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Editing Today: Beyond the NLE

You?ve got to understand pixel counts, bit rates, bit depth, color sampling, sampling frequencies, frame rates, codecs, RAW files, deBayering, audio channels, waveform displays, vectorscopes, audio levels, LUTs, proxies, file-wrappers,...

Editing Today: Beyond the NLE

You?ve got to understand pixel counts, bit rates, bit depth, color sampling, sampling frequencies, frame rates, codecs, RAW files, deBayering, audio channels, waveform displays, vectorscopes, audio levels, LUTs, proxies, file-wrappers,...

My journey back to Avid Media Composer

My journey back to Avid Media Composer

Production Apprentice by John Demaio I began editing professionally in 1997. It started with a Sony BVE-9100 linear system, hen migrated into the world of NLE systems beginning with D-Vision,...

My journey back to Avid Media Composer

Production Apprentice by John Demaio I began editing professionally in 1997. It started with a Sony BVE-9100 linear system, hen migrated into the world of NLE systems beginning with D-Vision,...