digitalfilms by Olvier Peters
Undoubtedly this year will continue the trend of fractured market share for edit systems. If you tally up every system in general use, your professional choices include NLE systems from Adobe, Apple, Avid, Autodesk, Boris/Media 100, Dayang, Editshare/Lightworks, Grass Valley, SGO, Sony and Quantel. In most US markets, the split in market dominance boils down to an Adobe/Apple/Avid split. In many cases, the leader is still the now-defunct Final Cut Pro 7. Even Apple is stuck competing with itself.
By mid-2013, Final Cut Pro X will have hit its two-year anniversary. The screams of “iMovie Pro” have generally died down. Even the most diehard critics grudgingly admit that it offers many professional features. Although I don’t see it taking off in great numbers within the pro editor community during 2013, I do believe that there’s a “silent minority” of users who are testing it for their own use or as an island within a larger facility. I say “silent”, because many of these folks simply are not the sort that post to forums – or haven’t yet, for fear of getting sucked into the typical pro-con arguments that invariably ensue.
There have been four typical responses to X from FCP “legacy” users: 1) adopt FCP X; 2) stick with FCP 5/6/7; 3) move/return to Media Composer; or 4) move to Premiere Pro. Maybe a few jumped platforms, too, as well as pursued PC options, like EDIUS, Vegas Pro or Avid DS. In my market (central Florida), folks have been sticking with FCP 7 in the interim. Many will start moving to Premiere Pro. That seems to be the most common trend that I see. A few going to Media Composer and a handful with FCP X. As far as I know, I’m the only pro editor in town who has used FCP X on real gigs. I’ve encouraged a few others to at least test the waters. In major markets, like New York or Los Angeles, I think Avid will be the biggest beneficiary of this shift. read more...