Blog

Post Magazine by Brady Betzel Avid Media Composer 7 is bringing the heat to post production workflows and data management everywhere. Full disclos...

wolfcrow by Sareesh Sudhakaran In this part we’ll look at how Avid Media Composer deals with different codecs, and how you can import them.How to I...

Avid Blogs by Wim Van den Broeck With the launch of Media Composer 7 comes a whole bunch of exciting new features and enhancements that will imp...

Avid Blogs by Matt Feury Although Media Composer’s AMA plug-in architecture allows virtually any file-based source media to be played in real time ...

Avid Blogs by Wim Van den Broeck With the launch of Media Composer 7 comes a whole bunch of exciting new features and enhancements that will imp...

nofilmschool by Robert Hardy We covered the announcement of Avid Media Composer 7 back in April at NAB 2013. Since that time, we’ve gotten new vers...

Avid blogs by Matt Feury File-based media, 2K, 4K, 5K footage, analog and digital tape, stereoscopic 3D material, film—bring it on. Media Composer ...

Paul Sampson TRAINING and WORKFLOW I am involved in developing and delivering training and workflow assistance on current Broadcast systems from m...

By Jonny Elwyn Learning Media Composer – Doing Things Right From The Start So this is my third instalment of my Avid Diary of a Switcher and thank...

Toolbox by Jonny Elwyn Learning Avid Media Composer 6.5.2 – Solutions for FCP Editors If you’re in the throws of making the switch from FCP7 to Avi...

Avid by Rob D'Amico The following is the second in a series of five blog posts from Rob D’Amico, Senior Product Manager for professional film and v...

By Avid With the ability to track multiple sources and timecodes, combined with AMA and open standards such as MXF, AAF, and DNxHD, Media Composer ...