Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit
Canon EOS R5 C 24-105mm F2.8 Lens Kit

Canon EOS R5 C 24-105mm F2.8 Lens Kit

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MFR Part # (MPN): 5077C026
Videoguys Part # (SKU): R5C24105F28LK

Short Description:
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Unlock your creative potential with the EOS R5 C, a full frame hybrid camera that expertly combines many of the video formats and features from the Canon Cinema EOS lineup with the distinguished still-imaging capabilities of the EOS R system.

Whether capturing stills or videos, you’ll love the fast and intuitive autofocus, excellent imaging, versatility of non-stop 8K/60P RAW recording, and fast motion recording without cropping the sensor – all in a compact and lightweight design built on the next generation RF Mount System.

Features:

  • Latest Firmware Update adds communication with RF Cinema Prime lenses, RF24-105mm F2.8 L IS USM Z lens and power zoom adapter, features from last EOS R5 firmware update, improved vectorscope, and more
  • Supports 8K/60P Internal RAW or Cinema RAW Light Recording, HDMI 8K RAW Output to Compatible Recorders, 8K HDR Recording (PQ/HLG)
  • Internal Cooling Fan Enables Non-stop 8K/60P Recording
  • Expanded Interface for Professional Needs
  • Full-featured 13 Assignable Buttons
  • 8K Sensor and DIGIC X Processor with 4K and 2K Oversampling
  • World’s first 24-105mm focal length combined with consistent f/2.8 maximum aperture9
  • Supports optional Canon Power Zoom Adapters
  • 11 aperture blades
  • Smooth, click-less iris ring for precise lens aperture control
  • Close-focusing to under 1.5 feet (0.45m) at all focal length
  • Maximum magnification 0.29x at the 105mm zoom setting
  • Optical Image Stabilization up to 5.5 stops of shake correction and Coordinated Control (IS up to 8.0 stops with cameras equipped with IBIS)11
  • Nano USM maintains focus while zooming

HYBRID PHOTO & VIDEO CAPABILITIES
One flip of the switch and the EOS R5 C transforms from a world class stills camera to a fully fledged Cinema Camera. Perfect for switching between photography and cinematography.

SEE ALL THE DETAILS WITH 8K VIDEO AND 45MP STILLS
Enjoy full creative flexibility with high-resolution video and stills. We’re talking up to 8K/60P internal RAW or cinema RAW light recording, HDMI 8K RAW output to compatible recorders, and 8K HDR recording (PQ/HLG) for high-quality, lifelike images that are sure to impress.

FITS COMFORTABLY IN YOUR HAND
Perfect for agile crews or for use as a B-Cam, the EOS R5 C's internal cooling fan enables virtually limitless shooting in high-definition 8K/60P video. Its compact, lightweight, and ergonomic design makes handheld shooting a breeze, whether shooting video or still images.

CUTTING EDGE TECHNOLOGY FOR CUTTING EDGE CONTENT
Get high precision focusing (even in scenes full of high-paced action) with Canon's Dual Pixel Autofocus and 4K 120P slow and fast motion recording mode. When you’re ready to shoot that scene in VR, the EOS R5 C mirrorless camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video.8

CANON’S RF SYSTEM & LEGENDARY LENSES
Built on the RF Mount System, the EOS R5 C is compatible with RF Lenses, and with EF Lenses using an EF-EOS R Mount Adapter.

Shares Common Features & Technology with the EOS R5 Camera
Canon's 45 Megapixel full-frame, CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K/60P RAW cinematic video shooting. Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous shooting at speeds of up to 20 frames per second, and with Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects. With 1,053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles. Connectivity like 5GHz and 2.4GHz Wi-Fi® and Bluetooth®, is also included for the transfer of still images1.

Supports 8K/60P Internal RAW Recording
The 8K sensor and DIGIC X processor produce high-quality video at up to 8K/60P. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder.

Canon 709 / BT.709 Custom Picture Preset
Canon 709 Custom Picture preset features the same dynamic range as the Wide DR profile with great contrast. Canon 709 provides a rich, cinematic look to your footage right out of the box, with little to no processing or color grading, helping to save time in postproduction.

Enhanced Clear Scan Mode
Improvements have been made to Clear Scan shutter mode to help reduce or virtually eliminate the flickering caused by some LED walls.

