Blog

Vimeo by Richard Bently Hi everyone,Here's a technique I use to work offline and then online with my Canon H.264 files with Avid Media Composer 5.5...

Post Blog by Brady BetzelBURBANK - Just before an Avid-hosted event last night on the Warner Bros. lot, editors who gathered there were discussing ...

MORE THAN JUST INEXPENSIVE HD MONITORING FOR AVID MEDIA COMPOSER LIGHTNING FAST H.264 ENCODING TOO! Avid's support of Matrox MXO2 Mini was the ta...

HDVideoPro by Mel LambertAs the saying goes, necessity is the mother of invention. Or, more prosaically, we often can extend our creative skills th...

Production Apprentice by John DeMaio I have been using PluralEyes for my Final Cut System ever since I purchased my Canon 7D last year. I have also...

EventDV by Tim Siglin Macintosh-based video editing tools are some of the best on the market, from Apple's Final Cut Pro to Adobe's Premiere Pro. Y...

digitalfilms by Oliver PetersAvid was first out of the gate in the run-up to NAB with its release of the Media Composer 5.5 update for this flagshi...

Gizmodo by Matt Toder Matt Toder has been editing video professionally for eight years, and currently works at Gawker.TV. These are his thoughts on...

PVC Editing & Post by Terrance Curren The March 2011 Editors’ Lounge HTTP:/?/?editorslounge.com/? was the 8th year of our annual NAB discuss...

The EDIBLOG on PVC by Scott Simmons An almost major update packs quite a few nice, new features.It was a few weeks ago that Avid shipped another up...

Videography by Oliver Peters Last year Blackmagic Design brought in its showstopper: DaVinci Resolve on the Mac for $1,000. No one expects that typ...

Little Frog in High Def by Shane Ross Maximum…Max. I’m talking the Matrox MAX system…the H.264 encoding engine in their MXO2 with MAX product line...