outputs for 4K, UltraHD and HD over 12G-SDI, 3G-SDI, FIber and HDMI, including the latest affordable UltraHD monitors using HDMI for on-set quality checks. 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Monitoring via the headphone jack on the front of the unit is split into easy 2-Channel groupings by input for on-set checks.\u003c\/p\u003e\u003cp\u003eMulti-Channel Audio monitoring on the built in display and over SDI and HDMI Monitoring out, allows the display of 8 channels of selected embedded audio in SIngle-Channel recording or 2 channels per source when in Multi-Channel recordings.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eClosed Captioning Support\u003c\/strong\u003e\u003cbr\u003eIf you need to record or playout video with Closed Captioning embedded, Ki Pro Ultra 12G is fully compatible with your needs.\u003c\/p\u003e\u003cp\u003eKi Pro Ultra 12G recognizes CEA-708 within incoming SDI Inputs and encodes the Closed Captioning to your Apple ProRes recorded file. 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Fiber allows outgoing and incoming video signals to be transmitted as far as 10 km away.  \u003c\/p\u003e\u003cp\u003e\u003cu\u003eOptional Fiber SFP Modules supported:\u003c\/u\u003e\u003c\/p\u003e\u003cp\u003eSingle LC 12G Fiber Tx SFP AJA - Part # FIBERLC-1TX-12G\u003cbr\u003eSingle LC 12G Fiber Rx SFP AJA - Part # FIBERLC-1RX-12G\u003cbr\u003eDual LC 12G Fiber Tx SFP AJA - Part # FIBERLC-2TX-12G\u003cbr\u003eDual LC 12G Fiber Rx SFP AJA - Part # FIBERLC-2RX-12G\u003cbr\u003eDual HD-BNC 12G Copper Tx SFP AJA - Part # HDBNC-2TX-12G\u003cbr\u003eDual HD-BNC 12G Copper Rx SFP AJA - Part # HDBNC-2RX-12G\u003cbr\u003eSingle LC 3G Fiber Tx SFP AJA - Part # FIBERLC-1-TC\u003cbr\u003eSingle LC 3G Fiber Rx SFP AJA - Part # FIBERLC-1-RX\u003cbr\u003eDual LC 3G Fiber Tx SFP AJA - Part # FIBERLC-2-TX\u003cbr\u003eDual LC 3G Fiber Rx SFP AJA - Part # FIBERLC-2-RX\u003cbr\u003eSingle LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-1-TX-MM\u003cbr\u003eSingle LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-1-RX-MM\u003cbr\u003eDual LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-2-TX-MM\u003cbr\u003eDual LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-2-RX-MM\u003cbr\u003eSingle SC 3G Fiber Tx SFP AJA - Part # FIBERSC-1-TX\u003cbr\u003eSingle SC 3G Fiber Rx SFP AJA - Part # FIBERSC-1-RX\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKPU-Shelf\u003c\/strong\u003e\u003cbr\u003eKi Pro Ultra 12G and Ki Pro GO conveniently fit side by side for easy 2RU rack mounting for workflows that can take advantage of rack mounts, from facilities to flypacks. 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This QC and testing is a key component for reliability and predictability in high pressure professional settings.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003ePAK Media’s connector is a ruggedized connector rated for thousands of Insertions.\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePAK’s connector is designed for multiple insertions into Ki Pros and PAK Dock Pros. This includes robust design, strong metal, and substantial gold plating. Our connector is rated for 10,000 insertions. By comparison, connectors on bare drives are not designed for multiple insertions, substantially putting your precious media content at risk.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003ePAK Media is protected in a rugged cast aluminum enclosure, designed to withstand tough environments and the occasional accidental drop.\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePAK’s are secured in a custom-designed hard aluminum enclosure, designed to protect the recording media. 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PAK Media comes with a one year warranty.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePAK Media\u003c\/strong\u003e\u003cbr\u003eFile based recording means your files are your master copy - something you don't want to leave to chance.\u003c\/p\u003e\u003cp\u003ePAK Media uses a solid metal housing to protect the internal SSD drive from the bumps and bounces of field use, ensuring your media is secure.\u003c\/p\u003e\u003cp\u003eThe reinforced connector is engineered for repeated insertion and removal cycles, unlike the connector built into SSD drives, which is designed primarily to be inserted into a computer and rarely removed.\u003c\/p\u003e\u003cp\u003eThere are four PAK Media sizes available offering a balance between price and long recording needs and you may order the media as preformatted in either HFS+ or exFAT for fast deployment upon arrival.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePAK Media Advantages\u003c\/strong\u003e\u003cbr\u003ePAK Media uses “Enterprise Level” flash memory. This is the highest quality rating available for digital media.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eEnterprise rated memory can have up to 10 times the endurance of consumer media, critical for professional use. Additionally enterprise memory provides data retention during power loss, essential for the preservation of your precious content.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eConsumer media often varies in quality from batch to batch under the same name and label. Enterprise Level media like AJA PAK media is guaranteed to run to the same high quality standards every time, from unit to unit.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eEach PAK unit is individually burned-in and tested at AJA’s plant before you receive it.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAs with every AJA product, each and every PAK unit shipped has been burned-in and tested at our factory in Grass Valley. 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Designed to drop into any existing NDI or SDI workflow as a plug-and-play appliance, it's easy to deploy and administer. AJA Bridge NDI 3G brings immense conversion power and flexibility, fully controllable remotely for AV use, security and surveillance, broadcast, eSports, entertainment venues, and a wide range of other facilities needing high quality, efficient NDI encode and decode. 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Alternatively, BRIDGE NDI can be controlled locally using a mouse and keyboard with the appropriate VGA-capable monitor. In either case, the same intuitive UI allows easy control of all BRIDGE NDI functionality.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eNDI Network Discovery\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA Bridge NDI 3G has a dedicated Source\/Destination interface for viewing and managing your NDI network and its available sources. BRIDGE NDI scans the network and enumerates NDI sources. Different discovery modes can be used to reduce the burden of updating in very busy environments. This powerful toolset allows a birds-eye view across the NDI network, including searching, naming, and even favoriting. It is also at this place in the interface where users can choose to make use of an external discovery server. When doing so, the BRIDGE NDI Source\/Destination interface will continue to update, but now based on the information flowing from a dedicated discovery server, which is best practice when dealing with high volume NDI networks.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eProfessional Video and Audio Toolset\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSDI I\/O: AJA Bridge NDI 3G supports YCbCr, 4:2:2 10-bit video with up to 16 embedded channels of audio, up to HD and 4K\/UltraHD 60p. 4K\/UltraHD SDI I\/O supports either Square Division or 2SI.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eNDI I\/O: AJA Bridge NDI 3G supports UYVY, 4:2:2, 8-bit, or P216, 4:2:2, 16-bit (support for output only), again with up to 16 embedded channels of audio, and up to HD and 4K\/UltraHD 60p.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eGenlock: SDI outputs can Freerun or use an External Reference for timing. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAudio: System wide audio can be set for 2, 8, or 16-channels of audio across SDI and NDI I\/O.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eTimecode: Use Auto mode to make life easy, or dial in specifics if you are looking for VITC1, VITC2, LTC, or Time-of-Day.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBlackout\/Disable: Individual video channels\/groups can be blacked out (video mute)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eMute: Individual video channels\/groups can have audio muted\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eTest Patterns: Send out test patterns during installation or studio setup\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eAJA \u003c\/strong\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eBRIDGE NDI 3G Supports Full Raster DCI 4K\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA Bridge NDI 3G supports up to the full 4K (4096x2160) DCI (Digital Cinema Initiatives) raster dimension. The full DCI raster is important to cinema workflows and to anyone looking to get the highest quality out of every pixel. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDCI over SDI in BRIDGE NDI 3G is supported by maintaining the native raster\/aspect ratio of a film and centering the image on black, ensuring the final raster size for a given digital cinema project will utilize either the full width or height of the DCI raster.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eA few examples are 1.85 Flat @ 3996x2160 and 2.37 Scope @ 4096x1716, both of which are delivered as a 4096x2160 raster with black padding.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eOperational Flexibility\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA Bridge NDI 3G offers enormous flexibility in how all 16-channels can be utilized:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHD I\/O: All HD channels can be used to encode from SDI to NDI or decode from NDI to SDI.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eHD Video and Key I\/O: HD channels can also be allocated into V+K groups enabling dual V+K SDI signals to be combined and encoded into a single NDI output with alpha channel. Conversely, a single NDI input with alpha channel will be decoded and output as dual V+K SDI signals.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e4K\/UltraHD I\/O: HD channels can also be placed into 4K\/UltraHD groups enabling dual or quad SDI signals to be used for 4K\/UltraHD encode from SDI to NDI, or decode from NDI to SDI with support for both Square Division and 2SI.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous Encode and Decode: BRIDGE NDI 3G is also able to encode SDI to NDI and decode NDI to SDI simultaneously, offering a gateway conversion that can connect SDI and NDI work areas with ease.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eAll Encode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA Bridge NDI 3G can be configured so that it encodes all incoming SDI inputs to NDI outputs. This mode supports the following:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eNumber of Simultaneous 3G-SDI Inputs: 16x Simultaneous up to 60p YCbCr 4:2:2 10-bi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous Encodes for Individual HD Channels (1080p): 16x Simultaneous up to 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous Encodes for HD Video and Key Pairs (1080p): 8x Simultaneous up to 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous Encodes for 4K\/UltraHD Groups (2160p): 4x Simultaneous up to 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSupported Encoded Output via 10GigE: NDI UYVY, 4:2:2, 8-bit, or P216, 4:2:2, 16-bit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBRIDGE NDI 3G can accept up to 16 incoming HD baseband video signals via 3G-SDI and apply NDI encode to each, allowing up to 16 individual HD NDI channels to be output via 10GigE. Those 16-channels of\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e3G-SDI can also be utilized to enable eight dual channel Video and Key Groups to NDI outputs or four quad or dual channel 4K\/UltraHD Groups to NDI outputs.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eAll Decode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA Bridge NDI 3G can be configured so that it decodes all incoming NDI inputs via 10GigE ports directly to the SDI outputs. This mode offers the following:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous NDI \/ NDI HX Inputs: 4, 8, or 16x Simultaneous up to 60p, UYVY, 4:2:2, 8-bit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous Decodes for HD (1080p): 16x Simultaneous up to 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous HD Video and Key Decode Pairs (1080p): 8x Simultaneous up to 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimultaneous 4K\/UltraHD Decodes (2160p): 4x Simultaneous up to 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSupported Encoded Output via 10GigE: YCbCr 4:2:2 10-bit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eUp to 16x NDI or NDI HX inputs can be decoded to uncompressed baseband HD video for output via 16x 3G-SDI outputs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBRIDGE NDI can also decode up to 8x NDI streams plus alpha channel for conversion and output as 8x dual 3G-SDI HD Video and Key channels. And when decoding up to 4x 4K\/UltraHD NDI streams, the 16x connections can support either Square Division or 2SI for SDI output.