Physical Specifications
Dimensions (W x H x D mm)- 310mm / 12.2" x 504 mm / 19.8" x 63mm / 2.5"
Weight Mount points T- op: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8"
VESA mount Environmental
Ambient operating temperature Construction and Control
Cooling - Actively controlled fan and Heat Sink
Tally light Multi-function button Touch Screen Power
Input voltage Operating power Compatible batteries - V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended.
Battery voltage Battery Run time (Record) - Depends on Watt Hours specification of battery used
Battery Run time (Monitor only) - Depends on Watt Hours specification of battery used
Continuous power - Dual Battery input via dedicated 4 pin XLR
DC in connector Dtap - Via optional D-Tap to 4 Pin XLR cable.
Display
Touchscreen - SuperAtom IPS panel (capacitive touch)
Size Resolution PPI Bit depth Backlight Type - Optically bonded quantum dot
Brightness (cdm2 / nits) - 1200nit (+/- 10% @ center)
Aspect ratio De-interlace mode Color Gamut Calibration support - Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma - Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
Gamut - BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWide
3D LUT Display 3D LUT Output 3DLUT 50/50 Monitoring Modes - Native/ 709 / HLG / PQ / 3D LUT
HDR output Conversion Color Management
Calibration - Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display Controls - Backlight, Lift, Gamma, Gain
AtomHDR - Built in Technical Log to HDR EOTF
3D LUTs - Display, monitor and output, Record, Load via SSD
Legalize - Full to Legal conversion available on Input
Video Input
HDMI HDMI RAW SDI - 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
SDI RAW - Apple ProRes RAW up to 6Kp30
Bit Depth - 8/10Bit Video / RAW up to 12Bit
Video Chroma Subsampling HDR Metadata
SDI - File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
File Naming
Standard Via SDI Video Output
HDMI SDI loop out - 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
SDI Play out - 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
Video Chroma Subsampling Bit Depth Web Streaming
USB UVC - Optional via ZATO Connect / USB Stick
Video Signal Conversion
HDMI to SDI SDI to HDMI Audio In/Out
Audio Quality Audio Codec HDMI - 8ch 24Bit, input dependent
SDI - 12ch 24Bit, input dependent
Analogue Audio in Analogue Audio Out Speakers Headphone out Timecode / Sync
Embedded Time of day LTC - LTC via BNC input in Record mode
Genlock Resolution and Frame Rates (Record, Monitor & Playback)
4k DCI 4k UHD 2K DCI 2046 x 1080 FHD 1920 x 1080 Progressive FHD 1920 x 1080 PsF FHD 1920 x 1080 Interlaced 1280 x 720p 6K RAW 4K RAW 2K RAW Recording CODEC
CDNG Apple ProRes RAW - ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60
Apple ProRes - Apple ProRes HQ / 422 / LT up to 4Kp60
Avid DNxHD Avid DNxHR Playback
Playlist - Yes, Create custom play lists from full or sub clips
Loop - Yes, with user customizable in / out markers
CDNG Apple ProRes Raw - Yes, recorded clips with linear PCM
Apple ProRes - HQ / 422 / LT - Yes with linear PCM
Avid DNx - DNxHR / DNxHD - Yes with linear PCM
Monitoring
SDR HDR De-Interlace Recording functions
Pre-roll record - Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record - 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record Timelapse Multi Input / Switching
SDI A/B toggle - Yes, supports up to 12G SDI per input
Dual Input display Multiple SDI input - Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Multiview Display Input transitions - Auto or manual XML transition
Input Switching Supported media
Master Caddy I SSDmini - Yes (AtomX SSDmini handle required)
CFast II File System Interface Master Caddy III On screen tools
Waveform RGB parade Vector scope 1 x Zoom - Yes. 1:1 Pixel mapping for 4K
2 x Zoom Focus peaking - Colour selected / threshold setting / colour/ Mono / edges only
False colour Zebra Isolate color channel Cine Frame Guides - 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides Safe areas - SMPTE frame size – Action and Safe
Grid markers Anamorphic desqueeze - Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
Display Flip False Color Onboard Signal Processing
4K UHD Downscale for HD DCI Crop - Loop out - 17:9 to 16:9 Crop
I > P PSF > P - 24/25/30pSF > 24/25/30p (2:2 pulldown)
Remote control
HDMI - Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI - SDI trigger, camera selectable
Serial 2.5mm Jack - LANC control and calibration via optional USB to serial cable
Cut & Tag
FCP XML - Cut tag EDL and Multicam with transitions in FCP XML
Supported Applications
XML Apple ProRes RAW - Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
Video Codecs - All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
Warranty
Standard Extended Target use / User
Cinema Director Monitor Mixer/Swircher/ProAV Rack/OB DIT/Video Village Pro Video Editor/Colorist