Blog

The NLE that wouldn’t die II
The NLE that wouldn’t die II
Final Cut Pro Is Dead (Or Why I'm Stuck With Premiere)
Final Cut Pro Is Dead (Or Why I'm Stuck With Premiere)
10 Things Final Cut 7 Switchers Should Know about Premiere Pro CC
10 Things Final Cut 7 Switchers Should Know about Premiere Pro CC
Apple’s evolving view of “pro”
Apple’s evolving view of “pro”
Digital Video Rendering/Export Strategies
Digital Video Rendering/Export Strategies
10 New Premiere Pro CC Features Final Cut Pro Editors Will Love
10 New Premiere Pro CC Features Final Cut Pro Editors Will Love
Adobe Premiere Pro CC: Wish List Scorecard
Adobe Premiere Pro CC: Wish List Scorecard
NLE software – different is not better
NLE software – different is not better
Scott Simmons: I miss digitizing footage from video tape
Scott Simmons: I miss digitizing footage from video tape
Thoughts for Video Pros: Embracing the Amateur
Thoughts for Video Pros: Embracing the Amateur
Frame of Reference with Editor Shane Ross
Frame of Reference with Editor Shane Ross
Motu display the HDX-SDI with Thunderbolt at NAB 2013
Motu display the HDX-SDI with Thunderbolt at NAB 2013
An Early Look at the Next Version of Adobe Premiere Pro
An Early Look at the Next Version of Adobe Premiere Pro
Tiffen DFX 3.0: Color Grading, Lab Processes, & More
Tiffen DFX 3.0: Color Grading, Lab Processes, & More
Diary of an Avid Switcher – Solutions for FCP Editors
Diary of an Avid Switcher – Solutions for FCP Editors
Synched Up and Grown Up: Red Giant’s PluralEyes 3 Evolves Into A Robust Editorial Tool
Synched Up and Grown Up: Red Giant’s PluralEyes 3 Evolves Into A Robust Editorial Tool
What to watch out for with FCPX
What to watch out for with FCPX
Staying Current with Post-Production
Staying Current with Post-Production
Could Final Cut Pro X Be the NLE of the Future?
Could Final Cut Pro X Be the NLE of the Future?
Shane Ross Reviews AJA T-TAP
Shane Ross Reviews AJA T-TAP
Looking ahead to 2013 in post-production
Looking ahead to 2013 in post-production