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eEncode\/Decode Combination\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eIt’s also possible to utilize the BRIDGE NDI 3G to provide a combination of both decode NDI to SDI and encode SDI to NDI. For an all HD workflow where both encode (SDI to NDI) and decode (NDI to SDI) are needed simultaneously, BRIDGE NDI 3G supports 8-channels in each direction.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eHardware\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA Bridge NDI 3G is housed in a compact 1RU chassis and offers high density I\/O with 16 bidirectional 3G-SDI connectors as compact DIN 1.0\/2.3 spigots for all baseband video inputs and outputs. Included with BRIDGE NDI 3G are 18x DIN 1.0\/2.3 to BNC connectors to make installation into an existing SDI infrastructure easy. BRIDGE NDI 3G boasts dual 10GigE ports for control and all NDI I\/O, providing support for up to 16-channels of incoming or outgoing NDI streams.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eIndustry-Leading Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your BRIDGE NDI 3G installation, configuration, operation, or encounter any technical issue, AJA Support will work with you to get up and running. AJA Bridge NDI 3G is covered by a generous three year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.\u003c\/span\u003e\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46120209711348,"sku":"BRIDGENDI3G","price":16065.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/BRIDGENDI3G_001.png?v=1736187132"},{"product_id":"aja-helo-plus-advanced-h-264-streaming-and-recording","title":"AJA HELO Plus Advanced H.264 Streaming and Recording","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA HELO Plus H.264 Streaming and Recording is a compact, advanced H.264 streaming and recording stand-alone appliance. HELO Plus offers both SDI and HDMI I\/O with the capability to stream up to 1080p60 to a Content Delivery Network and record simultaneously. Two separate streaming destinations can be set up, and recordings can be made to a combination of SD card, USB storage, and NFS or SMB network storage. HELO Plus also provides Picture-In-Picture and graphics functionality in hardware for compelling presentations made simple.  HELO Plus v.2.0 firmware adds two new features that are optional upgrades with a free trial period, PlayToStream and 4-channel audio support. PlayToStream offers the opportunity to play a live stream out of one encoder and use the other encoder to playback a pre-recorded stream. 4-channel audio support means that you can stream two separate audio pairs via each encode, for multi-language support. HELO Plus offers high quality streaming with ultra-reliable performance for any critical streaming service needs, including eSports, news, sports, education, creator, live events, and beyond.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePortable streaming with 3G-SDI and HDMI video I\/O\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEncode up to 1080p60 in H.264\/MPEG-4\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWeb-based GUI preview window\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eStream to two separate destinations simultaneously\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eCreate Picture-in-Picture streaming\/recording output from multiple input sources\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2-channel stereo audio\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOptional 4-channel audio adds a second stereo pair for streaming alternate languages\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOptional PlayToStream to stream pre-recorded program\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAnalog stereo audio out\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFront panel LED audio meters\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eData rates from 100 kbps to 20 Mbps in MPEG-4\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRecord to SD, SDHC, or SDXC cards, USB storage, NFS, CIFS, or SMB network volumes\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFront-mounted USB slot and SD card slot for local external storage\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSupport for RTP\/UDP, RTSP, RTMP, RTMPS, HLS, and Unicast\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSRT compatibility - Caller and Listener modes\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAV Mute with user graphics upload support for pre-live feeds\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eGroup control for multiple HELO Plus and Ki Pro devices\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eMulti-language UI - WebUI can be selected between English, Japanese, Korean and Chinese\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eThree Year Warranty\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePlayToStream Option\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003ePlayToStream allows the user to stream – via either or both of the Stream outputs – a previous program that was recorded on a HELO Plus and .mp4 and .mov clips recorded on a HELO classic system, stored either on local SD or USB storage or on external SMB or NAS systems. The system can stream live video out of one Stream output while simultaneously performing a PlayToStream action on the other Stream output. The system can also record that live stream while simultaneously performing the PlayToStream output – so a single HELO Plus can simultaneously play back a previously recorded session, stream a live session and record that live session without the need for additional equipment.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e4-Channel Audio Option\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA HELO Plus H.264 Streaming and Recording can expand the number of audio channels available for streaming and recording from 2x channels (a single stereo pair, the standard configuration) to 4x channels (two stereo pairs). This enables multiple dual language workflows, as different languages can now be carried on each stereo pair – as for example, enabling “home” and “away” commentaries in both English and French for Ice Hockey games. Additionally, this option gives the user the ability to extract a stereo audio service from any of the 4x stereo pairs that may be embedded into an SDI signal (Audio 1\u0026amp;2, Audio 3\u0026amp;4, Audio 5\u0026amp;6, Audio 7\u0026amp;8) and use them in either of HELO Plus’s Audio sources for both streaming and recording.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHardware\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHELO Plus is compact, with a very small desktop footprint.  It offers stand-alone capabilities with stream and record buttons on the front of the unit as well as LED indicators. Audio level meters provide valuable feedback about incoming audio. HELO Plus is fanless and silent, allowing it to be used almost anywhere without fear of introducing noise. SD card and USB ports are also situated on the front of the unit for easy access.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRemote or Local Control\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA HELO Plus H.264 Streaming and Recording can be easily configured remotely on a standard web browser, via the Ethernet connection, and using a desktop computer, laptop or iPad. Every function of HELO Plus is accessible in the Web UI, with multiple HELO Plus devices being easily controllable via a tabbed browser window. Once set up to your requirements, HELO Plus can also be controlled via the stream and record buttons on the front of the device, with audio level LED meters providing feedback for monitoring, or the system can be controlled directly from the included web-based UI. There’s also the option for remote control via the system’s integrated REST API. Elgato’s Stream Deck, with the new AJA plug-in found on their marketplace, uses the REST API to drive Key Actions of the HELO Plus and even unlock more features available only through the REST API.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eVideo and Audio Support\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eVideo Formats\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e(HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e(HD) 1080i 50, 59.94, 60\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e(HD) 720p 50, 59.94, 60\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e(SD) 525i, 625i\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eVideo Codec Support\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eH.264\/MPEG-4 Encoder\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAudio Encoding Parameters\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e32 kbps to 256 kbps \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e48 kHz 2-channel stereo\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eMPEG-4 AAC-LC\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSRT Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSRT is an open source video transport protocol and technology stack, developed and pioneered by Haivision, that optimizes streaming performance across unpredictable networks with secure streams and easy firewall traversal, bringing the best quality live video over the worst networks. The SRT Open Source Project, supported by the SRT Alliance, is a collaborative community of industry leaders and developers striving to achieve lower latency internet video transport by continuously improving open-source SRT.   HELO Plus includes SRT (plus encryption) to ensure you are well positioned to deliver streaming video content securely, with low latency and secure reliability.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOperational Flexibility\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHELO Plus' small footprint form factor and silent operation allow it to fit on any desktop, with the operator using the easy to access front panel start\/stop buttons. But just as simply, HELO Plus can be operated remotely from a desktop or laptop computer via Ethernet, which is especially useful for multiple HELO Plus use cases.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHELO Plus is designed to give you the flexibility to configure and deploy HELO Plus to your needs in the field, home, or studio. HELO Plus fits any streaming need imaginable, from sports, news, creator, education, eSports, remote workflows, and many more.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eREST API capabilities provide control for all functions of the HELO Plus, regardless of the scenario, allowing for user developed integration and automation. \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA popular device that takes advantage of the REST API is the Stream Deck from Elgato. We have crafted a plugin that provides ready-to-go Key Actions for Stream Deck users to control the AJA HELO Plus H.264.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSimultaneous Stream and Record\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHELO Plus has the capability to stream and record up to 1080p60 simultaneously in the following combinations:\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eStream to two destinations and record to SD local storage simultaneously\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eStream to two destinations and record to USB local storage simultaneously\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eStream to two destinations and record to NFS\/SMB network storage simultaneously\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHaving a recorded backup of the video stream provides a high quality H.264 version for editing applications, with the most suitable storage being selected. Network storage may make more sense for edit sharing, while an SD card or USB recording provides an easy takeaway for clients or editors.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCalendar Integration \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHELO Plus opens up a world of new streaming workflows for AV, live events, houses of worship, webcasting, corporate communications, production, and post. HELO Plus offers a scheduler that triggers pre-planned start and stop recording and streaming media, simplifying projects requiring definitive schedules. The schedule may be programmed locally through HELO Plus's web UI, importing .ics files, or linking to external calendar providers such as Google Calendar.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLayouts - Powerful Multi-Input Video Processing\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAJA HELO Plus H.264 Streaming and Recording brings an exciting layouts feature, allowing multiple inputs to be combined into a single screen with a graphic element overlay. A layout enables the user to combine the SDI input and the HDMI input into a single output stream and then add a graphic (video + key) into that composite. The layout can have up to four layers, and their priority can be arbitrarily adjusted to suit the customer’s needs.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIn addition to the layering engine, both the SDI and the HDMI layers can be arbitrarily downscaled and positioned anywhere in the frame. Effectively, each live video source can be used in its picture-in-picture (PiP) element.