Internal Cooling Fan Enables Non-stop 8K/60P Recording
This mirrorless camera features a cooling fan built into the body, forcing out the heat from inside. This enables continuous and virtually limitless shooting of high-definition 8K/60P video without interruption2.

Video Control for the Dedicated Video Professional
As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available — greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During "photo" operation, menus are nearly the same as on the EOS R5 camera.

Expanded Interface for Professional Needs
The EOS R5 C camera provides a Timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.

Multi-function Shoe
Canon's Multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.

Full-featured 13 Assignable Buttons
The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.

8K Sensor and DIGIC X Processor
The EOS R5 C camera is the first Cinema EOS System Camera to provide internal 8K (8192x4320) 60P RAW recording. 8K video offers outstanding definition and realism with 16 times the resolution of full HD video, enabling unprecedented capabilities in video expression and highly flexible workflows, such as 4K cropping from 8K footage. The EOS R5 C camera can also record 8K video in the highly versatile MP4 format. Lighter, smaller proxy video files can also be recorded while shooting 8K. This makes for an efficient workflow during editing, previewing, and other tasks.

Carries on the Ergonomic EOS Design
The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its Electronic Viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.

Crossing the Invisible Line – A Film by Keith Ladzinski and the EOS R5 C
Join professional photographer Keith Ladzinski as he combines two of his passions – outdoor sports and photography/filmmaking – and see how he utilized the versatility of the EOS R5 C to capture the action.

Internal Cinema RAW Light up to 8K/60P
The camera supports recording of two 8K formats, both Cinema RAW Light, which is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. Formats can be selected according to the user's needs. In addition, 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CF express cards. Cinema RAW Light can be recorded internally with data optimized for HDR video rendering. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly-developed Cinema RAW Light modes (High quality RAW HQ, standard quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs.

Supports 8K HDR Recording (HLG/PQ)
The combination of ultra-high-definition 8K recording and HDR lets users shoot more realistic and lifelike video. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats. This helps ensure full color rendition and wide latitude with a great range from black to pure white – outstanding for the delivery of live streams, broadcasts and post-production projects.

A Professional Mirrorless Camera with Dual SD Card Slots
The EOS R5 C mirrorless cinema camera has dual SD card slots, making it capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows.

XF-AVC and MP4 Codecs for 10-bit 4:2:2 Video
In addition to Cinema RAW Light, the EOS R5 C camera offers XF-AVC and MP4 codecs to provide familiar and trusted codecs for easy ingestion and post-production workflows across cinema, broadcast, and many professional markets and applications. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows. The latest firmware enhances compatibility with non-linear editing software systems by enabling "_Proxy" file naming.

4K and 2K Oversampling
The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, "jaggies" and noise.

HDMI 8K RAW Output to Compatible Recorders
The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices*. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K 30P. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.
*Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.

Up to 4K 120P Slow and Fast Motion Recording Mode in 4:2:2 10-bit
The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120P at 4K resolution (4096x2160/3840x2160) in 4:2:2 10-bit without cropping the sensor. Amazing for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates. Power Saving Mode extends recording time by up to 30% during 4K shooting.

Simultaneous Audio Recording Enabled with HFR
Unlike some other mirrorless cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.

Canon Log 3 Expands Expressive Possibilities
The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.

Enhanced Image Stabilization3
Enhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.

Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
The EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe® Premiere Pro® and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.

2X Magnification When Shooting in 8K MP4
The camera can perform a 2X magnification when shooting in 8K MP4 format, and let you switch between the left and right lens via the control dial. This helps you ensure that critical focus is achieved and that there are no slight discrepancies between the two individual lenses.

Dual Pixel CMOS AF with iTR AF X
Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen. Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way Multi-controller on the rear of the camera. In addition, the camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking. It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available. Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement. Users can leave focusing to the camera and concentrate on their camera work.Face Detection AF in the EOS R5 C  makes it possible to select a subject via the RF lens’ control ring or camera dial. This allows you to make adjustments without having to change the position of your hands or take your eyes away from the shot. Head Detection allows the EOS R5 C to detect a subject’s head even when looking backward, and changes the shape of the AF Frame based on the subject detected during tracking.

Waveform Monitor / Vectorscope
Users have the option to double the size of the on-screen waveform monitor and vectorscope. You also have the ability to adjust opacity (transparency) of these on-screen tools, making it easier to see and adjust exposure while shooting. The vectorscope displays the custom picture color space along with the name for each color.

