Name: Atomos Shinobi 7 II – 7-Inch 2800-Nit HDR Camera Monitor
Brand: ATOMOS
SKU: Shinobi7II
Price: 499.00 USD
Availability: InStock

Description

Atomos Shinobi 7 II – 7-Inch 2800-Nit HDR Camera Monitor

The Atomos Shinobi 7 II is a professional 7-inch HDR camera monitor designed for filmmakers, directors, DPs, camera operators, and video production teams. With a bright 2800-nit touchscreen display, HDMI input and output, advanced monitoring tools, camera control, and touch-to-focus, Shinobi 7 II provides accurate, detailed image monitoring in the studio or in bright outdoor environments.

Key Features

7-inch 1920 x 1200 HDR touchscreen with an ultra-bright 2800-nit display
HDMI input and HDMI output for camera monitoring and signal pass-through
10+ stops of real-time dynamic range from Log, PQ, and HLG signals
Camera control and touch-to-focus for compatible cameras
EL Zone™ false color for precise exposure monitoring
Professional tools including focus peaking, waveform, RGB parade, vectorscope, zebras, zoom, frame guides, and safe areas
Built-in 3D LUT and 1D LUT support with custom .cube file loading
Anamorphic de-squeeze and 16:9 framing for social media production
On-device calibration with compatible Calibrite probes and the Atomos Calibrator app
Flexible power options using USB-C, NP-F batteries, or DC power with a battery eliminator

Bright 7-Inch HDR Touchscreen

The Shinobi 7 II features a 7-inch 1920 x 1200 touchscreen with 2800 nits of brightness, making it easy to see critical image details even in bright sunlight. The display supports Rec.709, PQ, and HLG monitoring, making it suitable for HDR, Log, and SDR workflows.

As a result, Shinobi 7 II works well for studio production, outdoor filmmaking, live production, video village, and mobile camera rigs where accurate monitoring is essential.

Camera Control and Touch-to-Focus

Shinobi 7 II gives operators direct control over compatible cameras from the monitor. On-screen controls allow you to adjust settings such as white balance, aperture, shutter speed or shutter angle, and ISO.

The monitor also supports touch-to-focus with compatible cameras. Simply tap the touchscreen to select a point of interest and let the camera focus accordingly. Supported focus modes can also provide tracking for easier subject acquisition.

Shinobi 7 II can control many compatible Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras over USB-C, as well as Z CAM E2 series cameras using a separately purchased LANC cable.

A red edge indicator can also show when the camera is recording internally, helping operators confirm recording status at a glance.

Professional Video Monitoring Tools

Shinobi 7 II includes a comprehensive set of tools for focus, exposure, framing, and image analysis. These tools help camera operators make accurate decisions while shooting instead of relying solely on the camera's built-in display.

Monitoring features include:

Focus peaking
2:1 and 1:1 image zoom
Zebras
EL Zone™ false color
Waveform monitor
RGB parade
Vectorscope
Frame guides
SMPTE safe areas
Grid markers
3D and 1D LUT support
Anamorphic de-squeeze
16:9 social media framing

EL Zone™ False Color Exposure Monitoring

The built-in EL Zone false color system provides a precise way to evaluate exposure. Instead of relying only on traditional IRE-based false color ranges, EL Zone maps specific colors to exposure values measured in stops of light.

This gives cinematographers and camera operators a consistent visual reference for evaluating highlights, shadows, skin tones, and other areas of the image.

Real-Time LUT Monitoring

Shinobi 7 II can receive Log signals from compatible cameras and display a real-time LUT preview. This allows operators to see an approximation of the final graded image while shooting.

Custom .cube LUT files can be loaded from an SD card and used with the monitor's other exposure and image-analysis tools. This makes it easier to evaluate both the creative look and technical exposure of a shot on set.

10+ Stops of HDR Dynamic Range

Shinobi 7 II can display 10+ stops of dynamic range in real time from Log, PQ, and HLG signals. Its HDR monitoring capabilities help filmmakers evaluate challenging highlights and shadows while shooting.

By bringing more of the post-production workflow onto the camera monitor, Shinobi 7 II helps simplify HDR and Log production and provides a more accurate view of the captured image.

Accurate Monitoring and Calibration

Accurate color and exposure monitoring are essential for professional video production. Shinobi 7 II supports on-device calibration using compatible Calibrite Display Pro HL or Plus HL probes and the Atomos Calibrator app.

Calibration can help maintain reliable HDR and Rec.709 monitoring, giving production teams greater confidence when making critical image decisions on set.

HDMI Connectivity and Flexible Power

The Shinobi 7 II includes one HDMI input and one HDMI output, allowing you to monitor a camera feed and pass the signal through to another display or production device.