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eThe system also has an internal matte generator, which can be used as the background. In this way, the graphic can be keyed over the dual PiP images, which are “over” a flat matte background.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eThe system can accurately switch from one layout to another frame, allowing the user to “cut” between layouts during a streaming session. Layouts are stored in one of the 20 Presets, allowing users to recall all the parameters needed for a specific purpose. There are ten layouts stored in each preset so that the user can recall the show’s preset and switch between those ten layouts at will.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eThe graphics system is equally impressive - It stores 20 images in its internal, non-volatile memory.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDual Streaming Outputs\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHELO Plus has dual encoders for streaming outputs, giving the flexibility to create different output settings from a single input source. The two encoders can have different packaging settings and different output frame sizes, which means that a single content stream can be presented in two ways to serve a wider audience. It can also be duplicated across both encoders for added resilience. Either of these encoder outputs can serve as the source for the HELO Plus recording system as well.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSimple but Flexible\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe simplified signal flow for video within HELO Plus neatly highlights the flexibility of the device. Tracing a simple pathway for each video input illustrates the encoder, graphics, recording, and new PlayToStream options.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIndustry Leading Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your HELO Plus installation, configuration, operation, or encounter any technical issue, AJA Support will work with you to get up and running. HELO Plus is covered by a generous three year warranty.\u003c\/span\u003e\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46120209744116,"sku":"HELOPLUS","price":2101.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/HELOPLUS_001.png?v=1736187170"},{"product_id":"aja-og-colorbox-opengear-in-line-hdr-sdr-algorithmic-and-lut-color-transforms","title":"AJA OG-ColorBox openGear In-line HDR\/SDR Algorithmic and LUT Color Transforms","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear is a high performance color management openGear card specifically designed to meet the color conversion and color correction needs of broadcast, live events, and on-set applications. Supporting HDR, SDR, and Wide Color Gamut (WCG) signals, it utilizes 12G-SDI for single wire 4K\/UltraHD up to 4:2:2 10-bit 60p or 4:4:4 12-bit 30p, with a unique color processing pipeline, and down-conversion. The OG-ColorBox’s ultra-low latency, less than ½ of a video line, makes it ideal for color managed workflows for live productions.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eBuilt around a 33-point 3D LUT processor with tetrahedral interpolation, the AJA Color Pipeline provides additional 4x 1D LUTs and 2x 3x3 matrices that are each individually configurable or can be converted to Proc Amps or RGB Color Correctors. All of the color processing options can be easily managed via the web user interface, which can be accessed directly from a wired Ethernet connection.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear also includes processing pipelines from NBCU LUTs and ACES. Additionally, OG-ColorBox offers licensable upgrade options for advanced color managed workflows, including the Colorfront Engine, BBC HLG LUTs, and ORION-CONVERT. ORION-CONVERT’s unique real time floating point math approach to color transformations produces higher precision results to get “access to the colors between the colors.” This enables pixel perfect color transforms and round-tripping where maintaining color fidelity is paramount.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe ACES Pipeline includes support for ACES Metadata File (AMF). Internal AMF processing is built on the OpenColorIO (OCIO) from the Academy Software Foundation and supports configurable input and output transforms. The OG-ColorBox is an officially ACES logoed device ensuring end-to-end ACES compliance.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear can overlay information onto the image, including helpful user definable text fields, user loaded images such as graphic elements and frame lines, and more.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear also offers a sophisticated 4K test pattern generator and frame store, bringing useful tools to your workflow, including capturing up to a 4K image as a 16-bit .tiff file for the highest quality reference stills. These captures can be saved locally on OG-ColorBox or onto third party connected computers, which can simultaneously be running applications like Pomfort’s Livegrade Pro\/Studio, Assimilate Live Looks, and QTAKE Video Assist software\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eopenGear compatible card\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12-bit 4:4:4 12G-SDI I\/O for up to 4K\/UltraHD HDR\/WCG 30p\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e10-bit 4:2:2 12G-SDI I\/O for up to 4K\/UltraHD HDR\/WCG 60p\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12-bit 4:4:4 HDMI 2.0 output for up to 4K\/UltraHD HDR\/WCG 30p\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e10-bit 4:2:2 HDMI 2.0 output for up to 4K\/UltraHD HDR\/WCG 60p\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUltra-low latency, less than ½ a video line\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eExtensive AJA Color Pipeline built around the 33pt. 3D LUT processor with tetrahedral interpolation\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e7x nodes plus Overlay\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e1x 3D LUT processor, user configurable as 3D LUT or Dynamic\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4x 1D LUT processors, user configurable as 1D LUT, Dynamic, or Color Corrector\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2x 3x3 Matrix processors, user configurable as 3x3 Matrix, Dynamic, or ProcAmp\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSupports industry standard file types, no conversion to proprietary format required\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eConfigurable Color Space, Range, and Transfer Characteristic\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFull frame LUT processing\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSix Color Processing Pipelines\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAJA Color\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eColorfront (Licensable option)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eORION-CONVERT (Licensable option)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBBC HLG LUT (Licensable option)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eNBCU LUTs\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eACES\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDown-convert 4K to 2K or UltraHD to HD via SDI and\/or HDMI outputs\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4K\/2K Crop for HDMI output\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eVideo Preview in web user interface for confidence monitoring\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eBuilt-in Frame Store\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUp to 4K\/UltraHD frame capture and recall \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eCapture pre or post processed images\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTest Pattern up to 4K\/UltraHD, 14 test patterns built-in\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eOverlay information on output\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUser Text\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUser Overlay\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eInput and Output signal information\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePipeline Configuration\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOverlay can be captured with image for future reference\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eOnboard library for file management\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e16x 1D LUTs\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e16x 3D LUTs\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e16x 3x3 Matrices\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e16x Images\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e16x Overlays\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e16x AMFs\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePreset Management, 10 per Pipeline plus Startup Preset\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHDR signaling metadata management\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eANC metadata pass-through\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEmbedded audio pass-through, SDI 16-ch, and HDMI 8-ch\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSupport for ARRI Alexa 35's Wireless Video Optimized LogC4 (WVO)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eExtensive API for third party control integrations\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEmbedded web server for remote control\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIP configuration and monitoring through Ross DashBoard software\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePower: 19 watts\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHot-swappable\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRear I\/O card included\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTwo slots required for each card\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eCompatible with OG-X-FR and OG-3-FR openGear frames\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRedundant power supply option available on openGear frames\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFive year warranty\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHardware Details\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear features robust design, with the backplane offering:\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12G-SDI Input\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12G-SDI loop through output\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12G-SDI Output\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHDMI 2.0 Output\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEthernet port\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHDMI Cable Retention\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHDMI cables do not natively have a retention mechanism. This is whyAJA OG-ColorBox openGear comes with a unique HDMI cable bracket that can be mounted to the rear card and offers a means to secure the HDMI cable. This helps to ensure connected cables remain installed, even after transportation.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIntegration Across Broad Applications\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear offers key applications for modern workflows, including:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4K\/UltraHD SDR and HDR pipelines for live television and concert production. OB trucks and other live event infrastructure can easily use OG-ColorBox color correct signals and convert SDR signals to HDR and HDR to other delivery formats. The licensable Colorfront, ORION-CONVERT, and BBC HLG LUTs options, as well as the free built-in AJA Color, NBCU LUTs, and ACES pipelines, provide all the necessary tools to manage HDR workflows and conversions. For hardware based control, SKAARHOJ and CyanView have integrated native control of OG-ColorBox into their control panels.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOn-set look management and color grading for DITs or anyone in charge of ensuring that the content captured on-set will meet the needs of the Cinematographer, Director, colorist, costume and lighting designers, and editors on the production. A DIT can easily manage workflows to load multiple looks, make adjustments as needed, and save reference images (up to 4K) for dailies, postproduction, and later use. Pomfort Livegrade Pro and Studio,\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAssimilate Live Looks and Live Assist, and QTAKE Video Assist software integrate easily, offering native control of OG-ColorBox in real time. The unique full frame processing capability of OG-ColorBox eliminates partial frame LUT processing.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWherever the highest quality display monitor calibration is required for a production studio, rental house, on-set, live, or postproduction facility, OG-ColorBox can help. OG-ColorBox features an extensive API that allows third parties, like Light Illusion ColourSpace and Portrait Displays Calman, to control the OG-ColorBox Frame Store and its ability to output 12-bit RGB test patches for high quality monitor calibration applications.