Boris FX Announces Boris RED 5.5 for the Avid Product Family

Boris FX Announces Boris RED 5.5 for the Avid Product Family

Avid
New Green Dot RT Effects and Performance Improvements, Enhanced Text Support on Mac and Windows Platforms, Compatibility with the Latest Avid Syste...
2014 NAB Show Preview: First Look at the Trends, Tools and Technologies

2014 NAB Show Preview: First Look at the Trends, Tools and Technologies

Adobe
Creatvie Planet Network by Oliver Peters NAB Show technology trends tend to evolve over a period of three years. The first year marks the introduct...
Time to go 4K?

Time to go 4K?

4K
ProductionHUB by Blare Video Whether you are considering your options for you next TV Commercial, Music Video, or Corporate video you owe it to you...
Working with PremierePro CC & the New Mac Pro

Working with PremierePro CC & the New Mac Pro

4K
DAV's Tech Table by Dave Helmly In this video Dave Helmly gives you a quick tour of Apple's New Mac Pro running Premiere Pro CC in various workflow...
Short film shot on RED in 4k edited on Macbook Pro using Adobe Premiere Pro software

Short film shot on RED in 4k edited on Macbook Pro using Adobe Premiere Pro software

4K
PVC by Meagan Keane Malaysian-born filmmaker debuts short film at Sundance Diffan Norman is not just a filmmaker, he’s a multidisciplinary artist, ...
RED gets huge GPU workflow boost!

RED gets huge GPU workflow boost!

GPU
RedShark by Freya Black It has come as a massive surprise to users of red cameras as it has always been a much requested feature but the official ...
No ROCKET Necessary: 3rd Party GPU Acceleration is Coming to REDCINE-X PRO

No ROCKET Necessary: 3rd Party GPU Acceleration is Coming to REDCINE-X PRO

Dragon
nofilmschool by Joe Marine While proprietary used to be the name of the game, we are entering an age where camera systems and post solutions are ch...
The 4K evolution is not about 4K

The 4K evolution is not about 4K

4K
RedShark by Patrick Jong Taylor For consumers, the switch to 4K is inevitable. But the transition may not be as impactful for manufacturers as the...
We Make Movies (Better): A Final Cut Pro X/RED feature film workflow, part 1

We Make Movies (Better): A Final Cut Pro X/RED feature film workflow, part 1

FCPX
MovieMaker by Sam Mestman Part 01: Project Prep – How to properly bring in your RED footage and build your project in FCP X. It’s literally shockin...
Avid Whitepaper: Digital Cinema Camera Workflows

Avid Whitepaper: Digital Cinema Camera Workflows

Alexa
By Avid With the ability to track multiple sources and timecodes, combined with AMA and open standards such as MXF, AAF, and DNxHD, Media Composer ...
Offline to online with 4K

Offline to online with 4K

4K
digitalfilms by Oliver Peters The 4K buzz seems to be steam-rolling the industry just like stereo3D before it. It’s too early to tell whether it w...
2013 Forecast: Bigger, Faster, Stronger: Plan for Higher Resolution and More Robust Systems

2013 Forecast: Bigger, Faster, Stronger: Plan for Higher Resolution and More Robust Systems

4K
creative PLANET network by Oliver Peters The largest movement this year in the film and video sector has to be in cameras. There are more than ever...