Name: Atomos Ninja RAW 5-inch HDMI Monitor-Recorder
Brand: ATOMOS
SKU: ATOMNJRW01
Price: 699.00 USD
Availability: InStock

Description

Ninja RAW: ProRes/ProRes RAW monitor-recorder with camera control for HDMI & mirrorless cameras
Ninja RAW combines HDMI I/O, 1500nits HDR touchscreen, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools, and camera control/touch to focus for supported cameras. Ideal for content creators with HDMI DSLRs and mirrorless cameras.

Key Features

Super-bright, 1500nit, 5-inch HDR touchscreen display
Camera control – manage start/stop, ISO, shutter, aperture, white balance
Record in Apple ProRes or ProRes RAW direct from the camera sensor to CFexpress Type B media or external USB-C storage
Supports ProRes RAW, ProRes RAW HQ, ProRes LT, 422 & 422 HQ
File-compatible with all leading NLEs, including DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer
Full suite of professional monitoring tools, including EL Zone™ false color, focus peaking, waveform & more
Includes unique tools like Onion Skin overlay to compare frames or align shots
2 x USB-C ports for external storage*, or network adaptor* (*sold separately)
Rugged and reliable – built for real-world production environments
Super mobile – runs on NP-F batteries, USB-C power banks, or DC adaptor

CAMERA CONTROL
Manage start/stop, ISO, shutter, aperture, and white balance with silky smooth, responsive scroll wheel

TOUCHSCREEN CONTROL
Easy to navigate and user-friendly interface for creators & filmmakers alike

1500 NIT HDR DISPLAY
See clearly in any light conditions

USB-C PORTS
Ninja RAW has two USB-C ports, enabling direct attachment of external storage media, network adaptor, or monitor calibration probe (all sold separately).

USB-C PD
Ninja RAW supports USB-C Power Delivery (PD), which allows the device to be powered directly from a compatible USB-C source, including power banks, wall adapters, or hub systems.

CFEXPRESS
Ninja RAW takes performance to the next level with support for high-speed CFexpress Type B cards (sold separately). This cutting-edge media format gives you faster read/ write speeds, higher resolutions, and more reliable recording — ideal for demanding workflows up to ProRes RAW 6K30p.

HDMI IN & OUT
HDMI input supports 6K video up to 30fps, 4K up to 60fps and 1080p up to 120fps. Loop-through passes the incoming HDMI signal from the camera to another device, for example an external monitor, wireless transmitter or live streaming encoder.

Mirrorless/DSLR camera users
Creators using Sony, Canon, Nikon, Panasonic, or Fujifilm mirrorless cameras who want to unlock higher bit-depths and better codecs than their cameras offer internally. The bright HDR touchscreen and advanced monitoring tools greatly improve on-set confidence.

Indie filmmakers
Indie DPs and small production crews who want high-end image quality without the cost or size of cinema cameras. Recording ProRes RAW externally lets you bypass in-camera compression and get maximum dynamic range for narrative films, shorts, documentaries, and commercials.

Professional videographers
Shooters working in fast-turnaround environments who need reliable monitoring, long record times, and files that drop straight into popular NLEs. Camera control, locking cables, and flexible power options make it ideal for on-location and run-andgun work.

Specifications

Product Specifications

Dimensions (W x H x D mm): 151mm x 92mm x 36mm
Weight: 400gms
Mount points: 1 x anti-rotation 1/4-inch & 3/8-inch, top and bottom

Environmental

Ambient operating temperature: Up to 40 degrees Celsius

Construction

Body: Aluminium with ABS plastic
Cooling: Actively controlled fan and heat sink

Power

Input voltage: 6.2V to 16.8V DC
Operating power: Up to 30W
Multi-function button: Power / lock screen
Continuous power: Via NP-F battery or USB-C PD Power
DC in connector: Via Battery Eliminator (optional)
DTAP: Up to 13W
USB PD IN: 45W capable, power supply required
USB PD OUT: Up to 13W

