Avid Media Composer/Symphony Tutorials
by Alex Walker
I have 9 years of experience as an editor having cut for many different clients. I use only the best technologies to ensure the best quality images through the production workflow. I have a complete Avid Symphony 6 suite with Boris Continuum 8, allowing me to accomplish most any editing task. I prefer to edit narratives but I have a long history of editing commercials, music videos and industrials. For narrative projects shooting in raw formats, I am equipped to back up camera masters to LTO5 tape, ensuring the archival of your valuable media.
Avid Media Composer/Symphony Tutorials
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I'm using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then we go to Avid for AMA native R3D playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with mastering at 1080 and grading DNxHD444 media. -
I'm using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native AVCHD playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. -
I'm using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. 
This is a quick and simple walkthrough of how to use Automatic duck's free plugin to take a time line from Avid Media Composer to After Effects. It's a super simple solution to a common problem
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