Blog

Adobe has said goodbye to Adobe SpeedGrade CC and will now have their full attention on their Lumetri Color Panel. Bryant Frazer reports on the lat...

Bartlomiej over at Creative Impatience posted this excellent article about the convergence of NLE & Color Grading tools. We have programs like ...

Video & Filmmaker interviews Bill Roberts, Adobe's Sr. Director of Product Management for Video. Learn about what's in store for the Adobe Pre...

Premiumbeat by Caleb Ward Adobe’s latest announcement offers improved features, especially for color grading and 6K workflows. With over 2.3 millio...

digitalfilms by Oliver Peters In a previous post, I discussed how to use Final Cut Pro X Color Board presets. For that post, I created a set of pre...

Digitalfilms by Oliver Peters It’s time to talk about color correctors. In this post, I’ll compare Color, Resolve, SpeedGrade and Symphony. These a...

nofilmschool by Dave Kendriken Despite the controversy surrounding Adobe’s switch to a subscription-based model, its Creative Cloud line of product...

Adobe Creatvie Cloud by Eric Philpott Creative Cloud delivers the complete filmmaker’s toolkit at NAB 2014Editing and video content creation workfl...

Adobe Hardware PerformanceOptimizing Hardware Systems for Adobe® Premiere®Pro CC, After Effects® CC, SpeedGrade™ CC, and Photoshop® CC ...

VashiVisuals by Vashi Nedomansky Self-funded, low budget, indie filmmaking is wonderful for the creative and artistic freedoms you are granted as y...

Moving Colors the Adobe SpeedGrade blog by Eric Philpott SpeedGrade CC 7.1 introduced Direct Link, a new type of integration which connects the edi...

SAN JOSE, CA — Adobe has added major new updates to the video apps in Adobe Creative Cloud, including new capabilities in Adobe Premiere Pro CC,...