Atomos Sumo 19 4Kp60 HDR Monitor-Recorder Twin Kit
Atomos Sumo 19 4Kp60 HDR Monitor-Recorder Twin KitAtomos Sumo 19 4Kp60 HDR Monitor-Recorder Twin KitAtomos Sumo 19 4Kp60 HDR Monitor-Recorder Twin Kit

DISCONTINUED PRODUCT

Unfortunately this product has been discontinued but I'm sure we had a new and better option.   Search above or contact us via email or chat.  

VideoGuys Part # (SKU): SUMO19TKIT
Volume Discount Solution - Save $800! Cost effective solution to Monitor and Record using two units at the same time separately or together. Available only through March 30th.
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  • Specifications
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Atomos Sumo19 Twin Kit: 2x Sumo19


Volume Discount Solution - Save $800! Cost effective solution to Monitor and Record using two units at the same time separately or together. Available only through March 30th.


On-set & In-studio 4Kp60 HDR 19" monitor-recorder


The Sumo19 is the first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording


BUILT FOR PRODUCTION
Rugged construction. Flexible mounting


The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.


QUAD SDI & HDMI 2.0 IN/OUT


Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.


PROFESSIONAL RECORDING
12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60


Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.


MONITOR. SWITCH. RECORD
Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback


Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.


XLR MONITOR & RECORD
Balanced XLR Monitor & Record with 48V Phantom


Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.


GO HDR TODAY
In the field & the studio


Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.


HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING
1200nit 19” calibrated 1920x1080 monitor


The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.


TRUST WHAT YOU SEE
Calibrate for accurate color


Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.


CONTINUOUS POWER
Never go without power


The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.


CHOOSE THE SSD TO SUIT YOUR WORKFLOW
Media solutions that are affordable, time saving and convenient


Sumo records using our patented Master Caddy system. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times. We've tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.

Sumo19 Specifications





























Weight
Without batteries, media & stand5.45kg / 12.0lb
With stand6.0kg / 13.2lb
Dimensions (W x H x D mm)504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
ConstructionAluminium alloy chassis with built in armor protection
Mounting Points1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
VESA mount rear































Power
Operating power75W
Compatible batteriesV-Lock / Anton Bauer via XLR terminal 
(optional mounting plates available) 
95Wh or larger recommended.
Input voltage (battery)14.4V nominal
Battery timeDepends on Watt Hours specification of battery used
DC In1 x DC in (12 - 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system. 
Change batteries without losing power 
Loop batteries continuously







































Touchscreen
Size19”
Resolution1920 x 1200
PPI120
Aspect ratio16:9 native
Color GamutREC709 HDTV
Look up table (LUT) support3D LUT (.cube format)
Anamorphic de-squeeze2x, 1.5x, 1.33x, Panasonic 8:3
TechnologySuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit































HDR
AtomHDRYes
Supported Log formatsSony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported GamutsSony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth10-bit (8+2 FRC)
Brightness1200nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes



















Video Input/Loop Out
HDMI1 x HDMI (2.0)
SDIQuad link 4 x 3G SDI* or up to 12G single link SDI
SignalUncompressed true 10-bit or 8-bit 422
(camera dependent)



















Video Output (Play Out)
HDMI1 x HDMI (2.0)
SDI1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
SignalUncompressed true 10-bit or 8-bit 422
(playback file dependent)















Supported Loop Out Formats
HDMI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI720p 50/60, 1080i 50/60 
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60















Video Signal Conversion
HDMI to SDI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60





















Supported Codecs & Frame Rates (Record & Playback)
Raw RecordSony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p 
4K UHD; 
2K; 24/25/30/50/60/100/120p 
1080; not supported in camera

Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; not supported in camera
1080; not supported in camera

Panasonic VaricamLT CDNG
4K DCI; 24/25/30p 10/12 bit
4K UHD; 24/25/30p 10/12 bit
2K HD; 100/120p 10 bit
1080 HD; 100/120p 10 bit 

Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p 
2880x2160; 24/25/30/50/60p 

Raw to ProRes / DNxHRSony FS5/FS7/FS700 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50/60p 
4K UHD; 
2K; 24/25/30/50/60/100/120/200/240p 
1080; not supported in camera

Canon C300MKII/C500 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; not supported in camera
1080; not supported in camera

Panasonic VaricamLT 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50*/60p 
2K DCI; 100/120/200/240p
1080 HD; 100/120/200/240p

Video to ProRes / DNxHR 
(DNx utilizes a .MOV wrapper)
Codecs 
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 
4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50/60p 
2K; N/A 
1080p; 24/25/30/50/60/100^/120^/200/240p 
1080i; 50/60i 
720p; 50/60p















Onboard Processing
Pulldown removal24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoringYes - Loop-out and playback (Not available in RAW)



























Audio In/Out (48kHz PCM Audio)
HDMI2 or 8ch 24-bit, camera dependent
SDI12ch 48kHz 24-bit
Audio2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Headphone Out3.5mm
Built-in SpeakersYes



















Remote Start/Stop
HDMIAuto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDISDI trigger camera selectable
OtherLANC control - Slave























Playback
Playlist / GenlockYes / Yes
CDNG (Recorded content)No support
ProRes (Recorded content)All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content)All recorded files can playback. Playback in slow motion >= 100fps



















































Recording
Pre-roll recordYes (HD 8s, 4K 2s)
Custom timelapseYes
Meta data taggingYes (10 tags available)
Supported media2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy caseMaster Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock2.5” SATA to USB 2.0/3.0
Supported applicationsSupported Applications FCPX/FCP7+ / 
Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML supportFCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories includedSumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x 
screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply
Optional extrasSunhood, VESA battery adapter plate, Atomos HDMI 
cable, X-Rite i1DisplayPro calibration
Warranty1 year. Extended to 3 years on product registration

All specifications correct when published, subject to E&OE.


24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution


* Available in future firmware updates


*** No HDMI spec for 2K DCI


^ From supported HDMI sources such as gaming consoles and graphics cards.


^^ Optional unit (XDCA-FS7) needed for Raw output.




  • 2x Sumo19 Unit

  • 2x Master Caddy II

  • 2x BattWing mounting bracket with 8x 
    screws

  • 4x Desktop Feet with 8x 1/4” Mounting screws

  • AC power supply


Warranty: 1 year. Extended to 3 years on product registration

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