A New Premiere
Digital Content Producer By Jan Ozer 
Native HDV editing, improved color correction, and better encoding debut in Premiere Pro 2.0. Unless you've been under a rock for the last few months, you've undoubtedly heard about the high-profile new features in Adobe Premiere Pro 2.0. (If not, visit digitalcontentproducer.com for more.) These include the new clutter-free interface, four-camera multicam editing, DVD authoring on the timeline, and improved Adobe integration. You've probably also seen the initial reviews, which are almost universally glowing, and for good reason; Premiere Pro 2.0 and the entire Adobe Production Suite are significant steps forward in terms of ease of use, features, and interoperability. Given that you probably already know the high-level story, this article discusses some lesser known features and improvements in Premiere Pro 2.0 that you may not be aware of. Let's start with one of the most important  improved HDV down-sampled quality. read more...
Native HDV editing, improved color correction, and better encoding debut in Premiere Pro 2.0. Unless you've been under a rock for the last few months, you've undoubtedly heard about the high-profile new features in Adobe Premiere Pro 2.0. (If not, visit digitalcontentproducer.com for more.) These include the new clutter-free interface, four-camera multicam editing, DVD authoring on the timeline, and improved Adobe integration. You've probably also seen the initial reviews, which are almost universally glowing, and for good reason; Premiere Pro 2.0 and the entire Adobe Production Suite are significant steps forward in terms of ease of use, features, and interoperability. Given that you probably already know the high-level story, this article discusses some lesser known features and improvements in Premiere Pro 2.0 that you may not be aware of. Let's start with one of the most important  improved HDV down-sampled quality. read more...
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