Blog

The Big 3 NLEs And Their Place in Today?s Film ...

It seems like just yesterday that Final Cut Pro completely dominated the independent film post-production scene, but the terrain today is very different and editors now have tough choices to...

Cineform in Creative Cloud: render quality sett...

GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative Cloud piggybacks onto QuickTime (warts and all). The codec is available...

Video Editing Workflows: Premiere Pro and RED F...

Bringing your RED RAW footage into Adobe Premiere Pro? Follow these tips for success. Film and video productions are often based on fast turn arounds. Nothing can slow you down...

Kicking the Tires on the Adobe Premiere Pro CC ...

It was announced at IBC and shipped at Adobe MAX (I wonder if this will become the norm?) and it?s another big update to Adobe Premiere Pro. We dissected the...

Editing Today: Beyond the NLE

You?ve got to understand pixel counts, bit rates, bit depth, color sampling, sampling frequencies, frame rates, codecs, RAW files, deBayering, audio channels, waveform displays, vectorscopes, audio levels, LUTs, proxies, file-wrappers,...

Does It Work in OS X 10.10 Yosemite?

With the release of OS X 10.10 Yosemite on October 17th, the main question a lot of people are asking is ?If I upgrade, will my post production software still...