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHigh Density Delivered\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eUp to ten OG-ColorBoxes can be used in a 2RU openGear frame, supplying the highest density and lowest latency color accurate control for your OB truck or production facility with the security of redundant power supplies and hot-swap support.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eImage Processing Pipelines\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear comes with a range of Pipelines to choose from. Select any particular Pipeline for your production needs. Some Pipelines are designed specifically for live broadcast, live event, or on-set needs. Others, like the AJA Color Pipeline, offer greater flexibility for more control over each step of a transform for any application. Pipelines like Colorfront, ORION-CONVERT, or BBC HLG LUTs will display a watermark over the image until a license is applied, offering you the ability to “try before you buy” the optional license. OG-ColorBox offers unique image processing capabilities with an unrivaled array of options for a device of its type with full 12-bit 4:4:4 up to 4K 30p and 10-bit 4:2:2 up to 4K 60p, plus down-conversion. A bypass node is integrated into each processing pipeline for both 12G-SDI and HDMI 2.0 outputs, allowing quick comparisons between the input and output signals.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThere are six image processing Pipelines available:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAJA Color\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eColorfront (requires License to remove watermark)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eORION-CONVERT (requires License to remove watermark)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBBC HLG LUTs (requires License to remove watermark)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eNBCU LUTs\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eACES\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePowerful AJA Color Pipeline (ACP)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA Color Pipeline provides users with the most advanced color management tools available in the openGear form factor. With seven nodes of real time processing plus Overlay, the pipeline offers capabilities only seen in software based color correction applications. These nodes give you full control over colorspace, video level, and dynamic range conversion to get the most out of your color managed workflow. Dynamic nodes are controllable by 3rd party applications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e7x processing nodes plus Overlay\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePipeline processes in 12-bit RGB\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003e1x 3D LUT, user configurable as 3D LUT or Dynamic\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e33pt. 3D LUT processor with tetrahedral interpolation\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003e4x 1D LUT, user configurable as 1D LUT, Dynamic, or Color Corrector\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSupports 10 or 12-bit 1D LUTs\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2x 3x3 Matrices, user configurable as 3x3 Matrix, Dynamic, or Proc Amp\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSupports industry standard file types, no conversion to proprietary format required\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eConfigurable Color Space, Range, and Transfer Characteristic\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFull frame LUT processing\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFull bypass node for 12G-SDI and HDMI 2.0\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSet-ups can be easily replicated utilizing OG-ColorBox preset import and export capabilities.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e33pt 3D LUT Processor with Tetrahedral Interpolation\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThis primary 33pt 3D LUT uses tetrahedral interpolation for the highest accuracy color conversion. 3D LUTs provide full volumetric non-linear color adjustment, and a 33pt 3D LUT is a requirement for HDR workflows. Very useful for calibration purposes as the controls can respond to all possible calibration errors. Similarly, high end movie and television productions depend on 3D LUT processing for look generation, distribution, and management. When set to Dynamic, the 3D LUT is fully controllable through 3rd party software like Pomfort’s Livegrade, Assimilate’s Live Looks, and QTAKE Video Assist. The 3D LUT processor supports a wide range of 3D LUT file types and can even process .CLF and .CTF files as 3D LUTs.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e1D LUTs\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eFlexibility is key in production and post, with four 1D LUTs, it is easy to manage your color processing pipeline to get the best possible image. 1D LUTs are commonly used as “shaper LUTs” wrapping around the 3D LUT. The front shaper 1D LUT allows you to map perceptually significant values, typically the darker part of the color space, to use more of the 3D LUT transform data set, resulting in a more effective use of the 3D LUT to produce a better image. The backside shaper 1D LUT is usually the inverse of the front, mapping pixel values into the original dynamic range. 1D LUTs can also be effectively used as log-to-linear and linear-to-log transforms. In the AJA Color Pipeline, 1D LUTs can even be set up as RGB Color Correctors for color correcting a source before 3D LUT processing, this is a common workflow in live production applications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e3x3 Matrices\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear’s two 3x3 Matrices provide the operator a means to perform different color processing tasks outside of an LUT using their own 3x3 matrix files. 3x3 Matrices are commonly used for color space conversion, for example, between RGB and XYZ or YUV, BT.709 and BT.2020, or other color spaces with different primaries. A 3x3 Matrix can be used to color balance a signal if the white balance is off. They can also be used for look creation, such as film emulation. In the AJA Color Pipeline, 3x3 Matrices can even be set up as Proc Amps for adjusting a signal’s Gain, Black level, Hue, and Saturation before 3D LUT processing, this is a common workflow in live production applications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eACES Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Academy Color Encoding System (ACES) is an industry standard for managing color throughout the life cycle of a motion picture or television production. From capture through editing, VFX, mastering, public presentation, archiving, and future remastering, ACES ensures a consistent color experience that preserves the creative vision. OG-ColorBox’s ACES color processing pipeline supports ACES workflows natively and can load and recall 16 AMF (ACES Metadata File) files onboard. Additionally, ACES has given AJA and Pomfort the first joint product certification status for AJA’s OG-ColorBox and Pomfort’s Livegrade for their support of ACES based workflows. The AJA OG-ColorBox carries the official ACES Logo, ensuring end-to-end ACES compatibility.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNBCU LUTs Pipeline\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eNBCU LUTs, developed by NBCUniversal Media, LLC in collaboration with Cromorama, enable a workflow for single-master live production of simultaneous HDR and SDR content. Designed for television broadcasters, NBCU LUTs include SDR, HLG, and PQ LUTs that maximize the dynamic range and color volume in HDR without compromising core SDR broadcasts.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eImperceptible round-tripping of SDR BT.709 \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eConversions designed with a knee that is natural with latitude for live video shading\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eScene Light and Display Light conversions\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSDR, HLG, and PQ conversions\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUtilizes 33 point Tetrahedral 3D LUT Interpolation\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProc Amp and Color Corrector\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFull bypass node for 12G-SDI and HDMI 2.0\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSupport for ITU BT.2408, Operational Practices in HDR Television Production\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNBCU LUT Conversions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e1-NBCU_SDR2HLG_DL_v1.1, SDR UpMap to HLG using Display Light\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2-NBCU_SDR2HLG_SL_v1, SDR to HLG using Scene Light\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e3-NBCU_HLG2SDR_DL_v1.1, HLG to SDR using Display Light\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4-NBCU_SDR2PQ_DL_v1, SDR UpMap to PQ using Display Light\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e5-NBCU_PQ2SDR_DL_v1, PQ to SDR using Display Light\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e7-NBCU_HLG10002PQ_v1, HLG 1000 Nits to PQ\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSet-ups can be easily replicated utilizing OG-ColorBox preset import and export capabilities.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLicensable Options\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear offers a number of ways to further enhance your workflows with SDR\/HDR WCG transforms from key third party developers and broadcasters. Paying only for what you need makes OG-ColorBox very cost effective.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eColorfront Pipeline\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe OG-ColorBox HDR\/WCG capabilities leverage video and color space processing algorithms within the Colorfront Engine, developed by Colorfront’s CTO Bill Feightner and Lead Engineer Tamas Perlaki. Colorfront offers a color processing pipeline with optimized transforms that maintain perceptual integrity designed for use wherever HDR productions are performed.  Colorfront’s TV Mode and Live Mode are now available in both FS-HDR and as a licensable option in OG-ColorBox. TV Mode is an intuitive color processing engine aimed at broadcast workflows that contain SDR, HLG, PQ, and Sony S-Log3 transforms. The same license also enables Colorfront Live Mode, which includes several camera Log formats beyond TV Mode, like the new ARRI LogC4, as well as the new SDR to Dolby Vision Preview Mode with simplified controls for highlights and contrast. Optional License $995 US MSRP\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eColorfront Engine TV Mode\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eColorfront Engine TV mode is geared for broadcast workflows or standard production workflows with simple display referred color conversions. It is similar to the Colorfront Engine Live mode but with a simplified set of color correction controls.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSDR, HLG, PQ, and Sony S-Log3 transforms\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHighlight and roll-off management with Brightness, Highlight, and Super Highlight\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eColorfulness control for managing the Hunt Effect\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRoundtrip setting for ensuring a technical match during a round-trip process\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAdjusting RGB and Master color controls for:\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLift, Gamma, and Gain\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAdjusting for camera correction with Exposure, Color Temp, and Tint\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTV mode may be the right choice for you if you’re working in live television broadcast productions or in any standard productions that do not require camera log conversions beyond Sony S-Log3, you prefer video style color controls (e.g., Lift\/Gamma\/Gain), and a simplified set of color processing controls.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eColorfront Engine Live Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eColorfont Engine Live mode is designed primarily for broadcast style workflows, supporting a variety of color space formats, including camera log.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSDR, HLG, PQ, Sony, ARRI, RED, Panasonic, and Canon transforms\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHDR Log Look, SDR Softness, HDR Amount, Ambient Light Compensation, P3 Clamp\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAdjusting RGB and Master color controls for:\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLift, Gamma, and Gain\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAdjusting for camera correction with Exposure, Color Temp, and Tint\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSDR Preview\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLive mode may be the right choice for you if you're working on broadcast workflows or standard production workflows that require camera Log conversions and you prefer video style color controls (e.g., Lift\/Gamma\/Gain).