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"6 Months Deep" - Editing Reality TV with Adobe Premiere CS6

"6 Months Deep" - Editing Reality TV ...

The REEL LIFE by Here at The Division we create reality TV. We have a couple shows on air right now, and a few in development. Since the very beginning...

"6 Months Deep" - Editing Reality TV ...

The REEL LIFE by Here at The Division we create reality TV. We have a couple shows on air right now, and a few in development. Since the very beginning...

The NLE that wouldn’t die

The NLE that wouldn’t die

digitalfilms by Oliver Peters It’s been 18 months since Apple launched Final Cut Pro X and the debate over it continues to rage without let-up. Apple likely has good sales...

The NLE that wouldn’t die

digitalfilms by Oliver Peters It’s been 18 months since Apple launched Final Cut Pro X and the debate over it continues to rage without let-up. Apple likely has good sales...

MediaStorm Guide to Navigating the Adobe Premiere Pro Timeline

MediaStorm Guide to Navigating the Adobe Premie...

MedaiStorm by Eric Maierson This is the first of a new series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro after years of...

MediaStorm Guide to Navigating the Adobe Premie...

MedaiStorm by Eric Maierson This is the first of a new series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro after years of...

Popular switches to Adobe Premiere Pro CS6 for latest Burton Snowboards film—“13”

Popular switches to Adobe Premiere Pro CS6 for ...

Adobe Beyone Adobe on PVC by Kathy Charneco Award-winning creative company produces epic work using a variety of footage and an Adobe centered workflow Imagine some of the world’s most...

Popular switches to Adobe Premiere Pro CS6 for ...

Adobe Beyone Adobe on PVC by Kathy Charneco Award-winning creative company produces epic work using a variety of footage and an Adobe centered workflow Imagine some of the world’s most...

Adobe Premiere, It’s Damn Good

Adobe Premiere, It’s Damn Good

MediaStorm by Tim McLaughlin Editor’s note: After seven years working with Apple’s Final Cut Pro, we have decided to begin using the Adobe Production Suite. We were early adopters of...

Adobe Premiere, It’s Damn Good

MediaStorm by Tim McLaughlin Editor’s note: After seven years working with Apple’s Final Cut Pro, we have decided to begin using the Adobe Production Suite. We were early adopters of...

Why I’m Switching to Abobe Premiere, not Final Cut X

Why I’m Switching to Abobe Premiere, not Final ...

MediaStorm by Eric Mailerson Editor’s note: After seven years working with Apple’s Final Cut Pro, we have decided to begin using the Adobe Production Suite. We were early adopters of...

Why I’m Switching to Abobe Premiere, not Final ...

MediaStorm by Eric Mailerson Editor’s note: After seven years working with Apple’s Final Cut Pro, we have decided to begin using the Adobe Production Suite. We were early adopters of...