Interview with G-Tech about the New Atomos Master Caddy and the RED Mini Mag workflow

Interview with G-Tech about the New Atomos Master Caddy and the RED Mini Mag workflow

Atomos
David Shapton from Red Shark interviewed G-Technology's Greg Cosby about the new Atomos Master Caddy and the RED Mini Mag workflow. Don't miss this...
BIG NEWS! RED to Support Avid DNXHR and DNXHD

BIG NEWS! RED to Support Avid DNXHR and DNXHD

Avid
This is very big news for Avid editors and Red shooters. RED announced that they will be able adding support for direct recording into Avid DNXHR a...
Video Data Rates - 4K and above

Video Data Rates - 4K and above

4K
Vashi of VashiVisuals has put together a great article on data rates for 4K and higher camera formats. This is super valuable information for those...

New! Red Giant Magic Bullet Suite 12 available now at Videoguys! Upograde for $189!!

ColorFCP
Color correction, finishing and film looks for filmmakers Magic Bullet Suite is a set of seven tools that bring intuitive, powerful color correction, and beyond, right to your editorial timeline. Magic Bullet Suite 12 includes new versions of Magic Bullet Looks, Colorista, Mojo & Cosmo, plus the all new Magic Bullet Film.

Magic Bullet Suite 12

Magic
I believe that color correction is an essential part of filmmaking that can increase production value, elevate a consumer camera to a cinematographer?s tool, and communicate a filmmaker?s emotional intent.

New Magic Bullet Suite 12 Features Film Stock Emulation and Real-Time Playback

Magic
Red Giant Software today released Magic Bullet Suite 12, the latest version of its popular post-production plugin suite. Personally I'm a big Colorista fan, which is a deceptively simple plugin ? at first glance it seems like a glorified three-way color corrector (something that's built-in for many NLEs), but it offers much more advanced features like a keyer (to restrict corrections to certain colors), HSL wheels, and secondary corrections.

Bigger team. Bigger savings on Creative Cloud at Videoguys

Adobe
With Creative Cloud for teams, creative professionals like you get access to all of Adobe?s latest desktop apps ? including Premiere Pro, After Effects and Photoshop ? with hundreds of new features and performance improvements, so you can create and collaborate seamlessly. Administrators get the control they need for easy deployment and seat management. Do your best work more efficiently using the latest innovations and modern standards.

From The Set To Post: Red Giant?s Shooter Suite 12.5 is a complete workflow solution

Adobe
With Adobe Premiere Pro, Apple Final Cut Pro and Avid Media Composer battling each other for the NLE system crown, one company that has benefited from this war is Red Giant. Founded in 2003, the San Francisco-based company creates plug-ins not only for NLEs, but also compositing software such as After Effects and The Foundry's Nuke. Some of their programs, such as Magic Bullet Suite and Knoll Light Factory, have been used on a number of high-profile features like The Aviator, Grindhouse and Spy

RED GIANT RELEASES OFFLOAD: A NEW FOOTAGE BACKUP UTILITY FOR ALL CAMERAS AND MEDIA FORMATS

Playstation3
Red Giant has released Offload, a brand new standalone application for reliable backup of footage in the field. Available alone or as part of the Red Giant Shooter Suite, Offload makes the often unreliable and tedious task of backing up files from camera card to laptop and external drives a hassle-free experience.
Boris Red 5.5 for Media Composer Editors

Boris Red 5.5 for Media Composer Editors

Avid
PVC by Kevin P McAuliffe This webinar replay will give you a new look at a classic AVX plug-in/app with a major update! More and more these days, ...
Boris RED 5.5 & Continuum Complete AVX 9 for Avid Editors

Boris RED 5.5 & Continuum Complete AVX 9 for Avid Editors

Avid
Boris RED 5.5 & Continuum Complete AVX 9 for Avid Editors.  50% Off Boris Red & Special Subscription Offersfor Avid Editors a...
REVIEW: HP Z820 Workstation

REVIEW: HP Z820 Workstation

Adobe
Definition MAgazine by Adam Garstone You hear a lot at the moment about productions being ‘4k end-to-end’ – though that generally means that they a...