TYPE
Type
Digital single-lens non-reflex AF/AE camera

Image Processor
DIGIC X

Recording Media
CFexpress card
Type B: Card slot
SD card
SD card speed class-compatible.
Compatible with UHS-II
Eye-Fi cards and Multimedia cards (MMC) are not supported

Compatible Lenses
Canon RF lens group (excluding EF, EF-S and EF-M lenses)
When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)

Lens Mount
Canon RF mount

    

IMAGE SENSOR
Type
CMOS sensor (compatible with Dual Pixel CMOS AF)

Effective pixels
Approx. 45.0 megapixels

Sensor Size
Approx. 36.0 x 24.0 mm

Pixel Size
Approx. 4.40 micro square

Total Pixels
Approx. 47.1 megapixels

Aspect Ratio
3:2 (Horizontal:Vertical)

Color Filter System
RGB primary color filters

Low Pass Filter
Installed in front of the image sensor, non-detachable

Dust Deletion Feature
Self Cleaning Sensor Unit
Dust Delete Data acquisition and appending
Manual cleaning (by hand)

    

RECORDING SYSTEM
Recording Format
Compliant to Design rule for Camera File system 2.0 and Exif 2.3*.
*Supports time difference information in Exif 2.31.

Image Format
JPEG, HEIF, RAW (CR3, 14 bit RAW format), C-RAW (Canon original); Movies: ALL-I, IPB, RAW

HDR Mode-Continuous Shooting
(1) 1 shot only
(2) Continuously
(3) Multiple Exposure

Advanced shooting operations
(1) Focus Bracketing (2) Interval Timer
(3) Bulb Timer
(4) Multi-Shot NR

File Size
3:2 Aspect Ratio
Large/RAW/C-RAW: 8192 x 5464
Medium: 5808 x 3872
Small 1: 4176 x 2784
Small 2: 2400 x 1600
1.6x (Crop)*
Large/RAW/C-RAW: 5088 x 3392
Small 2: 2400 x 1600
4:3 Aspect Ratio
Large: 7280 x 5464
Medium: 5152 x 3872
Small 1: 3712 x 2784
Small 2: 2112 x 1600
RAW/C-RAW: 8192 x 5464
16:9 Aspect Ratio
Large: 8192 x 4608
Medium: 5808 x 3264
Small 1: 4176 x 2344
Small 2: 2400 x 1344
RAW/C-RAW: 8192 x 5464
1:1 Aspect Ratio
Large: 5456 x 5456
Medium: 3872 x 3872
Small 1: 2784 x 2784
Small 2: 1600 x 1600
RAW/C-RAW: 8192 x 5464

  • Values for Recording Pixels are rounded to the nearest 100,000 or 10,000.
  • For RAW and JPEG images, information outside the cropping area is not retained.
  • JPEG images are generated in the set aspect ratio.
  • RAW images are generated in [3:2], and the set aspect ratio is appended.
    * Indicate an inexact proportion.

    

WHITE BALANCE
Settings
Auto (Ambience priority/White priority)
Day Light
Shade
Cloudy*
Tungsten light
White fluorescent light
Flash
Custom (Custom WB)
Color temperature
* Effective also in twilight and sunset.

Auto White Balance
Option between ambience priority and white priority settings.

White Balance Shift
Blue/amber bias: +-9 levels
Magenta/green bias: +-9 levels
Corrected in reference to the current WB mode's color temperature.

   

VIEWFINDER
Type
OLED color electronic viewfinder; approx. 5.76 million dots resolution

Coverage
Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint).

Magnification / Angle of View
Approx. 0.76x / Approx. 35.5 degrees (with 50mm lens at infinity, -1 m -1)

Eye Point
Approx. 23mm (at -1 m -1 from the eyepiece lens end)

Dioptric Adjustment Range
Approx. -4.0 to + 2.0 m -1 (dpt)

