AudioMicro by Kes Akalaonu
The job of a video editor is a very challenging and intense position that sometimes is overlooked by the audience. It is their job to weave hours of footage into a coherent and comprehensive piece of art that is enjoyed by the masses. Most people wouldn’t understand the work that goes into making a 30 second commercial, 30 minute television show, or two hour movie unless they see a behind the scenes package on a DVD or an online featurette. However, there are some editors who have shared the process from start to finish via time lapses. I will share some video editor time lapses from a wide spectrum of works to showcase the amount of time and effort it takes to complete a project.
Television Editor Time Lapse
TV editor Matt Barber shows us the process of cutting an episode of the NBC series, Chuck. Working on Avid Media Composer, Matt spends the first nine days going through the dailies he received from the set, and picking out takes based on set notes building a selects sequence. From there, he creates a director’s cut of the episode to be shown to the director before it goes out to the producers for approval. After he receives notes from the director’s cut, he begins constructing a producer’s cut which will be reviewed by the studio executives. After he has gone through the director, producer, and network for approval, his episode enters picture lock so it can be sent in for audio, color, and VFX finishing. In a span of almost 30 days, it took Matt that much time to get an episode of Chuck to air. If you think that is intense, nothing is more intense and stress inducing than getting an SNL digital short done.
SNL ‘Beygency’ Time Lapse
Film editor Adam Epstein has to work under the tightest of deadlines to get content on air for Saturday Night Live. In most cases, Adam is usually getting content within an hour of the show airing live on Saturday. In this time lapse, Adam shows us his edit of a SNL short called Beygency, which parodies the Adjustment Bureau and singer Beyonce Knowles. Starting Friday afternoon at 4 PM until Saturday morning at 1:37 AM, Adam uses a full Adobe workflow. This consists of tools such as Premiere Pro, After Effects, Mocha Pro, Illustrator, and Photoshop. He uses these to edit, composite, lay audio, and finish the short. Working with footage coming off RED cameras and more, Adam is able to take this short from start to finish for our viewing pleasure. The first time I saw this, I was in complete awe of what was happening in front of me. It’s like watching someone complete a 48-hour film race right before your eyes. Some projects may not have as tight of deadline as an SNL short, but watching them come together is still a joy to watch. read more...