Name: Atomos Ninja RAW 5-inch HDMI Monitor-Recorder
Brand: ATOMOS
SKU: ATOMNJRW01
Price: 699.00 USD
Availability: InStock

Description

Atomos Ninja RAW 5-Inch HDMI Monitor-Recorder

The Atomos Ninja RAW 5-inch HDMI Monitor-Recorder combines a bright 1500-nit HDR touchscreen with professional monitoring, camera control, and high-quality recording. As a result, you can monitor your camera feed while recording Apple ProRes and ProRes RAW up to 6K at 30fps.

Designed for DSLR and mirrorless cameras, the Ninja RAW records directly from your camera over HDMI to CFexpress Type B cards or external USB-C storage. In addition, it provides advanced monitoring tools, flexible power options, and touchscreen camera control in a compact, production-ready design.

Key Features

1500-nit HDR touchscreen for clear viewing in bright shooting environments
ProRes RAW recording up to 6K at 30fps over HDMI
Record Apple ProRes and ProRes RAW directly from your camera
Supports ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and ProRes 422 HQ
Record to CFexpress Type B media or USB-C storage
Camera control for start/stop, ISO, shutter, aperture, and white balance
Professional monitoring tools, including EL Zone™ false color, focus peaking, and waveform
Two USB-C ports for external storage, networking, or calibration accessories
HDMI input and output with loop-through for an external monitor, wireless transmitter, or streaming encoder
Compatible with DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer, and other leading NLEs
Lightweight design with support for NP-F batteries, USB-C power banks, and DC power
Includes locking cable adaptors for HDMI and USB-C connections
Firmware updates can be installed directly over the internet

1500-Nit HDR Touchscreen

First, the Ninja RAW gives you a bright 1500-nit, 5-inch HDR display. Therefore, you can clearly monitor your footage in a wide range of lighting conditions, including bright outdoor locations.

The responsive touchscreen also makes it easy to navigate menus, adjust settings, and control supported cameras. Plus, the compact design keeps professional monitoring tools within easy reach while shooting.

Record ProRes RAW Up to 6K

With the Ninja RAW, you can record high-quality ProRes RAW up to 6K at 30fps from compatible cameras. Instead of relying only on your camera's internal recording options, you can capture footage externally with greater flexibility for post-production.

Furthermore, the Ninja RAW supports Apple ProRes, ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and ProRes 422 HQ. As a result, you can choose the recording format that best fits your camera, production, and editing workflow.

The Ninja RAW records to fast CFexpress Type B media or compatible external USB-C storage. This makes it well suited for demanding video production workflows.

Camera Control

The Ninja RAW also provides touchscreen camera control for supported cameras. You can manage functions such as:

Start and stop recording
ISO
Shutter
Aperture
White balance

In addition, the responsive control interface helps you make adjustments quickly while keeping your attention on the shot.

Professional Monitoring Tools

Beyond recording, the Ninja RAW provides a complete set of professional monitoring tools. For example, EL Zone™ false color helps you evaluate exposure, while focus peaking helps you achieve accurate focus.

You also get waveform monitoring and additional tools designed to give filmmakers and videographers greater confidence on set. Plus, unique features such as Onion Skin overlay make it easier to compare frames and align shots.

HDMI Input and Output

The Ninja RAW features HDMI input and output for flexible production workflows. The HDMI input supports video up to 6K at 30fps, 4K at 60fps, and 1080p at 120fps, depending on the connected camera.

Meanwhile, HDMI loop-through lets you send the incoming camera signal to another device. For example, you can connect an external monitor, wireless transmitter, or live streaming encoder.

Dual USB-C Ports

Two USB-C ports provide additional flexibility for your production setup. You can connect compatible external storage, a network adaptor, or other supported accessories.

In addition, USB-C Power Delivery (PD) lets you power the Ninja RAW from a compatible USB-C power source. For example, you can use a USB-C power bank, wall adapter, or compatible hub system.

CFexpress Type B Recording

For high-performance recording, the Ninja RAW supports CFexpress Type B cards. These high-speed media cards provide the performance needed for demanding recording formats, including ProRes RAW up to 6K at 30fps.

Therefore, CFexpress is an excellent choice for filmmakers who need fast, reliable media for high-resolution video production.

Built for DSLR and Mirrorless Cameras

The Ninja RAW is an excellent companion for creators using Sony, Canon, Nikon, Panasonic, and Fujifilm mirrorless cameras, as well as compatible DSLR cameras.

By recording externally, you can access professional codecs and higher-quality recording options that may not be available through the camera's internal recording system. At the same time, the bright HDR display and monitoring tools make it easier to evaluate your image while shooting.

Ideal for Filmmakers and Videographers

For independent filmmakers, the Ninja RAW provides professional monitoring and external recording without adding the size of a traditional cinema camera setup. Consequently, it is a practical choice for narrative films, documentaries, commercials, and short films.

For professional videographers, the Ninja RAW combines reliable recording, advanced monitoring, camera control, and flexible power options. As a result, it works well for on-location productions, run-and-gun shooting, interviews, events, and other fast-moving workflows.

