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Atomos Sumo19 Directors Kit
Director's dedicated tool on set. Record and monitor with one, while the director has a dedicated unit to be always in control. Includes: 1x Sumo19 + 1x Sumo19M. Save $700 with this kit! Kit available only through March 30th, 2018.
About the Sumo 19 On-set & In-studio 4Kp60 HDR 19" monitor-recorder
The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording
BUILT FOR PRODUCTION
Rugged construction. Flexible mounting
The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.
QUAD SDI & HDMI 2.0 IN/OUT
Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.
PROFESSIONAL RECORDING
12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60
Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.
MONITOR. SWITCH. RECORD
Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback
Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.
XLR MONITOR & RECORD
Balanced XLR Monitor & Record with 48V Phantom
Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.
GO HDR TODAY
In the field & the studio
Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.
HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING
1200nit 19” calibrated 1920x1080 monitor
The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.
TRUST WHAT YOU SEE
Calibrate for accurate color
Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.
CONTINUOUS POWER
Never go without power
The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.
CHOOSE THE SSD TO SUIT YOUR WORKFLOW
Media solutions that are affordable, time saving and convenient
Sumo records using our patented Master Caddy system. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times. We've tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.
About Sumo19M Monitor Only
Large 1200nit daylight viewable 1920x1080 display with HDR capability
REALTIME EXPOSURE ON SET FROM LOG FOR HDR & SDR
The AtomHDR engine perfectly maps Log/PQ/HLG from popular cameras/ game consoles to SUMO19M’s amazing panel, resolving 10+ stops of HDR in real-time for perfect setting. Pass-on HDR to other devices over HDMI or SDI, in HD or 4K and in Rec709/HLG/PQ. To get the best image from your sensor, you must shoot Log and only AtomHDR makes exposing Log easier, unlocking every camera’s HDR potential. The SUMO19M inputs can be used as an editing and grading companion in the studio with full SDR & HDR support through 709/HLG/PQ.
MONITORING MADE EVEN SIMPLER WITH ATOMOS 8
The SUMO19M is all about performance monitoring; HDR or SDR, 4Kp60 or HD, 12G-SDI or HDMI 2.0 and everything in between. With the recording functions removed, the user interface has been redesigned to emulate a button-based monitor. All the precision scopes can be accessed from the bottom of the screen as an overlay - simple and intuitive adjustments, just like your phone.
Sumo19 Specifications
Weight | |
---|---|
Without batteries, media & stand | 5.45kg / 12.0lb |
With stand | 6.0kg / 13.2lb |
Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
Construction | Aluminium alloy chassis with built in armor protection |
Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
Power | |
---|---|
Operating power | 75W |
Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
Input voltage (battery) | 14.4V nominal |
Battery time | Depends on Watt Hours specification of battery used |
DC In | 1 x DC in (12 - 16.8V) |
Continuous power * Patent pending | Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
Touchscreen | |
---|---|
Size | 19” |
Resolution | 1920 x 1200 |
PPI | 120 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR | |
---|---|
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10% @ center) |
HDR input (PQ/HLG) HDR output (PQ/HLG) | Yes / Yes Yes / Yes |
Video Input/Loop Out | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video Output (Play Out) | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported Loop Out Formats | |
---|---|
HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
Video Signal Conversion | |
---|---|
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Supported Codecs & Frame Rates (Record & Playback) | |
---|---|
Raw Record | Sony FS5/FS7^^/FS700 CDNG 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100/120p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT CDNG 4K DCI; 24/25/30p 10/12 bit 4K UHD; 24/25/30p 10/12 bit 2K HD; 100/120p 10 bit 1080 HD; 100/120p 10 bit Arri Alexa Mini .ARI* 2880x1620; 24/25/30/50/60p 2880x2160; 24/25/30/50/60p |
Raw to ProRes / DNxHR | Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50*/60p 2K DCI; 100/120/200/240p 1080 HD; 100/120/200/240p |
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) | Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; N/A 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p |
Onboard Processing | |
---|---|
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio) | |
---|---|
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
Headphone Out | 3.5mm |
Built-in Speakers | Yes |
Remote Start/Stop | |
---|---|
HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback | |
---|---|
Playlist / Genlock | Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
Recording | |
---|---|
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
SUMO19M Specifications
Weight | |
---|---|
Without batteries, media & stand | 5.35kg / 11.8lb |
With stand | 5.9kg / 13.0lb |
Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
Construction | Aluminium alloy chassis with built in armor protection |
Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
Power | |
---|---|
Operating power | 75W |
Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
Input voltage (battery) | 14.4V nominal |
Battery time | Depends on Watt Hours specification of battery used |
DC In | 1 x DC in (12 - 16.8V) |
Continuous power * Patent pending | Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
Touchscreen | |
---|---|
Size | 19” |
Resolution | 1920 x 1200 |
PPI | 120 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR | |
---|---|
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10% @ center) |
HDR input (PQ/HLG) HDR output (PQ/HLG) | Yes / Yes Yes / Yes |
Video Input/Loop Out | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | 2 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video Output (Play Out) | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported Loop Out Formats | |
---|---|
HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
Video Signal Conversion | |
---|---|
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
- 1x Sumo19 Unit
- 1x Sumo19M Unit
- 2x Master Caddy II
- 2x AC power supply
- 2x BattWing mounting bracket with 8x screws
- 4x Desktop Feet with 8x 1/4” Mounting screws
Warranty 1 year. Extended to 3 years on product registration
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