Test Bench:Adobe Premiere Pro 2.0 Video Editing Software
Videomaker by Morgan Paar 
Definitely Pro with 2.0 Adobe has reentered the Professional software based editing world with the new Premiere Pro 2.0; as a stand-alone program or as a tightly woven member of the Adobe Production Studio. The programmers and engineers at Adobe have been busy since the release of Premiere Pro 1.5 about two years ago. The full number upgrade is packed with new features--many that bring Premiere Pro 2.0 into the realm of other high-end editing programs and a few that project it beyond. We don't have room to investigate the many new changes on these pages, but we'll look at some of the major ones. The New One of the first differences experienced Premiere Pro users will notice is in the GUI (graphic user interface). The new interface wastes no desktop space and more importantly, eliminates overlapping windows. Adobe now calls these windows "panels," which are dynamically attached to each other. Making one panel bigger, say your Timeline, makes its neighboring panels, for example the Source panel and the Program panel, shrink. This, coupled with the ability to pull panels from one frame and group them in another frame gives editors strong control of their workflow. read more...
Definitely Pro with 2.0 Adobe has reentered the Professional software based editing world with the new Premiere Pro 2.0; as a stand-alone program or as a tightly woven member of the Adobe Production Studio. The programmers and engineers at Adobe have been busy since the release of Premiere Pro 1.5 about two years ago. The full number upgrade is packed with new features--many that bring Premiere Pro 2.0 into the realm of other high-end editing programs and a few that project it beyond. We don't have room to investigate the many new changes on these pages, but we'll look at some of the major ones. The New One of the first differences experienced Premiere Pro users will notice is in the GUI (graphic user interface). The new interface wastes no desktop space and more importantly, eliminates overlapping windows. Adobe now calls these windows "panels," which are dynamically attached to each other. Making one panel bigger, say your Timeline, makes its neighboring panels, for example the Source panel and the Program panel, shrink. This, coupled with the ability to pull panels from one frame and group them in another frame gives editors strong control of their workflow. read more...
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