\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eColorfront SDR to Dolby Vision Preview Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eColorfront Engine SDR to Dolby Vision Preview mode provides a controlled set of SDR to Dolby Vision HDR conversion options. The conversion parameters precisely match the color transforms and controls in Transkoder’s SDR2DolbyVision node, with simplified controls for highlights and contrast. While the tool is primarily used for preview, it can also be applied as an SDR to HDR conversion to produce a perceptually matching HDR output. \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAdjustments for Highlights and Contrast\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePrecisely matches Colorfront Transkoder’s SDR2DolbyVision node\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDoes not generate Dolby Vision metadata\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSDR to Dolby Vision Preview mode is particularly suited for SDR to HDR conversions that involve a downstream Dolby Vision workflow. This mode provides a simple set of customizable controls to fine tune the highlight and contrast amounts for an optimal upmapped HDR image. The SDR to HDR highlight and contrast settings may be reproduced in postproduction, whether for preview in an editorial\/color suite equipped with an AJA ColorBox or for producing final deliverables with corresponding Dolby Vision metadata in Colorfront Transkoder.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eORION-CONVERT Pipeline\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eORION-CONVERT brings the power of Cromorama color science to real time hardware based conversion. This same color science is responsible for the Emmy nominated NBCU LUT based HDR-SDR broadcast workflows, as well as UEFA Euro 2020, Tokyo 2020 Olympics, FIFA 2021 Arab Cup, Beijing 2022 Winter Olympics, and the FIFA 2022 Qatar World Cup, amongst others.   ORION-CONVERT offers the necessary tools for broadcasters to create and deliver the HDR and SDR content consumers expect from a single master HDR workflow by providing critical controls required to set up the right conversion for your production. By being able to set the HDR and SDR reference anchor points in an HDR to SDR conversion, you can target an SDR program output that suits your market's SDR display needs. You can target 200 nits SDR, resulting in a much more representative image for the camera shader and a more vibrant HDR image for the viewer at home, or target a perceptual match at 100 nits SDR. Also, in an HDR to SDR conversion, the unique 2-stage knee offers a pre-conversion compression in HDR only and a post-conversion compression in SDR only, providing very effective roll-off management control. The new Gamma Compensation feature applies the optional OOTF (as described in section 5.1 of ITU-R BT.2408-5) to compensate for the subjective change in appearance between SDR and HDR, ensuring compatibility between different color conversion philosophies.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBBC HLG LUT Pipeline\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eBBC HLG LUTs Pipeline offers additional functionality that adds field proven HDR conversion options, particularly for television broadcasters who are looking for specific conversion criteria.  This mode provides an RGB Color Corrector and Proc Amp to color correct the signal prior to conversion.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUltra-Low Latency\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOG-ColorBox processing takes no time at all. With total latency of less than ½ of a video line, a live signal can be processed and output in real time to meet the critical + - half line input timing requirement of most production switchers. This also reduces lip sync issues in live event productions where every frame counts and anywhere high quality, low latency video processing is required. Applications span from IMAG to LED Volumes to in-camera VFX and everywhere in between.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e4K\/UltraHD Down-conversion and 4K\/2K Crop\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eNew down-conversion feature for SDI and HDMI outputs with independent conversions per output available for all pipelines. With this feature, you can now down-convert either or both the SDI and HDMI outputs to a lower resolution. Full 4K \u0026gt; 2K or UltraHD \u0026gt; HD (1920x1080). For example, using a high resolution camera with a 4K or UltraHD baseband output and on-set monitoring needs to be in HD.  There is also a new 4K\/2K Crop for the HDMI output for HDMI monitors that don’t support full 4K or 2K resolutions. By offering the crop function, OG-ColorBox can center crop the image and provide an unscaled image on the HDMI output that is compatible with a wider range of UltraHD and HD displays.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e4K\/UltraHD Frame Capture and Recall\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eUnique to a device in its class, AJA OG-ColorBox openGear has incredible frame capture and recall up to 4K\/UltraHD 16-bit .tiff files, allowing you to capture pre or post processed reference images. Multiple use cases are possible, from VFX composite checks to look comparisons between takes to ensure consistency and general reference image capture, recall, and import\/export to validate the color processing pipeline. Frames can be stored locally on OG-ColorBox for easy access or saved directly to a computer running 3rd party software like Livegrade and Assimilate. Capture or recall up to 16 full resolution images locally with an option to include the Overlay if needed. If the resolution of the image doesn’t match your target format, OG-ColorBox can even scale it to fit.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTest Pattern Generator\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOG-ColorBox can also output standard test patterns without the need for an active input. OG-ColorBox test patterns can be used in any number of scenarios where a test signal is needed rather than a source signal. The test patterns are configurable to output a wide range of video formats and frame rates, including up to 4K\/UltraHD.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRGB Color Correction and Proc Amp\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eIn AJA Color Pipeline, the 1D LUTs can be configured as RGB Color Correctors and the 3x3 matrices as Proc Amps. This allows for source color correction and image control prior to or after performing a 3D LUT transform, ensuring the best possible conversion. BBC HLG LUTs and NBCU LUTs pipelines also offer an RGB Color Corrector and Proc Amp prior to 3D LUT processing.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAdvanced Overlay and ANC Metadata Management\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA OG-ColorBox openGear offers several important features, from overlaying selected metadata and user data on the video for live use, capturing or embedding in the .tiff file for later use, or just passing ANC metadata to the next SDI device or application using the OG-ColorBox API via Ethernet. By storing the ANC data, one can quickly come back to and recall the exact camera settings, pipeline configuration, etc., that created an image. OG-ColorBox also offers a customizable user text field that is great for overlaying any information on an image needing to be conveyed to an observer, such as camera or lens information, if the camera can’t provide it. When setting up a shot, many factors need to be considered when framing it. The camera manufacturer, the sensor size, the lens, and the target aspect ratio all play a role. The ability to see frame lines on-set gives the production the best chance at capturing the shot composition correctly for the project from the get-go. AJA OG-ColorBox openGear also offers a User Overlay, providing the ability to import and overlay custom images onto the output. Those images could be frame lines or any other image, such as a mask to dim camera status overlays, logos, etc., imported as .png files to the Overlay library and recalled along with or without the already available overlay information.  User Text and User Overlay can also be stored on the captured image as part of the Overlay. Additional Overlay accessible data includes Input and Output VPID, Timecode presence, Closed Captioning presence, and Pipeline Configuration. Output HDMI infoframe status is also available in the UI.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFlexible Control via LAN\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAccess to the intuitive WebUI control with Video Preview for confidence monitoring from a standard web browser over the LAN.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eopenGear Compatibility\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe openGear standard ensures that AJA cards will be compatible with other openGear products from certified openGear partners. With a growing list of products, openGear is the standard for professional rackframe solutions.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFlexible I\/O\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe modular rear panel allows custom I\/O connections per card (included with individual cards).\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFailsafe\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe optional redundant power supply provides a secondary power source in the event of a primary power failure.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEthernet Access\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA standard Ethernet connection allows the frame to be accessed via the Ross DashBoard software application for overall frame communication. Optional per-card Ethernet access can be installed in the frame for advanced communication with compatible openGear cards.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDashBoard Software\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRoss DashBoard software offers quick and convenient configuration of openGear cards on macOS, Windows, and Linux.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIndustry Leading Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your openGear installation, configuration, operation, or encounter any technical issues, AJA Support will work with you to get up and running. openGear products are covered by a generous five year warranty.  Please see the individual Product Manual for additional specifics regarding warranty conditions for the product itself.\u003c\/span\u003e\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46151300579572,"sku":"OGColorBox","price":2241.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/OGCOLORBOX_001.png?v=1739984778"},{"product_id":"aja-colorbox-in-line-hdr-sdr-algorithmic-and-lut-color-transforms","title":"AJA ColorBox In-line HDR\/SDR Algorithmic and LUT Color Transforms","description":"\u003cp\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox from AJA is a high performance color management device specifically designed to meet the color conversion and color correction needs of broadcast, live events, and on-set applications. Supporting HDR, SDR, and Wide Color Gamut (WCG) signals, it utilizes 12G-SDI for single wire 4K\/UltraHD up to 4:2:2 10-bit 60p or 4:4:4 12-bit 30p, with a unique color processing pipeline, and down-conversion. The ColorBox’s ultra-low latency, less than ½ of a video line, makes it ideal for color managed workflows for live productions.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eBuilt around a 33-point 3D LUT processor with tetrahedral interpolation, the AJA Color Pipeline provides additional 4x 1D LUTs and 2x 3x3 matrices that are each individually configurable or can be converted to Proc Amps or RGB Color Correctors. All of the color processing options can be easily managed via the web user interface, which can be accessed directly from a wired Ethernet connection.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox also includes processing pipelines from Colorfront, NBCU LUTs, and ACES. Additionally, ColorBox offers licensable upgrade options for advanced color managed workflows, including the Colorfront Engine, BBC HLG LUTs, and ORION-CONVERT. ORION-CONVERT’s unique real time floating point math approach to color transformations produces higher precision results to get “access to the colors between the colors.” This enables pixel perfect color transforms and round-tripping where maintaining color fidelity is paramount.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eThe ACES Pipeline includes support for ACES Metadata File (AMF). Internal AMF processing is built on the OpenColorIO (OCIO) from the Academy Software Foundation and supports configurable input and output transforms. ColorBox is an officially ACES logoed device ensuring end-to-end ACES compliance.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox can overlay information onto the image, including helpful user definable text fields, user loaded images such as graphic elements and frame lines, and more.