Shogun Flame: Atomos User Story

Shogun Flame allows you to record log in 4K or HD ProRes/DNxHR from video or raw cameras with HDMI or SDI inputs. Shogun Flame is one out of 3 monitors was released this year from Atomos. Read here for Chris Monlux's Shogun Flame user story.

Shogun Flame User Story

This year Atomos released the Shogun Flame Ninja Flame and Shogun Inferno. They are all capable of 10-bit recordings and have AtomHDR, a handy and easy way to see what your Log footage looks like with a 3D LUT applied. It’s also a nice exposure tool when shooting in Log These monitor-recorders will capture 4K or HD ProRes video via an HDMI input or, with the Shogun Inferno and Shogun Flame, through SDI inputs. Plus, they offer a 7.1-inch screen with a 1500 nit brightness. Built tough, all three new monitors in the Atomos lineup have a much stronger housing than previous models. They are now also equipped with two battery slots for longer operation time. When fully loaded with batteries and media, they weigh between 2.34lbs to 2.5lbs. They all have a max viewable resolution of 1920 x 1200 with 325 PPI. The screens look great, especially when displaying downscaled 4K. What’s in the box? How do they feel? Arriving in a bright yellow hard case, both Shogun models tout yellow as their color. The Ninja Flame is just as bold in red. It almost screams “steal me, I have valuable stuff inside!” The color aside, the cases are tough and robust and can easily be brought onto a plane. A strange side note: the interior of the box has a wretched smell, so if you keep it close to you, make sure it’s closed. Also included is a hood and a few other miscellaneous accessories, but be prepared to buy a few SSDs so your production doesn’t need to stop for media offload.

AtomHDR is a great tool for assisting with exposure choice when shooting Log.

AtomHDR is a great tool for assisting with exposure choice when shooting Log. With AtomHDR you can see how much latitude you have. Many times, it's hard to choose the right exposure because of how a Log footage looks when captured. Plus, if you have ever had a client looking over your shoulder who wouldn't understand why everything looks flat and washed out when shooting in Log, you could benefit from having the ability to preview your footage with a 3D LUT applied. You can also use this feature to see what your footage looks like in Rec. 709 while still capturing in Log — useful for seeing how your footage might grade given the situation you're shooting in. Our Experience We took out the Shogun Flame with our Canon XC10, Sony a7S II and the Panasonic GH4. All three cameras shoot an 8-bit internal recording, can shoot UHD 4K and the GH4 can output 10-bit. Shooting in our local park, we bounced around from camera to camera, either simultaneously recording internally and with the Shogun Flame in the case of the XC10 and GH4, or doing two separate takes, one into the Atomos and the other being recorded internally for the a7S II. With each camera we shot in their built-in Log profile: V-Log with the GH4, C-Log with the XC10 and lastly S-Log2 and S-Log3 with the a7S II. There are two big things we noticed during our tests. The first was how much more detail we had in the footage of the GH4 versus what was captured internally. Of all the cameras we paired with the Flame, the GH4 had the best results from the coupling. This is due to the GH4 outputting 10-bit color versus internally capturing 8-bit. We especially noticed the difference in a shot with a tree with small leaves in the background. It had mixed light, some hard, some soft and some in full shade. In the 10-bit recording, there was much more detail and contrast between each lighting condition whereas with the internal recording, the leaves blended together and the nuance to the lighting was not noticeable at all. [Continue Reading...]