Viewfinder Information
Maximum burst
Possible shots/Sec. until self-timer shoots
Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer
Shooting mode
AF method
AF operation
Image quality
Card
Drive mode
Metering mode
No. of remaining shots for focus bracketing, multiple exposures, or interval timer
Electronic level
Movie recording time available
Battery level
Image Stabilizer (IS mode)
Histogram (Brightness/RGB)
Quick Control button
Anti-flicker shooting
White balance/White balance correction
Picture style
Auto Lighting Optimizer
Still photo cropping / Aspect ratio
AF point (1-point AF)
AEB/FEB
View Assist
HDR PQ
Flash ready / FE lock / High-speed sync
Electronic shutter
Touch shutter / Create folder
AE lock
Shutter speed / Multi-function lock warning
Aperture value
Wi-Fi function
Wi-F signal strength
Bluetooth function
Exposure simulation
Magnify button
ISO speed
Highlight tone priority
Exposure compensation
Exposure level indicator

    

AUTOFOCUS
Focus Method
Dual Pixel CMOS AF II

Number of AF zones available for Automatic Selection
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%
Stills: Max. 1053 zones (39 x 27)
Movies: Max. 819 zones (39 x21)

AF Working Range
EV -6 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at 73F/23C, ISO 100)
* Except RF lenses with a Defocus Smoothing (DS) coating.

AF Method
Face+Tracking AF
Spot AF
1-point AF
Expand AF Area
(Above, below, left and right/Around)
Zone AF
Large Zone AF (Vertical/Horizontal)

Subject to Detect
People, Animals, No Priority
* Available with [AF method] set to Face+Tracking, Zone AF, or Large Zone AF (vertical/horizontal)

    

EXPOSURE CONTROL
Metering Modes
Real-time metering with image sensor (384 [24x16 zone metering])
Evaluative metering (AF point-linked)
Partial metering (approx. 6.1% of the area at the center of the screen)
Spot metering (approx. 3.1% of the area at the center of the screen)
Center-weighted average metering

Metering Range
EV -3 - 20 (at 73F/23C, ISO 100) (Still Photo Shooting)

Exposure Control Modes
Scene Intelligent Auto
Flexible-priority AE (Fv)
Program AE (P)
Shutter-priority AE (Safety shift possible) (Tv)
Aperture-priority AE (Safety shift possible) (Av)
Manual exposure (M)
Bulb
Custom shooting mode C1, C2, C3

AE Lock
Auto AE lock - The metering mode for AE lock after focus can be customized.
User-applied AE lock - In the Fv, P, Tv, Av and M modes, enabled with the AE lock button. (Press again to update.) Enabled in all metering modes.

   

SHUTTER
Type
Mechanical
Electronic 1st-Curtain
Electronic Shutter (1st and 2nd curtain - silent*)

Shutter Speeds
When [Mechanical] or [Elec. 1st- curtain] is set: 1/8000-30 sec, bulb
When [Electronic] is set: 1/8000-0.5 sec.

X-sync Speed
Mechanical Shutter: 1/200 sec.
Elec. 1st-curtain: 1/250 sec.

Shutter Release
Soft-touch electromagnetic release

Self Timer
10-sec. delay, 2-sec. delay

   

IMAGE STABILIZATION (IS MODE)
Still Photo IS
Optical IS with RF and EF lenses equipped with Image Stabilization.
Always on
Only for shot

Video IS
A narrower angle of view is used when digital image stabilization is selected in the menu. This is equivalent to approx. 1.1x longer focal length when Electronic Image Stabilization mode (Standard) is selected. Also, this is equivalent to approx. 1.43x longer focal length when Electronic Image Stabilization mode (High) is selected.

   

EXTERNAL SPEEDLITE
E-TTL balance
Ambience priority, standard, flash priority

Compatible E-TTL Speedlites
Canon EX- and EL-series Speedlites

E-TTL II Flash Meterings
Evaluative (Face Priority)
Evaluative
Average

Slow Sync (P/Av modes)
1/250* - 30 sec., auto
1/250* - 1/60 sec., auto
1/250* sec. (fixed)
* Electronic 1st curtain shutter only
* With mechanical shutter — 1/200 sec.

Flash Function Menu
Provided for EX- and EL-series Speedlites

Flash Exposure Compensation
+-3 stops in 1/3- or 1/2-stop increments

Continuous flash control
E-TTL each shot
E-TTL 1st shot

   

VIDEO SHOOTING
Focusing
Dual Pixel CMOS AF

Exposure Compensation
+-3 stops in 1/3- or 1/2-stop increments

Canon Log
Provided (Off / Canon Log 3)

   

LCD SCREEN
Type
TFT color, liquid-crystal monitor

Monitor Size
3.2-inch (screen aspect ratio of 3:2)
3.15 in./8.01cm diagonal (2.63 in./6.67cm width, 1.75 in./4.44cm height)

Dots
Approx. 2.1 million dots

Coverage
Approx. 100% vertically/horizontally

Brightness Control
Manually adjustable to one of seven brightness levels

Coating
Clear View LCD II
Anti-smudge coating applied.
Anti-reflection coating not applied.