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox also offers a sophisticated 4K test pattern generator and frame store, bringing valuable tools to your workflow, including capturing up to a 4K image as a 16-bit .tiff file for the highest quality reference stills. These captures can be saved locally on ColorBox or onto third party connected computers, which can simultaneously be running applications like Pomfort’s Livegrade Pro\/Studio, Assimilate Live Looks, and QTAKE Video Assist software.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e12-bit 4:4:4 12G-SDI I\/O for up to 4K\/UltraHD HDR\/WCG 30p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e10-bit 4:2:2 12G-SDI I\/O for up to 4K\/UltraHD HDR\/WCG 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e12-bit 4:4:4 HDMI 2.0 output for up to 4K\/UltraHD HDR\/WCG 30p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e10-bit 4:2:2 HDMI 2.0 output for up to 4K\/UltraHD HDR\/WCG 60p\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eUltra-low latency, less than ½ a video line\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eExtensive AJA Color Pipeline built around the 33-point 3D LUT processor with tetrahedral interpolation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e7x nodes plus Overlay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e1x 3D LUT processor, user configurable as 3D LUT or Dynamic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e4x 1D LUT processors, user configurable as 1D LUT, Dynamic, or Color Corrector\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e2x 3x3 Matrix processors, user configurable as 3x3 Matrix, Dynamic, or ProcAmp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSupports industry standard file types, no conversion to proprietary format required\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eConfigurable Color Space, Range, and Transfer Characteristic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eFull frame LUT processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSix Color Processing Pipelines\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eAJA Color\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorfront (Free and Licensable option)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eORION-CONVERT (Licensable option)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eBBC HLG LUT (Licensable option)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eNBCU LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eACES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eDown-convert 4K to 2K or UltraHD to HD via SDI and\/or HDMI outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e4K\/2K Crop for HDMI output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eVideo Preview in web user interface for confidence monitoring\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eBuilt-in Frame Store\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eUp to 4K\/UltraHD frame capture and recall \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eCapture pre or post-processed images\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eTest Pattern up to 4K\/UltraHD, 14 test patterns built-in\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eOverlay information on output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eUser Text\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eUser Overlay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eInput and Output signal information\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003ePipeline Configuration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eOverlay can be captured with image for future reference\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eOnboard library for file management\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e16x 1D LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e16x 3D LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e16x 3x3 Matrices\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e16x Images\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e16x Overlays\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e16x AMFs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003ePreset Management, 10 per Pipeline plus Startup Preset\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eHDR signaling metadata management\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eANC metadata pass-through\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eEmbedded audio pass-through, SDI 16-Ch and HDMI 8-Ch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSupport for ARRI Alexa 35's Wireless Video Optimized LogC4 (WVO)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eCompact; 4 units can fit in just 1RU \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eUltra quiet fan operation suitable for on-set environments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eLightweight, 1.0 lb (0.5 kg)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eRobust locking 4-pin mini-XLR power connector, DC power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eOn\/Off button so you can save power when not in use\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSelect button used to bypass video processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eExtensive API for third party control integrations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eEmbedded web server for remote control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eConfigure IP Address via USB port and supplied AJA eMini-Setup software for Windows and macOS\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eThree year warranty\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eColorBox features elegant design, with the front panel offering:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eUSB OTG (on-the-go) port, configure initial IP address, or connect third party WiFi adapter \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSelect Button, manually bypass video processing \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003ePower Button, manually turn on and off\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSDI Lock LED indicates lock to supported SDI input format\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eStatus LED indicates various ColorBox states\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eThe rear provides:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e12G-SDI Input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e12G-SDI loop through output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e12G-SDI Output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eHDMI 2.0 Output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e4-pin mini-XLR power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eEthernet port\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eThe ultra quiet fan and properly positioned vents draw cool air through the front of the unit and exhaust warm air out of the back. ColorBox is designed to operate in warm environments, up to 122°F (50°C).\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eIntegration Across Broad Applications\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox offers key applications for modern workflows, including:\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e4K\/UltraHD SDR and HDR pipelines for live television and concert production. OB trucks and other live event infrastructure can easily use ColorBox color correct signals and convert SDR signals to HDR and HDR to other delivery formats. The licensable Colorfront, ORION-CONVERT, and BBC HLG LUTs options, as well as the free built-in Colorfront transforms, ACES, and NBCU LUTs, provide all the necessary tools to manage HDR workflows and conversions. For hardware based control, SKAARHOJ and CyanView have integrated native control of ColorBox into their control panels.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eOn-set look management and color grading for DITs or anyone in charge of ensuring that the content captured on-set will meet the needs of the Cinematographer, Director, colorist, costume and lighting designers, and editors on the production. A DIT can easily manage workflows to load multiple looks, make adjustments as needed, and save reference images (up to 4K) for dailies, postproduction, and later use. Pomfort Livegrade Pro and Studio, Assimilate Live Looks and Live Assist, as well as QTAKE Video Assist software integrate easily, offering native control of ColorBox in real time. The unique full frame processing capability of ColorBox eliminates partial frame LUT processing.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eWherever the highest quality display monitor calibration is required for a production studio, rental house, on-set, live, or postproduction facility, ColorBox can help. OG-ColorBox features an extensive API that allows third parties, like Light Illusion ColourSpace and Portrait Displays Calman, to control the ColorBox Frame Store and its ability to output 12-bit RGB test patches for high quality monitor calibration applications.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eCompact Form Factor\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox is just 4in. x 7.5in. (104.1mm x 191.6mm), requiring a small footprint on your desktop, or you can rack mount up to four ColorBox devices in just 1RU with AJA’s 1RU Utility Shelf for easy addition to both production and post installations in DIT carts, fly away kits and equipment racks. It is also lightweight at just 1 lb. (0.5kg), making it perfect for DIT and mobile applications.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eImage Processing Pipelines\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox comes with a range of Pipelines to choose from. Select any particular Pipeline for your production needs. Some Pipelines are designed specifically for live broadcasts, live events, or on-set needs. Others, like the AJA Color Pipeline, offer greater flexibility for more control over each step of a transform for any application. Pipelines like Colorfront, ORION-CONVERT, or BBC HLG LUTs will display a watermark over the image until a license is applied, offering you the ability to “try before you buy” the optional license. ColorBox offers unique image processing capabilities with an unrivaled array of options for a device of its type with full 12-bit 4:4:4 up to 4K 30p and 10-bit 4:2:2 up to 4K 60p, plus down-conversion. A bypass node is integrated into each processing pipeline for both 12G-SDI and HDMI 2.0 outputs, allowing quick comparisons between the input and output signals.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eThere are six image processing Pipelines available:\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eAJA Color\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorfront (requires license to remove watermark for some features)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eORION-CONVERT (requires license to remove watermark)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eBBC HLG LUTs (requires license to remove watermark)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eNBCU LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eACES\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003ePowerful AJA Color Pipeline (ACP)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eAJA Color Pipeline provides users with the most advanced color management tools available for a device of its type.  With seven nodes of real time processing plus Overlay, the pipeline offers capabilities only seen in software based color correction applications. These nodes give you full control over color space, video level, and dynamic range conversion to get the most out of your color managed workflow.  Dynamic nodes are controllable by third party applications.\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e7x processing nodes plus Overlay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003ePipeline processes in 12-bit RGB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e1x 3D LUT, user configurable as 3D LUT or Dynamic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e33-point 3D LUT processor with tetrahedral interpolation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e4x 1D LUT, user configurable as 1D LUT, Dynamic, or Color Corrector\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSupports 10 or 12-bit 1D LUTs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e2x 3x3 Matrices, user configurable as 3x3 Matrix, Dynamic, or Proc Amp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSupports industry standard file types, no conversion to proprietary format required\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eConfigurable Color Space, Range, and Transfer Characteristic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eFull frame LUT processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eFull bypass node for 12G-SDI and HDMI 2.0\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eSet-ups can be easily replicated utilizing ColorBox preset import and export capabilities.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003e33-Point 3D LUT Processor with Tetrahedral Interpolation\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eThis primary 33-point 3D LUT uses tetrahedral interpolation for the highest accuracy color conversion. 