F-Stoppers Adobe Creative Cloud Wish List

Adobe Creative Cloud today has all adobe apps that can work together easily. Adobe today is still one of the most popular editing software's. Wouter du Toit gives us some insight on some wishes he has to improve general workflow for videographers and photographers.

Changes We Wish Adobe Would Make to Creative Cloud

Adobe is known as being the creator of Photoshop. Then, they went and bought Macromedia in 2005 which changed the game a lot for the creative industry. Since then, apps were bundled, we’ve moved to a subscription model with Creative Cloud, and all the apps now work together intuitively. I have a great respect for the company that makes the software I use every day. But there are certain workflows that I think can improve. And, being a photographer and videographer, my advice and opinion stretches across most of the apps they have. Let’s go through each one of them, and hopefully get some input with regards to the changes you'd like to see them make.

Adobe Premiere Pro Renders with Adobe Premiere apparently take a lot longer than renders with Final Cut Pro. According to the guys using both, 4K footage in Final Cut is a breeze, as the app is optimized for the Mac. “It’s like magic!” is not something you hear from the Premiere camp very often unless you have built some sort of super computer. I’m ok with waiting for it, my Creative Cloud subscription gives me more than Apple’s Final Cut will. But I hate wasting time. Adobe can surely start using the mobile Creative Cloud app to send through notification when my Mac is finished rendering the video. It's all connected anyway, so let's make use of it Adobe.

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Adobe can also make it possible to record a screen with Adobe Premiere Pro. Editors can then include their screen into the video they are producing with ease. It is a video editor, I get it, but we as videographers use the media online more and more in our work. This can be a great add on to Premiere’s capabilities. And finally, the ability to edit multi-cam footage as it plays through. So you can play four or 6 compositions simultaneously and select which one best suits the video at that specific moment in time. I imagine it to be something similar to the editing of a live news or sports feed where the editor chooses which camera to switch to to best show the sports or news to the viewer as it happens. Click here to read the full article from Fstoppers