Interface Languages
12 (English, German, Spanish, French, Portuguese, Italian, Ukraine, Russian, Polish, Simplified Chinese, Korean, Japanese)

   

IMAGE PROTECTION AND ERASE
Protection
Single image (select image)
Select range
All images in a folder
All images on card
Image browsing and image search can be based on ratings.
Ratings-based image selections also possible with DPP.
All found images (only during image search)

Erase
Except protected images
Select images to erase
Select range
All images in folder
All images on card
All found images (only during image search)

   

DIRECT PRINTING
Compatible Printers
Not supported

   

DPOF: DIGITAL PRINT ORDER FORMAT
DPOF
Compliant to DPOF Version 1.1

   

WI-FI
Standards Compliance
IEEE 802.11a/ac/b/g/n

Transmission Method
DS-SS modulation (IEEE 802.11b)
OFDM modulation (IEEE 802.11g/n/a/ac)

Transition Frequency (Central Frequency)
2.4 GHz band
Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels
5 GHz band Frequency: 5180 to 5825 MHz
Channels: 36 to 165 channels

Connection Method
(1)Camera access point mode
(2)Infrastructure mode

   

BLUETOOTH
Standards Compliance
Bluetooth Specification Version 5.0 compliant (Bluetooth low energy technology)

Transmission Method
GFSK modulation

   

CUSTOMIZATION
Custom Functions
22 Custom Functions are settable.

   

INTERFACE
USB Terminal
Equivalent to Hi-Speed USB (USB 3.1 Gen 2)
For PC communication
Terminal type: USB Type-C
Shared with terminal for in-camera charging with USB Power Adapter PD-E1.
In-camera Charging: Equivalent to USB type-C (5 V/1.5 A), but use should be restricted to USB Power Adapter PD-E1.
Video Output (UVC).
Canon App(s) for iPhone
PTP connection/GP-E2

Video Out Terminal
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
Images can be displayed through the HDMI output and on screen at the same time.
Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set.
Clean HDMI output
Provided

Microphone Input Terminal
3.5mm diameter stereo mini jack

Headphone Terminal
3.5mm diameter stereo mini jack

   

POWER SOURCE
Battery
LP-E6NH/LP-E6N/LP-E6*
With the AC Adapter AC-E6N + DC Coupler DR-E6, AC power is possible.
With the USB Power Adapter PD-E1, in-camera charging of LP-E6NH is possible.
* LP-E6 is automatically recognized as Mode C - Blinking White Drive mode regardless of capacity.

Battery Check
Automatic battery check when the power switch is turned ON.
Displayed in 6 levels on top LCD panel.
Battery level can be checked on the LCD panel and in the viewfinder.
Battery Info display in Set-up Menu:
Type of power source used.
Remaining capacity (percentage of battery charge remaining).
Recharge performance: (3-level display of battery's ability to hold a charge)

Start-up Time
Approx. 0.4 sec.
Based on CIPA testing standards.

   

DIMENSION & WEIGHT
Dimensions (W x H x D)
Approx. 5.6 x 4.0 x 4.4 in. / 142 x 101 x 111mm
Based on CIPA standards.

Weight
Approx. 1.7 lbs. / 770g (including battery, CFexpress card; without body cap)
Approx. 1.5 lbs. / 680g (body only; without battery, card or body cap)

   

OPERATING ENVIRONMENT
Working Temperature Range
32-104 F / 0-+40C

Working Humidity
85% or less

  • EOS R5 C Body
  • Battery Pack LP-E6NH
  • Battery Charger LC-E6
  • IFC Cable IFC-100U
  • IFC Cable IFC-100U Protector
  • Shoulder Strap SS-1200
  • RF24–105mm/2.8L II USM Lens
  • Lens Cap E-82II
  • Lens Dust Cap RF
  • Case LZ1326(B)
  • Lens Hood EW-88E


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