3D LUTs provide full volumetric non-linear color adjustment, and a 33-point 3D LUT is a requirement for HDR workflows. Very useful for calibration purposes as the controls can respond to all possible calibration errors. Similarly, high end movie and television productions depend on 3D LUT processing for look generation, distribution, and management. When set to Dynamic, the 3D LUT is fully controllable through third party software like Pomfort’s Livegrade, Assimilate’s Live Looks, and QTAKE Video Assist. The 3D LUT processor supports a wide range of 3D LUT file types and can even process .CLF and .CTF files as 3D LUTs.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003e1D LUTs\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eFlexibility is key in production and post, with four 1D LUTs, it is easy to manage your color processing pipeline to get the best possible image. 1D LUTs are commonly used as “shaper LUTs” wrapping around the 3D LUT.  The front shaper 1D LUT allows you to map perceptually significant values, typically the darker part of the color space, to use more of the 3D LUT transform data set, resulting in more effective use of the 3D LUT to produce a better image. The backside shaper 1D LUT is usually the inverse of the front, mapping pixel values into the original dynamic range. 1D LUTs can also be effectively used as log-to-linear and linear-to-log transforms. In the AJA Color Pipeline, 1D LUTs can even be set up as RGB Color Correctors for color correcting a source before 3D LUT processing, this is a typical workflow in live production applications.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003e3x3 Matrices\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox’s two 3x3 Matrices provide the operator a means to perform different color processing tasks outside of an LUT using their own 3x3 matrix files. 3x3 Matrices are commonly used for color space conversion, for example, between RGB and XYZ or YUV, BT. 709 and BT. 2020, or other color spaces with different primaries.  A 3x3 Matrix can be used to color balance a signal if the white balance is off. They can also be used for look creation, such as film emulation. In the AJA Color Pipeline, 3x3 Matrices can even be set up as Proc Amps for adjusting a signal’s Gain, Black level, Hue, and Saturation before 3D LUT processing, this is a common workflow in live production applications.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eACES Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eThe Academy Color Encoding System (ACES) is an industry standard for managing color throughout the life cycle of a motion picture or television production. From capture through editing, VFX, mastering, public presentation, archiving, and future remastering, ACES ensures a consistent color experience that preserves the creative vision.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eUltra-Low Latency\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox processing takes no time at all. With total latency of less than ½ of a video line, a live signal can be processed and output in real time to meet the critical + - half line input timing requirement of most production switchers. This also reduces lip sync issues in live event productions where every frame counts and anywhere high quality, low latency video processing is required. Applications span from IMAG to LED Volumes to in-camera VFX and everywhere in between.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003e4K\/UltraHD Down-Conversion and 4K\/2K Crop\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eNew down-conversion feature for SDI and HDMI outputs with independent conversions per output available for all pipelines. With this feature, you can now down-convert either or both the SDI and HDMI outputs to a lower resolution.  Full 4K \u0026gt; 2K or UltraHD \u0026gt; HD (1920x1080). For example, using a high resolution camera with a 4K or UltraHD baseband output and on-set monitoring needs to be in HD.  There is also a new 4K\/2K Crop for the HDMI output for HDMI monitors that don’t support full 4K or 2K resolutions. By offering the crop function, ColorBox can center crop the image and provide an unscaled image on the HDMI output that is compatible with a wider range of UltraHD and HD displays.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003e4K\/UltraHD Frame Capture and Recall\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eUnique to a device in its class, ColorBox has incredible frame capture and recall up to 4K\/UltraHD 16-bit .tiff files, allowing you to capture pre or post-processed reference images. Multiple use cases are possible, from VFX composite checks to look comparisons between takes to ensure consistency and general reference image capture, recall, and import\/export to validate the color processing pipeline. Frames can be stored locally on ColorBox for easy access or saved directly to a computer running third party software like Livegrade and Assimilate. Capture or recall up to 16 full resolution images locally with an option to include the Overlay if needed. If the resolution of the image doesn’t match your target format, ColorBox can even scale it to fit.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eTest Pattern Generator\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eColorBox can also output standard test patterns, without the need for an active input. ColorBox test patterns can be used in any number of scenarios where a test signal is needed rather than a source signal. The test patterns are configurable to output a wide range of video formats and frame rates, including up to 4K\/UltraHD.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003e\u003cstrong\u003eIndustry Leading Support\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0, 0, 0);\"\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your ColorBox installation, configuration, operation, or encounter any technical issues, AJA Support will work with you to get up and running. ColorBox products are covered by a generous three year warranty.\u003c\/span\u003e\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46153512517876,"sku":"ColorBox","price":2241.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/COLORBOX_001.jpg?v=1737399765"},{"product_id":"aja-u-tap-sdi-usb-3-0-powered-3g-sdi-capture","title":"AJA U-TAP SDI USB 3.0 Powered 3G-SDI Capture","description":"\u003cp\u003e\u003cstrong\u003eU-TAP SDI - Simple USB 3.0 Powered 3G-SDI Capture\u003c\/strong\u003e\u003cbr\u003eThe U-TAP 3G-SDI USB 3.0 (USB 3.2, Gen 1) capture devices brings professional connectivity and high quality video capture to your laptop or workstation. U-TAP SDI is bus powered with the ability to simply and easily bring in video across 3G-SDI for use within a wide range of software without any drivers to install, as it’s supported directly in macOS®, Windows® and Linux®.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHD\/SD Capture up to 1080 60p over USB\u003c\/li\u003e\n\u003cli\u003e3G-SDI, SMPTE-259\/292\/424 Looping Input\u003c\/li\u003e\n\u003cli\u003eHD 1080 support for PsF 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e1x USB 3.0 (USB 3.2, Gen 1) connector\u003c\/li\u003e\n\u003cli\u003eYCbCr 4:2:2 10-bit workflows supported\u003c\/li\u003e\n\u003cli\u003eHD\/SD and scaled (USB) raster support\u003c\/li\u003e\n\u003cli\u003eConfigurable behavior upon loss of input signal\u003c\/li\u003e\n\u003cli\u003eUVC\/UAC capture, no third-party driver required\u003c\/li\u003e\n\u003cli\u003eCompact, silent and pocketable\u003c\/li\u003e\n\u003cli\u003eBus-powered, no power adapter required\u003c\/li\u003e\n\u003cli\u003eSupports macOS, Windows, and Linux Ubuntu \/ Rocky\u003c\/li\u003e\n\u003cli\u003eUniversal application compatibility\u003c\/li\u003e\n\u003cli\u003eThree year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePocket Power\u003c\/strong\u003e\u003cbr\u003eU-TAP SDI offers easy, cost effective and portable solutions for plug and play capture that is compatible with Windows, macOS and Linux operating systems and a broad range of creative applications. From video conferencing, streaming, social media, gaming and more, U-TAP SDI offers powerful functionality without requiring any third party driver software. U-TAP SDI is smaller than a smartphone, with USB connectivity that provides a quick and easy way to connect SDI sources for capture, without the need to install additional software drivers. Small enough to carry anywhere with you, its bus powered USB connectivity ensures you will never be looking for a power source. U-TAP SDI provides an SDI looping output, allowing you to loop through the source SDI signal to monitors, switchers and more. U-TAP SDI supports frame rates up to 1080p 60, for your HD High Frame Rate (HFR) projects.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRugged and Reliable\u003c\/strong\u003e\u003cbr\u003eU-TAP is small, rugged, reliable and backed by AJA's world renowned support. Small enough to fit in your pocket and with no power supply to carry, it can go with you anywhere. 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The final PGM stream is output from our switched sources via the host computer.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUse Case: Streaming Timeline Workflow for Io X3\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA popular way to stream for NLE and 3D modeling applications is to utilize the timeline output and offer commentary in real time as edits or models are created. Following the same base setup as the NLE workflow and by utilizing AJA’s HD streaming device, the HELO Plus, we can combine two high quality AJA devices to create an extremely robust solution. It is easy to connect a 3G-SDI output from the Io X3 to the 3G-SDI input of the HELO Plus and take the content directly from the timeline playhead to a live stream, with voiceover provided by a USB microphone. A very simple but powerful set up that can be utilized by streaming for both entertainment, remote collaboration and educational purposes, allowing viewers to better contextualize the content.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUse Case: Video and Key Workflow for Io X3\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAJA Io X3 fully supports video and key workflows up to HD 60p as shown in the adjacent diagram. The first instance shows Io X3 connected to a laptop or desktop computer running Ross XPression software. The XPression software is receiving live statistics and weather data as metadata via the internet. It is also receiving two live IP video inputs. The IP video is assigned as video 1 and video 2 out with the incoming statistics and weather metadata assigned as key 1 and key 2 out. Io X3 provides an HDMI out for multiview of all four sources on one monitor. 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This offers many advantages, including audio system scalability, easier installation, and simplified wiring.\u003c\/p\u003e\u003cp\u003eDante also allows uncompressed, multi-channel, low latency high-resolution digital audio to be distributed across a switched Ethernet network using standard TCP\/IP protocols while meeting the stringent quality requirements of professional audio.\u003c\/p\u003e\u003cp\u003eDante audio is the primary choice for ProAV system integrators and a growing number of broadcasters and is widely adopted by 450 manufacturers offering 2500+ Dante device types.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCurrent solutions require many devices, or a very high price to accomplish this bridging. 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The OG-Hi5-12G provides an easy to deploy monitoring connection from professional 4K 12G-SDI devices to devices with HDMI 2.0 inputs. The OG-Hi5-12G can also generate HDR metadata in accordance with HDMI 2.0 and CTA-861-G.\u003c\/p\u003e\r\n\u003cp\u003eIt features a 12G-SDI single link input with a reclocked SDI loop out for SDI monitoring or pass through for SDI pipelines.\u003c\/p\u003e\r\n\u003cp\u003eFiber SFP-equipped AJA 12G-SDI\/HDMI Conversion LC Fiber Transceiver models are available, including the OG-Hi5-12G-R receiver, which can receive 4K signals over long distances from a Fiber connected source, and the OG-Hi5-12G-TR transceiver, which delivers a 4K\/UltraHD SDI or Fiber source signal to an HDMI destination with pass through of the source via SDI or Fiber to a secondary destination. The Video Source Auto Switch Over feature (SDI and Optical Inputs) in OG-Hi5-12G-R and OG-Hi5-12G-TR provides automatic input changeover with configurable Switch Over Priority selection (Last Valid Input, Priority SDI, and Priority Optical).\u003c\/p\u003e\r\n\u003cp\u003eDR\u003cbr\u003eHDR, or High Dynamic Range, provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. 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OG-Hi5-4K-Plus generates HDR metadata in accordance with HDMI v2.0b\/CTA-861.3, including HDR support, and offers a simple monitoring connection from 4K devices with Quad 3G-SDI or Dual 3G-SDI outputs to compatible HDMI 2.0 displays, with two sample interleave (2SI) or square division (Quadrant) pixel mapping.\u003c\/p\u003e\r\n\u003cp\u003eDesigned for use in high density openGear 2RU frames including AJA’s OG-X-FR frame, new DashBoard software support on Windows, macOS and Linux offers remote control and monitoring of the openGear architecture and provides convenient and industry standard configuration, monitoring and control options over a PC or local network.