Above & Beyond
Everything you’d expect from a Ninja, but designed to be your gateway to the cloud. Perfect for mirrorless and cinematic cameras.
Key Features
Brand New OS
New AtomOS 11 - faster, with more features
More Codecs Included
8K ProRes RAW, ProRes, DNxHD & H.265 - all for free
Dual Record
Dual 4Kp60 ProRes RAW & proxy recording for offline or Cloud
4K H.265 Recording
Record & upload high bitrate 4K files to the Cloud
File Naming
Auto matched filenames from ARRI, Canon, RED & Sony cameras via SDI, and the Nikon Z9 via HDMI
Wi-Fi 6E
The best. Faster, lower latency, more stable connection
RemoteView
Share live views from your screen over the internet
Improved Monitoring
With EL ZONE System™ exposure and ARRI false color
Premium Options
NDI 4K TX
There are two ways to use Ninja Ultra. On its own, it’s the most powerful Ninja ever. Add the affordable Atomos Connect, and it’s a gateway to amazingly fast and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish to social media within minutes of shooting the action. Choose Ninja Ultra if you’re not ready for the cloud quite yet. And if you want to get started with cloud workflows, Ninja Ultra and Atomos Connect is the perfect combination.
Atomos Connect brings essential network and SDI connectivity to Ninja Ultra and introduces you to super-efficient cloud workflows. It fits snugly to the rear of the Ninja Ultra, letting you connect to SDI cameras, convert from SDI input to HDMI output and use Wi-Fi 6E and 1GbE Ethernet. It comes with AirGlu wireless synchronization and supports AtomRemote App. It’s the most practical and affordable way to stream, transfer and edit in the cloud.
SegmentPro is another powerful new tool exclusive to our completely redesigned AtomOS 11 operating system. It allows you to segment/split long recordings into user-defined chunks, adding even more flexibility to the production workflow. The segmenting can be defined by setting a custom file size limit, in GB or TB, or by time, all without dropping a frame.
With SegmentPro you can fit your files into any workflow – even those that require smaller media (for example, if you are going to edit on an iPad). It’s easier to share smaller files, and safer too: if you lose a big file, you’ve lost everything. Working with smaller files minimizes this risk.
Capture simultaneously to 4K 60p ProRes RAW and HD 60p H.265. Record full-quality files in ProRes RAW up to 4K 60p while at the same time recording HD 60p to H.265. It’s the best of both worlds. Boost your productivity by storing your definitive copy in ProRes RAW ready for your post-production workflow, and use your H.265 copy for your camera to cloud activities.
Automatically match filenames, timecode and record triggers from ARRI, Canon, RED and Sony cameras via SDI, and the Nikon Z9 via HDMI.
Previously, camera to cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon, RED, Sony, and Nikon, Atomos C2C files are matched back to the original in-camera (OCF) filenames. This gives a joined-up process when conforming C2C or SSD proxy files in the edit with camera files. On camera or on Atomos: it’s your choice.
The new 4K camera to cloud mode lets you record and upload much higher quality H.265 video with higher framerates. H.265 files are half the size of H.264 media. They’re small enough for camera to cloud workflows but more than good enough for immediate use on social media, sports reporting or news gathering. It’s the fastest way to get your video in front of your viewers (requires Atomos Cloud Studio subscription). Also a super useful mode to record proxies at up to 4K 60p to match an original in-camera (OCF) file.
With lower latency, higher throughput and a more stable connection, Wi-Fi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats.
Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter.
The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment
Set up time-lapse recording and control it from your Ninja Ultra, completely independent of your camera’s controls. Use the Ninja’s screen for accurate visual alignment and its massive removable storage for longer projects.
Set a time for your recording to start. It’s ideal for covering pre-arranged events when you need to be somewhere else. If you have several Ninjas you can even record in multiple locations simultaneously. It’s also a safer way to cover dangerous locations without risk to you and your colleagues. Finally, it’s perfect for wildlife shooting. Want to capture the action by the riverbank at sunset? Just dial-in the time and come back later.
The new Ninja line includes the following codecs free of charge, giving you more options to choose the ideal codec for your projects.
- Apple ProRes
- Apple ProRes RAW
- H.265
- DNx (QuickTime)