Display

Size: 5.2-inch
Resolution: 1920 x 1080
Backlight Type: Edge lit
Brightness (cdm2 / Nits): 1500
Aspect ratio: 16:9
Color Gamut: Rec.709
Calibration support: Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately)

Color Pipeline

Gamma: Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Gamut: BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display: .Cube format
3D LUT Down Stream: Loop out
3DLUT 50/50: Yes
Monitoring Modes: Native / HLG / PQ / 3D LUT
HDR Output Conversion: Log / HDR to HLG / PQ

Video Input

HDMI: 1 x HDMI (2.0) up to 6Kp30
Locking port: Optional
Wi-Fi : No
USB: 2 x USB-C 2.0/3.0
Bit Depth: 8/10-bit video
Video Chroma Subsampling: 4:2:2

Video Output

HDMI: 1 x HDMI (2.0) up to 6Kp30
Locking port: Optional
Wi-Fi: No
USB: 2 x USB-C 2.0/3.0
Bit Depth: 8/10-bit video
Video Chroma Subsampling: 4:2:2

Metadata

HDMI: RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut

Network

USB: 2 x USB-C 2.0/3.0

Connectivity

Bluetooth: No
LANC: Yes

Audio In/Out

HDMI : 8-channel, 24-bit
Analogue Audio Line In: 3.5mm headphone jack, 2-channel input
Headphone Out: 3.5mm headphone jack, 2-channel
Timecode
Embedded: HDMI
Time of day: Yes
Reference / Genlock input: No
LTC : No
Wireless AirGlu RF Server and Client: No
Wireless AirGlu BT Server: No

Resolution & Frame Rates (Record, Monitor & Playback)

RAW: Up to 6Kp30
4K DCI: 23.98/24/25/29.9/30/50/59.94/60p
4K UHD: 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2048 x 1080: Yes
1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p
1080 PsF: Converted to P and looped out PsF
1080i: 50/59.94/60i
720p: 50/59.94/60p

Supported Media

CF Express: Atomos certified CF Express Type B media
USB: Atomos certified USB 3.0 media
File System: ExFAT
Codecs
Apple ProRes RAW: ProRes RAW, ProRes RAW HQ
Apple ProRes: LT, 422, 422 HQ
Avid DNxHD: DNxHD 220x, 220, 145, 36
Avid DNxHR: LB, SQ, HQ, HQX
H.265: LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0

Playback

Playlist: Yes - create customer playlists from full or sub-clips
Loop: Yes - with user-customizable in/out markers
Apple ProRes RAW: Yes - recorded clips
Apple ProRes: Yes - with linear PCM audio
Avid DNx: Yes - with linear PCM audio
H.265: Yes

Recording

Pre-roll : ProRes, DNxHD only
Timelapse: Yes
Simultaneous Proxy Record: Yes

On-screen Monitoring Tools

Waveform: 3 sizes – adjustable opacity & brightness
RGB parade: 3 sizes – adjustable opacity & brightness
Vectorscope: 2 sizes – adjustable opacity & brightness
1 x Zoom: Yes. 1:1 pixel mapping for 4K
2 x Zoom: Yes
Focus peaking: Colour selected / threshold setting / colour / mono / edges only
Atomos False Color: Yes, with scale
ARRI False Color: Yes
EL Zone: Yes
Zebra: Yes, adjustable
Isolate color channel: Blue only
Cine Frame Guides: Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides: Presets for 9:16, 1:1, 191:1, 4:5
Onion Skin: Yes
Safe areas: Action and graphic
Grid markers: 9 grid
Anamorphic desqueeze: 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Display Flip: Vertical only

Onboard Signal Processing

Pulldown removal: 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD downscale for HD: Loop out - 4K UHD to HD
DCI Crop: Loop out - 17:9 to 16:9 crop

Remote Control