USB-C connectivity provides additional functionality, including camera control for compatible cameras. For mobile production, the monitor can be powered using USB-C, an NP-F battery, or DC power through a compatible battery eliminator.

Built for Professional Production

The Atomos Shinobi 7 II is designed for filmmakers, DPs, directors, ACs, camera operators, and production crews who need a large, bright, and accurate camera monitor.

Its 7-inch daylight-viewable display, professional monitoring tools, HDR support, LUT capabilities, camera control, and flexible power options make it well suited for:

Narrative filmmaking
Commercial and corporate video
Documentary production
Outdoor filmmaking
Live and mobile video production
Video village monitoring
Remote camera monitoring
Professional camera rigs
HDR and Log workflows
Anamorphic productions

Specifications

Construction

Body: ABS polycarbonate
Cooling: Passive heat sink
Ambient Operating Temperature: Up to 40 degrees Celsius
Mounting Points: 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom

Power

Input Voltage: 6.2V - 16.8V
Operating power: 5.8V - 7.2V
Multi-function button: Power / lock screen
Continuous power: Via NP-F battery or USB-C PD Power
DC in connector: Via Battery Eliminator (optional)
DTAP: Up to 13W
USB PD IN: 45W capable, power supply required
USB PD OUT: Up to 13W

Display

Size: 7-inch HDR screen with a calibrated peak brightness of 2800nits
Resolution: 1920 x 1080
Backlight Type: Edge-lit
Brightness (cdm2 / Nits): 2800, calibrated peak brightness
Aspect Ratio: 16:9
Color Gamut: Rec.70
Calibration Support: Simple on-device calibration (connect third-party Calibrite probe directly to Shinobi II via USB-C) or use Atomos Calibrator on PC/Mac with Calibrite ColorChecker Display Pro & ColorChecker Display Plus.

Color Pipeline

Gamma: Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Gamut: BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display: .Cube format (17 & 33 points supported)
3D LUT Down Stream: Loop out
3DLUT 50/50: Yes
Monitoring Modes: SDR Native / HDR HLG / HDR PQ / 709 LUT / User LUT
HDR Output Conversion: No

Video Input

HDMI: 1 x HDMI (2.0)
Locking port: Yes
USB: 1 x USB-C 2.0/3.0
Bit Depth: 8/10-bit video
Video Chroma Subsampling: 4:2:2

Video Output

HDMI: 1 x HDMI (2.0)
Locking port: Yes
USB: 2 x USB-C 2.0/3.0
Bit Depth: 8/10-bit video
Video Chroma Subsampling: 4:2:2

Network

Ethernet: 10GbE over RJ45
USB: 1 x USB-C 3.0

Connectivity

LANC: Yes

Audio In/Out

HDMI: 8-channel, 24-bit
Analogue Audio Line In: 3.5mm headphone jack, 2-channel input
Headphone Out: 3.5mm headphone jack, 2-channel

Timecode

Embedded: HDMI (display only)
Time of day: Yes
Reference / Genlock input: No
LTC: No

Resolution and Frame Rates

4K DCI: 23.98/24/25/29.9/30/50/59.94/60p
4K UHD: 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2048 x 1080: Yes
1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p
1080 PsF: Converted to P and looped out PsF
1080i: 50/59.94/60i
720p: 50/59.94/60p

Supported Media

SD: To update firmware and upload LUTs
File System: FAT32, NTFS

On-screen Monitoring Tools

MultiScope Analysis View: Image, WFM, vector, histogram
Waveform: 3 sizes – adjustable opacity & brightness
Histogram: 3 sizes – adjustable opacity & brightness
RGB Parade: 3 sizes – adjustable opacity & brightness
Vectorscope: 1 size – adjustable opacity & brightness
1 x Zoom: Yes. 1:1 pixel mapping for 4K
2 x Zoom: Yes
4 x Zoom: Yes
Focus Peaking: 4 modes (color, black & white, outline, edge sharpening) with adjustable outline color & peaking intensity
Atomos False Color: Yes
ARRI False Color: Yes
EL Zone™ System: Yes
Zebra: Adjustable threshold (50% to 105%)
Isolate Color Channel; Blue only
Cine Frame Guides: Presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9
Social Frame Guides: Presets for 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2
Safe Areas: SMPTE Safe Title Area – 93% & 90%
Grid Markers; 9 grid
Anamorphic Desqueeze: 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x
Display Flip: Horizontal & Vertical

External Device Control

USB-C. Camera control for supported cameras via USB-C. Controllable functions: White Balance, Shutter Speed, Shutter Angle (if supported by camera), Aperture, ISO, Camera Overlays, Record Indicator, Touch to Focus - see Atomos website for camera model compatibility. USB-C port can also be used with external calibrators (no PC required).
Serial 2.5mm Jack: Calibration via optional USB to serial cable