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nofilmschool by Robert Hardy Digital post-production has come a long way since the Avid machines of the early 90's. Among the myriad post productio...

Revision3 FilmRiot We go skydiving without parachutes, get lost in the desert, beat you in a staring contest, and have a dancing ape! All in today'...

reTooled.net by Josh Premiere Pro CS6 – Toggle Full Screen by Josh on April 03, 2012 in Editorial, Premiere Pro with No Comments In this quick...

Production Values on PVC by Mark Christiansen Editors can take advantage of advanced stabilization in Premiere Pro CS5.5 Warp Stabilizer was argua...

Adobe TV See how to quickly apply the new Warp Stabilizer to footage for instant gratification, including setting the Smoothness amount as well as ...

DigitalArts UK by Adobe has introduced a new Warp Stabilizer with the CS5.5 upgrade to After Effects that automatically stabilises jittery hand-he...

HDSLR Shooter on PVC by Clint Milby Adobe’s Ellen Wixted Gives Us The Ins and Outs of CS5.5 Production Premium One of the highlights of NAB 2011 f...

DVInfo.net by Chris Hurd An interview with Adobe vendor Gary Bettan of Videoguys.com. In the second part of our Intro to CS5.5 workshop, I talk wit...

Angie TaylorAngie provides bespoke training and consultancy in Adobe After Effects, Photoshop, Illustrator and Premiere Pro. She also provides trai...

Creating Motion Graphic on PVC by Chris Meyer Adobe is teasing us After Effects users the week before NAB… Adobe TV just posted a video giving a t...