Digitalfilms by Oliver Peters
Red Giant Software’s engineers have been busy this year expanding the Magic Bullet franchise. Products have included versions for Photoshop and the iPhone, as well as variations of the ever-popular Looks. This line of innovative color correction tools got its start with Colorista, a custom 3-way color correction plug-in for Apple Final Cut Pro, Motion and Adobe After Effects. Colorista is a deceptively simple grading tool, used by many editors who like the added power over other built-in correction filters.
Red Giant has released Magic Bullet Colorista II, a highly enhanced follow-up to the original. Colorista II is designed to work with Apple Final Cut Pro, Adobe After Effects CS5 and for the first time, Premiere Pro CS5. No other NLEs or Motion, yet. The original filter featured a standard design of three color/level wheels, augmented by exposure and saturation controls plus a power mask for vignettes. By stacking multiple instances of Colorista, an editor could grade shots with much of the same power as in more advanced grading products, like Apple Color.
Three grading stages in a single filter
Colorista II takes it up several notches by providing three stages of color correction in a single filter – divided into primary, secondary and master sections. Each section has controls for shadow/midrange/highlight color balance and levels, plus exposure, density (contrast) and saturation. A couple of new basic tools have been added, including a single auto balance control, which adjusts both white and black balance in one step, and a highlight recovery tool. read more...