Compatible With Popular Editing Software

After recording, your footage can move directly into popular post-production workflows. The Ninja RAW is compatible with leading NLE software, including:

DaVinci Resolve
Adobe Premiere Pro
Apple Final Cut Pro
Avid Media Composer

Therefore, you can integrate the Ninja RAW into a wide range of professional video editing workflows.

Flexible Power and Mobile Production

Finally, the Ninja RAW is designed for mobile production. You can power it using NP-F batteries, compatible USB-C power banks, or a DC power adapter.

Because it combines a lightweight design with multiple power options, the Ninja RAW is easy to take from the studio to the field. Whether you're shooting a film, creating online content, producing an interview, or working on a live production, it provides professional monitoring and recording in a compact package.

Specifications

Product Specifications

Dimensions (W x H x D mm): 151mm x 92mm x 36mm
Weight: 400gms
Mount points: 1 x anti-rotation 1/4-inch & 3/8-inch, top and bottom

Environmental

Ambient operating temperature: Up to 40 degrees Celsius

Construction

Body: Aluminium with ABS plastic
Cooling: Actively controlled fan and heat sink

Power

Input voltage: 6.2V to 16.8V DC
Operating power: Up to 30W
Multi-function button: Power / lock screen
Continuous power: Via NP-F battery or USB-C PD Power
DC in connector: Via Battery Eliminator (optional)
DTAP: Up to 13W
USB PD IN: 45W capable, power supply required
USB PD OUT: Up to 13W

Display

Size: 5.2-inch
Resolution: 1920 x 1080
Backlight Type: Edge lit
Brightness (cdm2 / Nits): 1500
Aspect ratio: 16:9
Color Gamut: Rec.709
Calibration support: Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately)

Color Pipeline

Gamma: Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Gamut: BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display: .Cube format
3D LUT Down Stream: Loop out
3DLUT 50/50: Yes
Monitoring Modes: Native / HLG / PQ / 3D LUT
HDR Output Conversion: Log / HDR to HLG / PQ

Video Input

HDMI: 1 x HDMI (2.0) up to 6Kp30
Locking port: Optional
Wi-Fi : No
USB: 2 x USB-C 2.0/3.0
Bit Depth: 8/10-bit video
Video Chroma Subsampling: 4:2:2

Video Output

HDMI: 1 x HDMI (2.0) up to 6Kp30
Locking port: Optional
Wi-Fi: No
USB: 2 x USB-C 2.0/3.0
Bit Depth: 8/10-bit video
Video Chroma Subsampling: 4:2:2

Metadata

HDMI: RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut

Network

USB: 2 x USB-C 2.0/3.0

Connectivity

Bluetooth: No
LANC: Yes

Audio In/Out

HDMI : 8-channel, 24-bit
Analogue Audio Line In: 3.5mm headphone jack, 2-channel input
Headphone Out: 3.5mm headphone jack, 2-channel
Timecode
Embedded: HDMI
Time of day: Yes
Reference / Genlock input: No
LTC : No
Wireless AirGlu RF Server and Client: No
Wireless AirGlu BT Server: No

Resolution & Frame Rates (Record, Monitor & Playback)

RAW: Up to 6Kp30
4K DCI: 23.98/24/25/29.9/30/50/59.94/60p
4K UHD: 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2048 x 1080: Yes
1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p
1080 PsF: Converted to P and looped out PsF
1080i: 50/59.94/60i
720p: 50/59.94/60p

Supported Media

CF Express: Atomos certified CF Express Type B media
USB: Atomos certified USB 3.0 media
File System: ExFAT
Codecs
Apple ProRes RAW: ProRes RAW, ProRes RAW HQ
Apple ProRes: LT, 422, 422 HQ
Avid DNxHD: DNxHD 220x, 220, 145, 36
Avid DNxHR: LB, SQ, HQ, HQX
H.265: LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0

Playback

Playlist: Yes - create customer playlists from full or sub-clips
Loop: Yes - with user-customizable in/out markers
Apple ProRes RAW: Yes - recorded clips
Apple ProRes: Yes - with linear PCM audio
Avid DNx: Yes - with linear PCM audio
H.265: Yes

Recording

Pre-roll : ProRes, DNxHD only
Timelapse: Yes
Simultaneous Proxy Record: Yes

On-screen Monitoring Tools

Waveform: 3 sizes – adjustable opacity & brightness
RGB parade: 3 sizes – adjustable opacity & brightness
Vectorscope: 2 sizes – adjustable opacity & brightness
1 x Zoom: Yes. 1:1 pixel mapping for 4K
2 x Zoom: Yes
Focus peaking: Colour selected / threshold setting / colour / mono / edges only
Atomos False Color: Yes, with scale
ARRI False Color: Yes
EL Zone: Yes
Zebra: Yes, adjustable
Isolate color channel: Blue only
Cine Frame Guides: Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides: Presets for 9:16, 1:1, 191:1, 4:5
Onion Skin: Yes
Safe areas: Action and graphic
Grid markers: 9 grid
Anamorphic desqueeze: 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Display Flip: Vertical only

Onboard Signal Processing

Pulldown removal: 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD downscale for HD: Loop out - 4K UHD to HD
DCI Crop: Loop out - 17:9 to 16:9 crop

Remote Control