\u003c\/p\u003e\r\n\u003cp\u003eConnectivity\u003cbr\u003eThe latest generation of affordable 4K monitors utilize an HDMI 2.0 connection, which allows a full 4K signal to be passed over a single cable. Typical professional 4K workflows use four SDI cables to carry the full resolution image, making it difficult to incorporate these newer monitors. OG-Hi5-4K-Plus is an easy-to-use converter that bridges the gap between these two worlds for seamless integration.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eHDR\u003cbr\u003eHDR or High Dynamic Range,  provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. 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OG-Hi5-4K-Plus can compensate for these resolution differences, allowing UltraHD monitors to be used in 4K productions and vice versa.\u003c\/p\u003e\r\n\u003cp\u003eOG-Hi5-4K-Plus also supports High Frame Rate (HFR) inputs. 4K\/UltraHD signals at 50 or 60p can be fed into OG-Hi5-4K-Plus and output at up to 60p for viewing with appropriate HDMI 2.0 capable displays.\u003c\/p\u003e\r\n\u003cp\u003eHD Support\u003cbr\u003eNot every job is a 4K job. When you're not working in 4K, OG-Hi5-4K-Plus can still be a useful tool for converting HD-SDI to HDMI. A single HD-SDI signal coming into the OG-Hi5-4K-Plus will be sent out as an HD resolution HDMI signal.\u003c\/p\u003e\r\n\u003cp\u003eAudio\u003cbr\u003eUp to 8-channels of embedded audio in the incoming SDI signal are carried through seamlessly into the HDMI output, ensuring your audio is always in sync and can be easily played back on the connected monitor.\u003c\/p\u003e\r\n\u003cp\u003eopenGear Compatibility\u003cbr\u003eThe openGear standard ensures that AJA cards will be compatible with other openGear products from certified openGear partners. 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You have full control over how that region is scaled to the output resolution using AJA’s high quality scaling algorithms for the cleanest picture quality possible.\u003c\/p\u003e\r\n\u003cp\u003eTake full control of aspect ratio, image rotation and frame rate conversion with on-screen controls in the DashBoard software that shows you what your source and output will look like, including the formats that are coming in and the choices you have made for the signal going out.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eopenGear ROI Window Wall Workflow\u003c\/strong\u003e\u003cbr\u003eYou're able to easily create highly effective and engaging displays by using additional OG-ROI-SDI openGear converters. By utilizing three OG-ROI-SDI openGear converters in the appropriate rackframe you can feed three display monitors side by side, each rotated to portrait mode. By using the SDI pass through of the OG-ROI-SDI, the SDI routed image is in sync, with each OG-ROI-SDI providing the necessary Region of Interest output via SDI. Settings for each of the OG-ROI-SDI openGear converters is provided via ethernet control through an ethernet switch. The result is a visually exciting and creative way to feed display content.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003cbr\u003eOG-ROI-SDI accepts 2-channel analog audio from the 2x 3-pin terminal blocks connectors or embedded 8-channel audio from an SDI input. The audio source and routing can be selected in the DashBoard software and is embedded into the SDI output. 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You have full control over how that region is scaled to the output resolution using AJA’s high quality scaling algorithms for the cleanest picture quality possible.\u003c\/p\u003e\r\n\u003cp\u003eTake full control of aspect ratio, image rotation, and frame rate conversion with on-screen controls in the DashBoard software that shows you exactly what your source and output will look like, including the formats that are coming in and the choices you have made for the signal going out.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003cbr\u003eAJA openGear DVI to 3G-SDI Scan Converter utilizes a direct DVI loop through, allowing it to be placed in-line so you still have a connection to a computer monitor while extracting to SDI. 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This workflow diagram shows how easy it is to keep your facility in sync.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eopenGear Compatibility\u003c\/strong\u003e\u003cbr\u003eThe openGear standard ensures that AJA cards will be compatible with other openGear products from certified openGear partners. 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If you need assistance with any aspect of your openGear installation, configuration, operation, or encounter any technical issues, AJA Support will work with you to get up and running.\u003c\/p\u003e\u003cp\u003eopenGear products are covered by a generous five year warranty.  Please see the individual Product Manual for additional specifics regarding warranty conditions for the product itself.\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46295322034420,"sku":"OGC10DA","price":503.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/OGC10DA_003.png?v=1741706303"},{"product_id":"aja-opengear-3g-sdi-8-channel-24-bit-aes-embedder-disembedder","title":"AJA openGear 3G-SDI 8-Channel 24-bit AES Embedder\/Disembedder","description":"\u003cp\u003eAJA's 3G-SDI Audio Embedder\/Disembedder is a state of the art, openGear compatible, 8-channel AES audio embedder\/disembedder with support for 3G-SDI input and output up to 1080p 60. Simple user controls allow channel enabling and mapping. A 10x BNC rear openGear connector module is included.\u003c\/p\u003e\r\n\u003cp\u003eDesigned for use in high density openGear 2RU frames including AJA’s OG-X-FR frame, new DashBoard software support on Windows, macOS and Linux offers remote control and monitoring of the openGear architecture and provides convenient and industry standard configuration, monitoring and control options over a PC or local network.\u003c\/p\u003e\r\n\u003cp\u003eConnectivity\u003cbr\u003eAJA's 3G-SDI Audio Embedder\/Disembedder provides a 3G-SDI input and 3G-SDI output with four AES BNC connectors in each direction. automatically detects and configures to the input video standard. AES inputs are sample rate converted (SRC) to 48kHz synchronous to the video input. Audio disembedding is always functional providing four AES outputs. Audio embedding is user selectable, on a channel pair basis, to either embed input AES audio or pass 3G-SDI input audio. Simple user controls using DashBoard software allows channel enabling and mapping.\u003c\/p\u003e\r\n\u003cp\u003eopenGear Compatibility\u003cbr\u003eThe openGear standard ensures that AJA cards will be compatible with other openGear products from certified openGear partners. With a growing list of products, openGear is the standard for professional rackframe solutions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eFlexible I\/O\u003cbr\u003eThe modular rear panel allows custom I\/O connections per card (included with individual cards).\u003c\/p\u003e\r\n\u003cp\u003eFailsafe\u003cbr\u003eThe optional redundant power supply provides a secondary power source in the event of a primary power failure.\u003c\/p\u003e\r\n\u003cp\u003eEthernet Access\u003cbr\u003eA standard Ethernet connection allows the frame to be accessed via the Ross DashBoard software application for overall frame communication. 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If you need assistance with any aspect of your openGear installation, configuration, operation, or encounter any technical issues, AJA Support will work with you to get up and running.\u003c\/p\u003e\r\n\u003cp\u003eopenGear products are covered by a generous five year warranty.  Please see the individual Product Manual for additional specifics regarding warranty conditions for the product itself.\u003c\/p\u003e\u003cp\u003eThe OG-3G-AMD is a state of the art, openGear compatible, 8-channel AES audio embedder\/disembedder with support for 3G-SDI input and output up to 1080p 60. Simple user controls allow channel enabling and mapping. A 10x BNC rear openGear connector module is included.\u003c\/p\u003e\u003cp\u003eDesigned for use in high density openGear 2RU frames including AJA’s OG-X-FR frame, new DashBoard software support on Windows, macOS and Linux offers remote control and monitoring of the openGear architecture and provides convenient and industry standard configuration, monitoring and control options over a PC or local network.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003cbr\u003eThe OG-3G-AMD provides a 3G-SDI input and 3G-SDI output with four AES BNC connectors in each direction. OG-3G-AMD automatically detects and configures to the input video standard. AES inputs are sample rate converted (SRC) to 48kHz synchronous to the video input. Audio disembedding is always functional providing four AES outputs. Audio embedding is user selectable, on a channel pair basis, to either embed input AES audio or pass 3G-SDI input audio. Simple user controls using DashBoard software allows channel enabling and mapping.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eopenGear Compatibility\u003c\/strong\u003e\u003cbr\u003eThe openGear standard ensures that AJA cards will be compatible with other openGear products from certified openGear partners. 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Two SDIs inputs and eight SDI outputs are provided. A 10x BNC rear openGear connector module is included.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eopenGear Compatibility\u003c\/strong\u003e\u003cbr\u003eThe openGear standard ensures that AJA cards will be compatible with other openGear products from certified openGear partners. 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If you need assistance with any aspect of your openGear installation, configuration, operation, or encounter any technical issues, AJA Support will work with you to get up and running.\u003c\/p\u003e\u003cp\u003eopenGear products are covered by a generous five year warranty.  Please see the individual Product Manual for additional specifics regarding warranty conditions for the product itself.\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":46295471653108,"sku":"OG12GDA2x4","price":978.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0128\/7847\/9460\/files\/OG12GDA2x4_001.png?v=1741713762"},{"product_id":"aja-opengear-12g-sdi-to-from-sdi-muxer-demuxer","title":"AJA openGear 12G-SDI to\/from SDI Muxer\/DeMuxer","description":"\u003cp\u003eAJA's openGear 12G-SDI Muxer\/DeMuxer is a compact SDI transport openGear card that enables 12G-SDI to quad link 3G-SDI and quad link 3G-SDI to 12G-SDI conversion. The muxer\/demuxer supports 4K, UltraHD, 2K, HD and SD workflows and conversions from quad link SDI signals to single link SDI signals, and vice versa at 12G, 6G, 3G and 1.5G bit rates, as well as Dual Link and Dual Stream conversions. Both Square Division (Quadrant) and Two Sample Interleave (2SI) input and output mappings are supported.\u003c\/p\u003e\r\n\u003cp\u003eAJA openGear products are designed for use in high density openGear 2RU frames including AJA’s OG-X-FR frame, with industry standard DashBoard software support on Windows, macOS and Linux, offering remote control and monitoring over a PC or local network.\u003c\/p\u003e\r\n\u003cp\u003eAJA's openGear 12G-SDI Muxer\/DeMuxer Workflow Diagram \u003cbr\u003eThis workflow diagram shows a 4K camera system outputting video via a 4x 3G-SDI quad-link connection. This output is connected to the 4x 3G-SDI inputs of the OG-12GM, which converts it in turn into single-link 12G-SDI, shown here with a Ki Pro Ultra 12G recording the video at the end of the signal chain.\u003c\/p\u003e\r\n\u003cp\u003eOG-12GM Workflow Diagram\u003cbr\u003eThis workflow diagram shows a 4K camera system outputting video via 1x 12G-SDI connection. This output is connected to the 12G-SDI input of the OG-12GM, which then converts it into quad-link 3G-SDI, here shown with an AJA KUMO 3232 3G-SDI router providing further distribution.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eOG-12GM Integration Diagram\u003cbr\u003eThis integration workflow diagram shows a 4K camera system outputting video via a 4x 3G-SDI quad-link connection. The OG-12GM provides a conversion from quad-link 3G-SDI into single link 12G-SDI, allowing the 4K 3G-SDI camera source to fit seamlessly into a 4K 12G-SDI eco system. 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Optional per-card Ethernet access can be installed in the frame for advanced communication with compatible openGear cards.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eDashBoard Software\u003cbr\u003eDashBoard software offers quick and convenient configuration and control of openGear cards on macOS, Windows, and Linux.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eAJA Mini-Matrix\u003cbr\u003eInformation on the complete line of AJA openGear frames and cards is now available in the Mini-Matrix. AJA products are extensive, and this resource helps you find the right converter for any situation, wherever you are. Individual products have links back to the main AJA website for more details.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eIndustry Leading Support\u003cbr\u003eAJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. 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