Atomos Shogun 7


Free Shipping for Orders IN THE USA

Atomos Shogun 7
VideoGuys Part # (SKU): SHOGUN7
MFR Part # (MPN): ATOMSHG701

Apple ProRes & ProRes RAW Recording & Playback

Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.

Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**. 

Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before..



One-touch operation gives you access to a complete suite of scopes, exposure, zoom, calibration and focus tools to ensure a great recording every time.


Playback rushes on-set, either on-screen or out to any Dolby Vision capable TV or monitor. Even watch it in slow motion for more detailed frame-by-frame analysis.


Metadata tag footage as you go to mark favorites, rejects and more. When you bring your footage into your edit timeline, immediately filter your tags.


Add 48V stereo mics via an XLR breakout cable. Select mic or line input levels, record up to 12 channels of digital audio from HDMI or SDI and monitor via the 3.5mm headphone jack.

Learn more about the Atomos Shogun 7

  • Full Description
  • Specifications
  • What's Included
  • Demo Videos
  • Reviews
Shogun 7 can be used as either stand-alone field monitor, recorder and switcher for event, documentary and live in-the-field storytelling or as a tool for large-scale on-set episodic TV, film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the field monitor ecosystem.
Shogun 7's portable size lets you monitor, analyze and tag while on set; and check how your content will look in your audience’s home via real-time Dolby Vision output. With Shogun 7 you’re not locked into any format, camera manufacturer or pipeline. 

Main features:

- 1500nit display incorporating zone technology with 1,000,000:1 contrast ratio and 15+ stops of dynamic range.
- Real-time 4K recording in formats including ProRes RAW.
- New realtime Dolby Vision HDR output.
- New Dynamic AtomHDR blacklight system.
- Portable Multi-cam up to HDp60 SDI ISOs x 4 recording. Real-time switching between 4 live asynchronous video streams.
- Capture RAW from your favorite cinema camera.
- AtomOS 10 touchscreen interface, first seen on the award winning Ninja V and redesigned body.
  • Without batteries & media: 709g/25ox.
  • Dimensions ( W x H x D mm): 214 x 127 45mm
  • Construction: Polycarbonate ABS
  • Mounting points: 1/4”-20 screw mount. 1x top and 1x bottom
  • Operating power : 10- 33W
  • Compatible batteries: Atomos NP-F series and supporting accessories
  • Input voltage (battery): 6.2V to 16.8V
  • Battery time (based on 2 x 7.4V): 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
  • DC In: 1 x DC in (6.2 - 16.8V)
  • Size: 7.2"
  • Resolution: 1920 x 1280
  • PPI: 325
  • Aspect ratio: 19:9 native
  • Color Gamut:Up to Wide color gamut (105% DCI-P3)
  • Look up table (LUT) support: 3D LUT (.cube format)
  • Anamorphic de-squeeze:2x, 1.5x, 1.33x
  • Technology: Dynamic AtomHDR zoned backlight IPS LCD
Dynamic AtomHDR Technology
  • Backlight: Direct LED
  • Zones: 360 direct backlight individual LEDs
  • LEDs: Wide Color Calibrated D65 or D95
  • Bit depth: 10-bit (8+2 FRC)
  • Color: DCI-P3 105%
  • Brightness: 1500nit (+/- 10%)
  • Control: On the fly real-time brightness analysis for LED control
  • HDR Conversion: Log/RAW to HLG or PQ
HDR Monitoring Technology
  • Gamma : Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG
  • Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 /
Video input/loop out
  • HDMI: HDMI 1 x HDMI (2.0)
  • SDI: Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
  • Signal: Uncompressed true 10-bit or 8-bit 422
  • (camera dependent)
  • Genlock: Genlock input signal and output signal 
Video output (play out)
  • HDMI: 1 x HDMI (2.0)
  • SDI: 2x 4K-SDI 12G or HD-SDI 3G/6G
  • Signal: Uncompressed true 10-bit or 8-bit 422
  • (playback file dependent)
Video signal conversion
  • HDMI to SDI 
  • SDI to HDMI 
Audio in/out (48kHz PCM audio)
  • HDMI: 2 or 8ch 24-bit, camera dependent
  • SDI: 12ch 48kHz 24-bit
  • Audio: 2ch balanced XLR analogue in/out
  • Dynamic range >90dB
  • Max signal level +24dBu
  • Max analogue gain +52dB
  • 48V Phantom Power for Mic
  • Headphone out: 3.5mm 2ch.
Supported Codecs & frame rates (record & playback)
  • Raw to: ProRes RAW          
  •  ProRes           
  •  CinemaDNG         
  •  (CDNG up to 30p only)         
  •  Avid DNxHD
  • Sony^^ FS700, FS-5, FS-7, FS-7MkII:  
  • 4K DCI; 24/25/30/50/60p
  • 4K UHD; not supported in camera
  • 2K; 24/25/30/50/60/100/120/200/240p
  • 1080; not supported in camera
  • Canon C300MKII/C500 CDNG
  • 4K DCI; 24/25/30p
  • 4K UHD; 24/25/30p
  • 2K; not supported in camera
  • 1080; not supported in camera
  • Panasonic VaricamLT, EVA1
  • 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
  • 4K DCI; 24/25/30/50/60p
  • 4K UHD; 24/25/30/50/60p
  • 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
  • Supported base resolution & FPS from cameras:
  • 4K DCI: 23.98/29.9/59.94p
  • 4K UHD: 23.98/29.9/59.94p
  • 2K DCI: 23.98/29.9/59.94p
  • 1080p: 23.98/29.9/59.94p
  • Supported FPS & resolution from gaming consoles and graphic cards: 1080p; 24/25/30/50/60/100/120
Onboard processing
  • Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
  • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RA
Remote start/stop
  • HDMI: Auto HDMI Trigger. Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
  • SDI: SDI trigger camera selectable
  • Other: LANC control - Slave
  • Playlist / Genlock / LTC : Yes / Yes / Yes
  • CDNG (Recorded content) : No support
  • ProRes (Recorded content): ProRes (Recorded content)
  • DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps.
  • Pre-roll record: Yes (HD 8s, 4K 2s).
  • Custom timelapse: Yes*
  • Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit for list of tested and approved drives
  • Master caddy case: Master Caddy II (included)
  • 75mm x 105mm x 12mm
  • Master caddy dock: 2.5” SATA to USB 2.0/3.0
  • Supported applications: Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke
All specifications correct when published, subject to E&OE.
  • 24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
  • *Available in future firmware updates
  • ^^ Optional unit (XDCA-FS7) needed for Raw output.”
  • Shogun 7 unit
  • Master Caddy II x 1
  • International power supply
  • Carry case
  • Quick start guide