5 Things You Should Know About ProRes
PremiumBeat by Johnathan Paul
ProRes has gained in popularity as an intermediate codec. In this post we share tips for using ProRes in your video workflow.
When I began my career I was editing a lot of video in Final Cut 7, so ProRes naturally was my best friend. When I made the brief jump to Avid and then quickly turned to Premiere Pro, ProRes came along for the ride. With more and more high-end cameras shooting RAW and programs like Premiere having the ability to read those RAW files natively, as of late ProRes has been dwindling within my workflow. However, if you’re shooting a project with a short turnaround time, you can’t go wrong with ProRes.
1. Know Your Formats
There are a total of six ProRes formats. These formats range from extreme compression to minimal compression rates. It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD, 2K, 4K & 5K. So lets take a quick look at each codec and the data rate specs for each frame size. read more...
ProRes has gained in popularity as an intermediate codec. In this post we share tips for using ProRes in your video workflow.
When I began my career I was editing a lot of video in Final Cut 7, so ProRes naturally was my best friend. When I made the brief jump to Avid and then quickly turned to Premiere Pro, ProRes came along for the ride. With more and more high-end cameras shooting RAW and programs like Premiere having the ability to read those RAW files natively, as of late ProRes has been dwindling within my workflow. However, if you’re shooting a project with a short turnaround time, you can’t go wrong with ProRes.
1. Know Your Formats
There are a total of six ProRes formats. These formats range from extreme compression to minimal compression rates. It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD, 2K, 4K & 5K. So lets take a quick look at each codec and the data rate specs for each frame size. read more...
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